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  • Title: Theory of Film Music

    Theory of Film Music

    by Juraj Lexmann (Author)
    ©2006 Monographs
  • Title: Filming Shakespeare, from Metatheatre to Metacinema

    Filming Shakespeare, from Metatheatre to Metacinema

    by Agnieszka Rasmus (Author)
    ©2008 Thesis
  • Title: Unbridling the Western Film Auteur

    Unbridling the Western Film Auteur

    Contemporary, Transnational and Intertextual Explorations
    by Emma Hamilton (Volume editor) Alistair Rolls (Volume editor) 2018
    Edited Collection
  • Title: What Is Film?

    What Is Film?

    by Julie N. Books (Author) 2016
    ©2016 Monographs
  • Title: Film, Politics & Education

    Film, Politics & Education

    Cinematic Pedagogy Across the Disciplines
    by Kelvin Shawn Sealey (Volume editor)
    ©2008 Textbook
  • Title: Meaning in Film

    Meaning in Film

    Relevant Structures in Soundtrack and Narrative
    by Dominique Nasta (Author)
    ©1991 Monographs
  • Framing Film

    The History and Art of Cinema

    Framing Film has committed itself to the acquisition and publication of serious, high-quality film studies on topics of national and international interest. The series editors are open to a full range of scholarly methodologies and analytical approaches in the examination of cinema art and history, including topics on film theory, film and society, gender and race, politics. Cutting-edge studies and diverse points of view are particularly encouraged.

    21 publications

  • Literary and Cultural Studies, Theory and the (New) Media

    ISSN: 0935-4093

    Literary and Cultural Studies, Theory and the (New) Media provides a forum for discussions on a variety of topics in literary, cultural, and media studies. Open to comparatist approaches, the series main venue is in anglophone literature and media, with a special emphasis on narratological, postcolonial, film and media studies. Dedicated to promoting innovative and theoretically informed analyses, the series publishes monographs as well as edited volumes versed in media and literary theory. It also encourages explorations within, as well as dialogues between, narratological, postcolonial, feminist and queer approaches. Other theoretical approaches (stylistics, New Historicism, ecocriticism, etc.) are welcome as are works on literary and cultural theory. All volumes in the series are peer-reviewed. Monographs: Only complete manuscripts are accepted for review. Edited volumes: A proposal with two essays is solicited; a final decision will be taken after all the essays have been submitted in their final form. Please address all queries to sekretariat.fludernik@anglistik.uni-freiburg.de or sieglinde.lemke@anglistik.uni-freiburg.de.

    10 publications

  • Title: An Examination of Characters and Spaces in Film Narratives in the Context of Panopticon and Chronotope within the Framework of Narratology Theory
  • Title: What Makes a Film Tick?

    What Makes a Film Tick?

    Cinematic Affect, Materiality and Mimetic Innervation
    by Anne Rutherford (Author) 2011
    ©2011 Thesis
  • Title: Sigmund Freud

    Sigmund Freud

    A Critical Introduction to Media and Communication Theory
    by Debra L. Merskin (Author)
    ©2024 Textbook
  • Title: Gainsborough Pictures Reframed

    Gainsborough Pictures Reframed

    Or: Raising Jane Austen for 1990s Film- A Film-Historic and Film-Analytical Study of the 1995 Films "Sense and Sensibility</I> and "Persuasion</I>
    by Martina Anzinger (Author)
    ©2003 Thesis
  • Title: Sigmund Freud

    Sigmund Freud

    A Critical Introduction to Media and Communication Theory
    by Debra L. Merskin (Author)
    ©2024 Textbook
  • Title: Sport, Film, and the Modern World

    Sport, Film, and the Modern World

    by Neil Archer (Author) 2024
    ©2024 Textbook
  • Title: Cosmopolitanism and Inclusive Education through 21st-Century Disney Films

    Cosmopolitanism and Inclusive Education through 21st-Century Disney Films

    by Ana López-Fuentes (Author)
    ©2024 Monographs
  • Title: Cosmopolitanism and Inclusive Education through 21st-Century Disney Films
  • Title: Film Mavericks in Action

