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  • Title: Engaging Film Criticism

    Engaging Film Criticism

    Film History and Contemporary American Cinema
    by Walter Metz (Author)
    ©2004 Textbook
  • Title: Film Criticism as Cultural Fantasy

    Film Criticism as Cultural Fantasy

    The Perpetual French Discovery of Australian Cinema
    by Andrew McGregor (Author) 2011
    ©2010 Thesis
  • Title: Film and Political Culture in Postwar Japan

    Film and Political Culture in Postwar Japan

    by Michael H. Gibbs (Author) 2012
    ©2012 Monographs
  • Title: Modern Film Dramaturgy

    Modern Film Dramaturgy

    An Introduction
    by Kerstin Stutterheim (Author) 2019
    ©2019 Others
  • Title: Finding the Force of the Star Wars Franchise

    Finding the Force of the Star Wars Franchise

    Fans, Merchandise, and Critics
    by Matthew Wilhelm Kapell (Volume editor) John Shelton Lawrence (Volume editor)
    ©2006 Textbook
  • Title: Cosmos and Camus

    Cosmos and Camus

    Science Fiction Film and the Absurd
    by Shai Tubali (Author) 2020
    ©2020 Prompt
  • Title: What Makes a Film Tick?

    What Makes a Film Tick?

    Cinematic Affect, Materiality and Mimetic Innervation
    by Anne Rutherford (Author) 2011
    ©2011 Thesis
  • Title: Filming Shakespeare, from Metatheatre to Metacinema

    Filming Shakespeare, from Metatheatre to Metacinema

    by Agnieszka Rasmus (Author)
    ©2008 Thesis
  • Title: Contemporary Greek Film Cultures from 1990 to the Present

    Contemporary Greek Film Cultures from 1990 to the Present

    by Tonia Kazakopoulou (Volume editor) Mikela Fotiou (Volume editor) 2017
    Edited Collection
  • Title: What Is Film?

    What Is Film?

    by Julie N. Books (Author) 2016
    ©2016 Monographs
  • Title: Socio-critical Aspects in Latin American Cinema(s)

    Socio-critical Aspects in Latin American Cinema(s)

    Themes – Countries – Directors – Reviews
    by Isabel Maurer Queipo (Volume editor) 2012
    ©2012 Monographs
  • Title: Authorizing Shakespeare on Film and Television

    Authorizing Shakespeare on Film and Television

    Gender, Class, and Ethnicity in Adaptation
    by L. Monique Pittman (Author) 2011
    ©2011 Monographs
  • Title: Emma Adapted

    Emma Adapted

    Jane Austen’s Heroine from Book to Film
    by Marc DiPaolo (Author)
    ©2007 Monographs
  • Title: The Political Gesture in Pedro Costa’s Films

    The Political Gesture in Pedro Costa’s Films

    by Patrícia Sequeira Brás (Author) 2024
    ©2024 Monographs
  • Title: Film Mavericks in Action

    Film Mavericks in Action

    New Hollywood, New Rhetoric, and Kenneth Burke
    by Alan Taylor (Author) 2016
    ©2017 Monographs
  • Title: The Manifestations of Political Power Structures in Documentary Film
  • Title: New Approaches to Crime in French Literature, Culture and Film

    New Approaches to Crime in French Literature, Culture and Film

    by Louise Hardwick (Volume editor)
    ©2009 Conference proceedings
  • Title: The Magic Glasses of Critical Thinking

    The Magic Glasses of Critical Thinking

    Seeing Through Alternative Fact & Fake News
    by D. Michael Rivage-Seul (Author) 2018
    ©2018 Textbook
  • Title: Critical Essays on Chicano Studies

    Critical Essays on Chicano Studies

    by Ramón Espejo (Volume editor) Juan I. Guijarro (Volume editor) Jesús Lerate de Castro (Volume editor) Pilar Marín (Volume editor)
    ©2008 Edited Collection
  • Transamerican Film and Literature

