Search
Search in
Search area
Subject
Category
Language
Publication Schedule
Open Access
Year
-
The Theatrical Critic as Cultural Agent
Constructing Pinter, Orton and Stoppard as Absurdist Playwrights©2001 Monographs -
Staging Separate Spheres
Theatrical Spaces as Sites of Antagonism in One-Act Plays by American Women, 1910–1930- Including Bibliographies on One-Act Plays in the United States, 1900–1940©2006 Thesis -
The Reception of German Theater in Greece
Establishing a Theatrical Locus Communis: The Royal Theater in Athens (1901-1906)©2019 Thesis -
Switzerland's Dramatists in the Shadow of Frisch and Dürrenmatt
The quest for a theatrical tradition©1985 Others -
Molière’s Spanish Connection
Seventeenth-Century Spanish Theatrical Influence on Imaginary Identity in Molière©2001 Monographs