    Film Mavericks in Action

    New Hollywood, New Rhetoric, and Kenneth Burke
    by Alan Taylor (Author) 2016
    ©2017 Monographs
  • Title: Italian Industrial Literature and Film

    Italian Industrial Literature and Film

    Perspectives on the Representation of Postwar Labor
    by Carlo Baghetti (Volume editor) Jim Carter (Volume editor) Lorenzo Marmo (Volume editor) 2021
    ©2021 Edited Collection
  • Title: Teaching <I>Daughters of the Dust</I> as a Womanist Film and the Black Arts Aesthetic of Filmmaker Julie Dash

    Teaching <I>Daughters of the Dust</I> as a Womanist Film and the Black Arts Aesthetic of Filmmaker Julie Dash

    by Patricia Williams Lessane (Volume editor) 2020
    ©2020 Edited Collection
  • Title: The Manifestations of Political Power Structures in Documentary Film
  • Title: Multilingualism in Film

    Multilingualism in Film

    by Ralf Junkerjürgen (Volume editor) Gala Rebane (Volume editor) 2019
    ©2019 Edited Collection
  • Title: New Approaches to Crime in French Literature, Culture and Film

    New Approaches to Crime in French Literature, Culture and Film

    by Louise Hardwick (Volume editor)
    ©2009 Conference proceedings
  • Title: Communication Theory and Millennial Popular Culture

    Communication Theory and Millennial Popular Culture

    Essays and Applications
    by Kathleen Glenister Roberts (Volume editor) 2016
    ©2016 Textbook
  • Transamerican Film and Literature

    This series publishes scholarly contributions to the growing and ever-changing fields of film and literary studies across the Americas. Written in English or Spanish, the titles in this series include edited volumes, books by single authors, and translations of scholarly monographs. They typically investigate film and literature of the Americas, examining works and trends in relation to form, genre, culture, politics, historiography, and diverse areas of theory. The term "Transamerican" implies transnational perspectives on creative work from all over the Americas, with an emphasis on new assessments of Latin American work, but is not constrained to studies of multiple national cinemas or literatures, and may venture beyond the Americas for comparative purposes. It also encompasses studies of single works or bodies of work from the Americas whose thematics or aesthetics warrant attention from a broad scholarly readership. The mission of the series is to provide a site of dialogue and new collaborations between scholars working on Transamerican film and literary studies throughout the Americas and other continents, emphasizing the region's growing diversity of critical and theoretical perspectives on film and literature. Esta colección estará dedicada a publicar materiales sobre el cine y la literatura que se producen en el continente americano. Los materiales podrán estar escritos en español o en inglés, y podrán ser libros colectivos, trabajos elaborados por un autor individual, traducciones de estudios especializados, así como ediciones o traducciones académicas de textos literarios. En todos los casos serán textos orientados al estudio del cine y/o la literatura en la región continental, en términos de forma, género, cultura, política, historiografía o diversas áreas de la teoría. El término "transamerican" implica una perspectiva transnacional en los estudios sobre trabajos creativos de todo el continente americano, con énfasis en la región latinoamericana, pero no se limita a los estudios sobre los cines o las literaturas nacionales de múltiples países. Por otra parte, admite la exploración, con fines comparativos, de terrenos que rebasan esta región, y puede incorporar estudios sobre las obras individuales o sobre el cúmulo del trabajo de un solo autor cuyas temáticas o características estéticas merecen la atención de una amplia comunidad de lectores especializados. La misión de la serie es ofrecer un espacio para el diálogo entre los investigadores que estudian el cine y la literatura en el continente americano y en otras regiones, así como enfatizar la existencia de una creciente diversidad de perspectivas teóricas y analíticas.

    5 publications

  • Title: Global Auteurs

    Global Auteurs

    Politics in the Films of Almodóvar, von Trier, and Winterbottom
    by Brian Michael Goss (Author)
    ©2009 Textbook
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