New Studies in European Cinema
With its focus on new critical, theoretical, and cultural developments in contemporary film studies, this series encourages lively analytical debate within an innovative, multidisciplinary, and transnational approach to European cinema. It aims to create an expansive sense of where the borders of European cinema may lie and to explore its interactions and exchanges within and between regional and national spaces, taking into account diverse audiences and institutions. The series reflects the range and depth of European cinema, while also attempting to revise and extend its importance within the development of cinema studies in the coming decades. Of particular interest is how European cinema may respond to the challenges of digital distribution and the new intermedial landscape, evolving issues in transnational funding and production, the significance of film festival culture, and questions of multivocality and pluralism at a time of global crisis. The impact of all such developments upon European culture and identity will be of fundamental interest in the coming decades and the New Studies in European Cinema series makes a key contribution to this debate.
Proposals for monographs and edited collections are welcome. All proposals and manuscripts undergo a rigorous peer review assessment prior to publication.
Titles
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Reframing the European Other
Identity and Belonging in Contemporary French and German CinemaVolume 24©2024 Monographs 316 Pages -
Haunting the Left Bank
Mortality and Intersubjectivity in Varda, Resnais and MarkerVolume 23Monographs 300 Pages -
From Self-Portrait to Selfie
Representing the Self in the Moving ImageVolume 22©2019 Edited Collection 276 Pages -
Mapping Cinematic Norths
International Interpretations in Film and TelevisionVolume 20Edited Collection 300 Pages -
Listening to the French New Wave
The Film Music and Composers of Postwar French Art CinemaVolume 16©2014 Monographs 300 Pages