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France-Italie : un dialogue théâtral depuis 1950
Actes du Colloque international- (Abbaye d’Ardenne les 1 er -2 décembre 2006)©2008 Edited Collection -
Une lecture de «Im Zwischenland»
Le paradigme de l’altérité au cœur de la création romanesque de Lou Andreas-Salomé©2012 Monographs -
Time and Space in Words and Music
Proceedings of the 1 st Conference of the Word and Music Association Forum, Dortmund, November 4-6, 2010©2013 Conference proceedings -
The Gould Variations
Technology, Philosophy and Criticism in Glenn Gould’s Musical Thought and Practice©2012 Thesis -
Recasting Moses
The Memory of Moses in Biographical and Autobiographical Narratives in Ancient Judaism and 4th-Century Christianity©2013 Thesis -
Translation Studies and Eye-Tracking Analysis
©2013 Edited Collection -
Présences de George Sand en Pologne
©2017 Monographs -
The Metamorphoses of Ancient Myths
©2017 Edited Collection -
Listening Well
On Beethoven, Berlioz, and Other Music Criticism in Paris, Boston, and New York, 1764-1890©2009 Monographs -
From Stage to Page
Critical Reception of Irish Plays in the London Theatre, 1925–1996©2011 Monographs -
Image, Reproduction, Texte- Bild, Abbild, Text
©2012 Thesis -
Disputable Core Concepts of Narrative Theory
©2012 Edited Collection -
L’œuvre musicale, entre orchestre et école
Une approche didactique de pratiques d’écoute musicale©2014 Monographs -
Max Reinhardt
L’art et la technique à la conquête de l’espace – Kunst und Technik zur Eroberung des Raumes©2017 Conference proceedings