    This series publishes scholarly contributions to the growing and ever-changing fields of film and literary studies across the Americas. Written in English or Spanish, the titles in this series include edited volumes, books by single authors, and translations of scholarly monographs. They typically investigate film and literature of the Americas, examining works and trends in relation to form, genre, culture, politics, historiography, and diverse areas of theory. The term "Transamerican" implies transnational perspectives on creative work from all over the Americas, with an emphasis on new assessments of Latin American work, but is not constrained to studies of multiple national cinemas or literatures, and may venture beyond the Americas for comparative purposes. It also encompasses studies of single works or bodies of work from the Americas whose thematics or aesthetics warrant attention from a broad scholarly readership. The mission of the series is to provide a site of dialogue and new collaborations between scholars working on Transamerican film and literary studies throughout the Americas and other continents, emphasizing the region's growing diversity of critical and theoretical perspectives on film and literature. Esta colección estará dedicada a publicar materiales sobre el cine y la literatura que se producen en el continente americano. Los materiales podrán estar escritos en español o en inglés, y podrán ser libros colectivos, trabajos elaborados por un autor individual, traducciones de estudios especializados, así como ediciones o traducciones académicas de textos literarios. En todos los casos serán textos orientados al estudio del cine y/o la literatura en la región continental, en términos de forma, género, cultura, política, historiografía o diversas áreas de la teoría. El término "transamerican" implica una perspectiva transnacional en los estudios sobre trabajos creativos de todo el continente americano, con énfasis en la región latinoamericana, pero no se limita a los estudios sobre los cines o las literaturas nacionales de múltiples países. Por otra parte, admite la exploración, con fines comparativos, de terrenos que rebasan esta región, y puede incorporar estudios sobre las obras individuales o sobre el cúmulo del trabajo de un solo autor cuyas temáticas o características estéticas merecen la atención de una amplia comunidad de lectores especializados. La misión de la serie es ofrecer un espacio para el diálogo entre los investigadores que estudian el cine y la literatura en el continente americano y en otras regiones, así como enfatizar la existencia de una creciente diversidad de perspectivas teóricas y analíticas.

    5 publications

  • Critical Perspectives on English and American Literature, Communication and Culture

    ISSN: 2297-4628

    The peer-reviewed series provides a forum for first-class scholarship in the field of English and American Studies and focuses on English and American literature, drama, film, theatre and communication. The series welcomes critical perspectives on the reading and writing of texts, the production and consumption of high and low culture, the aesthetic and social implications of texts and communicative practices. It publishes monographs, collected papers, conference proceedings and critical editions. The languages of publication are both English and Spanish. Scholars are invited to submit their manuscripts to the editors or to the publisher.

    35 publications

  • Title: Konsum und Imagination- Tales of Commerce and Imagination

    Konsum und Imagination- Tales of Commerce and Imagination

    Das Warenhaus und die Moderne in Film und Literatur- Department Stores and Modernity in Film and Literature
    by Godela Weiss-Sussex (Volume editor) Ulrike Zitzlsperger (Volume editor) 2015
    ©2016 Edited Collection
  • Title: Seven Essays

    Seven Essays

    Studies in Literature, Drama, and Film
    by Abdulla M. Al-Dabbagh (Author) 2016
    ©2016 Monographs
  • Title: Mapping Cinematic Norths

    Mapping Cinematic Norths

    International Interpretations in Film and Television
    by Julia Dobson (Volume editor) Jonathan Rayner (Volume editor) 2017
    Edited Collection
  • Title: Gainsborough Pictures Reframed

    Gainsborough Pictures Reframed

    Or: Raising Jane Austen for 1990s Film- A Film-Historic and Film-Analytical Study of the 1995 Films "Sense and Sensibility</I> and "Persuasion</I>
    by Martina Anzinger (Author)
    ©2003 Thesis
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