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From Stage to Page
Critical Reception of Irish Plays in the London Theatre, 1925–1996©2011 Monographs -
Goethe and his British Critics
The Reception of Goethe's Works in British Periodicals, 1779 to 1855©1992 Thesis -
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The Critical Response in Japan to African American Writers
©2003 Monographs -
The Wisdom of Solomon and the Byzantine Reception of Origen
©2023 Monographs -
The Role of Context in the Production and Reception of Historical News Discourse
©2021 Edited Collection -
Critical Questions in Contemporary Theology: Essays in Honour of Dermot A. Lane
©2024 Edited Collection -
‘Le Temps retrouvé’ Eighty Years After/80 ans après
Critical Essays / Essais critiques©2009 Conference proceedings -
Reception, Appropriation, Recollection
Bunyan’s "Pilgrim’s Progress</I>©2007 Conference proceedings -
New Comparative Criticism
ISSN: 2235-1809
New Comparative Criticism is dedicated to innovative research in literary and cultural studies. It invites contributions with a comparative, cross-cultural, and interdisciplinary focus, including comparative studies of themes, genres, and periods, and research in the following fields: world literature, environmental humanities, literary and cultural theory, material and visual cultures, speculative fiction, reception studies, cultural history, comparative gender studies and performance studies, diasporas and migration studies, and transmediality. The series is especially interested in research that articulates and examines new developments in comparative literature, in the English-speaking world and beyond. It seeks to advance methodological reflection on comparative literature and aims to encourage critical dialogue between scholars of comparative literature at an international level. Editorial Board: Gillian Beer (University of Cambridge), Helena Buescu (University of Lisbon), Laura Caretti (University of Siena), Djelal Kadir (Penn State University), Timothy Mathews (University College London), Rosa Mucignat (King’s College London), Danielle Sands (Royal Holloway, University of London), Galin Tihanov (Queen Mary, University of London), Marina Warner (Birkbeck, University of London).
16 publications
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Traces of the Foreign
The Reception of Translations of Spanish American Prose in Poland in 1945-2005 from the Perspective of Intercultural Communication©2019 Monographs -
Listening Well
On Beethoven, Berlioz, and Other Music Criticism in Paris, Boston, and New York, 1764-1890©2009 Monographs -
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German Realism in the United States
The American Reception of Meyer, Storm, Raabe, Keller and Fontane©1988 Others -
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Pathways to Paul Celan
A History of Critical Responses as a Chorus of Discordant Voices©1995 Monographs -
Frauenkrimi / polar féminin
Generic Expectations and the Reception of Recent French and German Crime Novels by Women©2007 Thesis -
The Gould Variations
Technology, Philosophy and Criticism in Glenn Gould’s Musical Thought and Practice©2012 Thesis -
Cultures in Contact
Translation and Reception of "I Promessi Sposi</I> in 19th Century England©2011 Edited Collection -
The First Americans’ New World Roots – A Forgotten Question Reconsidered
Critical Review of the Development, Reception and Impact of Origin Concepts©2009 Monographs -
