Loading...

results

26 results
Sort by 
Filter
Search
Search in
Search area
Subject
Category of text
Price
Language
Publication Schedule
Open Access
Publication Year
  • New Studies in European Cinema

    ISSN: 1661-0261

    With its focus on new critical, theoretical, and cultural developments in contemporary film studies, this series encourages lively analytical debate within an innovative, multidisciplinary, and transnational approach to European cinema. It aims to create an expansive sense of where the borders of European cinema may lie and to explore its interactions and exchanges within and between regional and national spaces, taking into account diverse audiences and institutions. The series reflects the range and depth of European cinema, while also attempting to revise and extend its importance within the development of cinema studies in the coming decades. Of particular interest is how European cinema may respond to the challenges of digital distribution and the new intermedial landscape, evolving issues in transnational funding and production, the significance of film festival culture, and questions of multivocality and pluralism at a time of global crisis. The impact of all such developments upon European culture and identity will be of fundamental interest in the coming decades and the New Studies in European Cinema series makes a key contribution to this debate. Proposals for monographs and edited collections are welcome. All proposals and manuscripts undergo a rigorous peer review assessment prior to publication.

    28 publications

  • Title: Cross-Channel Perspectives

    Cross-Channel Perspectives

    The French Reception of British Cinema
    by Leila Wimmer (Author)
    ©2009 Monographs
  • Title: Italy On Screen

    Italy On Screen

    National Identity and Italian Imaginary
    by Lucy Bolton (Volume editor) Christina Siggers Manson (Volume editor) 2011
    ©2010 Conference proceedings
  • Title: Italian Cinema

    Italian Cinema

    New Directions
    by William Hope (Volume editor)
    ©2005 Edited Collection
  • Title: In the Dark Room

    In the Dark Room

    Marguerite Duras and Cinema
    by Julie Beaulieu (Volume editor) Rosanna Maule (Volume editor)
    ©2009 Edited Collection
  • Title: Mapping Cinematic Norths

    Mapping Cinematic Norths

    International Interpretations in Film and Television
    by Julia Dobson (Volume editor) Jonathan Rayner (Volume editor) 2017
    Edited Collection
  • Title: The National and Beyond

    The National and Beyond

    The Globalisation of Finnish Cinema in the Films of Aki and Mika Kaurismäki
    by Pietari Kääpä (Author) 2011
    ©2010 Monographs
  • Title: Listening to the French New Wave

    Listening to the French New Wave

    The Film Music and Composers of Postwar French Art Cinema
    by Orlene Denice McMahon (Author) 2014
    ©2014 Monographs
  • Title: Crossing the Wall

    Crossing the Wall

    The Western Feature Film Import in East Germany
    by Rosemary Stott (Author) 2012
    ©2012 Monographs
  • Title: Polish Postcommunist Cinema

    Polish Postcommunist Cinema

    From Pavement Level
    by Ewa Mazierska (Author)
    ©2007 Monographs
  • Title: Of Empire and the City

    Of Empire and the City

    Remapping Early British Cinema
    by Maurizio Cinquegrani (Author) 2014
    ©2014 Monographs
  • Title: Questions of Colour in Cinema

    Questions of Colour in Cinema

    From Paintbrush to Pixel
    by Wendy Everett (Volume editor) 2012
    ©2008 Conference proceedings
  • Title: The Cinema of the Swimming Pool

    The Cinema of the Swimming Pool

    by Christopher Brown (Volume editor) Pam Hirsch (Volume editor) 2014
    ©2014 Edited Collection
  • Title: Haunting the Left Bank

    Haunting the Left Bank

    Mortality and Intersubjectivity in Varda, Resnais and Marker
    by Kierran Horner (Author) 2022
    Monographs
  • Title: Pictures of the Mind

    Pictures of the Mind

    Surrealist Photography and Film
    by Ramona Fotiade (Author) 2018
    ©2018 Monographs
  • Title: Cinema at the Shore

    Cinema at the Shore

    The Beach in French Film
    by Fiona Handyside (Author) 2014
    ©2014 Monographs
  • Title: Contemporary Greek Film Cultures from 1990 to the Present

    Contemporary Greek Film Cultures from 1990 to the Present

    by Tonia Kazakopoulou (Volume editor) Mikela Fotiou (Volume editor) 2017
    Edited Collection
  • Title: Time and Space in Contemporary Greek-Cypriot Cinema

    Time and Space in Contemporary Greek-Cypriot Cinema

    by Lisa Socrates (Author) 2015
    ©2015 Monographs
  • Title: Performing the Modern German

    Performing the Modern German

    Performance and Identity in Contemporary German Cinema
    by Matthias Uecker (Author) 2013
    ©2013 Monographs
  • Title: Ripping Open the Set

    Ripping Open the Set

    French Film Design, 1930–1939
    by Ben McCann (Author) 2013
    ©2013 Monographs
  • Title: From Self-Portrait to Selfie

    From Self-Portrait to Selfie

    Representing the Self in the Moving Image
    by Muriel Tinel-Temple (Volume editor) Laura Busetta (Volume editor) Marlène Monteiro (Volume editor) 2019
    ©2019 Edited Collection
  • Title: Visual Anthropology in Sardinia

    Visual Anthropology in Sardinia

    by Silvio Carta (Author) 2014
    ©2015 Monographs
  • Title: The Political Gesture in Pedro Costa’s Films

    The Political Gesture in Pedro Costa’s Films

    by Patrícia Sequeira Brás (Author) 2024
    ©2024 Monographs
  • Title: Reframing the European Other

    Reframing the European Other

    Identity and Belonging in Contemporary French and German Cinema
    by Kamil Zapaśnik (Author) 2023
    ©2024 Monographs
  • Title: Revisiting Space

    Revisiting Space

    Space and Place in European Cinema
    by Wendy Everett (Volume editor) Axel Goodbody (Volume editor)
    ©2005 Conference proceedings
Previous
Search in
Search area
Subject
Category of text
Price
Language
Publication Schedule
Open Access
Publication Year