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  • Strukturwandel und Strukturpolitik. Structural Change and Structural Policies.

    Editor in Chief: Prof. Dr. Wolfram Elsner Managing Editor: Dr. des. Henning Schwardt Editor’s Homepage: Prof. Dr. Wolfram Elsner Editor in Chief: Prof. Dr. Wolfram Elsner Managing Editor: Dr. des. Henning Schwardt Page d'accueil des éditeurs: Prof. Dr. Wolfram Elsner "Strukturwandel", vor allem "globaler Strukturwandel", ist in aller Munde. Er ist in der Tat das wichtigste Phänomen, in dem sich die Dynamik des Wirtschaftens äußert und das dem Wachstum der Wirtschaft zugrunde liegt. Auch Wirtschaftspolitik ist seit mehr als zwei Jahrzehnten weit eher "Strukturpolitik" (im weitesten Sinne, also institutionelle Strukturen eingeschlossen) als "Globalsteuerung". Statisch-statistisch gesehen haben Struktur und Strukturwandel mit ökonomischen Phänomenen auf "mittlerer" Aggregationsebene und ihrem Wandel zu tun: Sektoren, Branchen, sektorale Cluster und Netzwerke, ferner Regionen, regionale Cluster und Netzwerke sowie schließlich Betriebsgrößenklassen (wie z. B der "Mittelstand" oder Kleinstunternehmen und Existenzgründer). Diese strukturelle Dimension der Wirtschaft beschreibt zugleich das moderne Feld der Meso-Ökonomik. Zur Strukturpolitik zählen dementsprechend die sektorale Strukturpolitik (industrial policy), die heutzutage auch cluster- und netzwerkorientiert ist, einschließlich der Technologiepolitik, die regionale Strukturpolitik, einschließlich der Humankapitalförderung i. w. S., sowie die Mittelstands- und Existenzgründungsförderpolitik. Insgesamt soll mit dieser Reihe der Anspruch verfolgt werden, eine moderne, interaktive Meso-Ökonomik zu repräsentieren. Diese kann die vielfältigen Insuffizienzen reiner Mikro- und reiner Makro-Ökonomik und die vielfältigen, oft unbeabsichtigten (wenngleich oft systematischen) strukturellen Effekte von mikro- und makroökonomischen Vorgängen und mikro- und makropolitischen Aktionen aufdecken helfen und schließlich die Probleme durch adäquate privat-private und privat-öffentliche Interaktionsstrukturen einer Lösung näherbringen. Editor in Chief: Prof. Dr. Wolfram Elsner Managing Editor: Dr. des. Henning Schwardt Homepage des Herausgebers: Prof. Dr. Wolfram Elsner

    22 publications

  • Political and Social Change

    ISSN: 2198-8595

    “Political and Social Change” is a multidisciplinary series dedicated to the analysis and understanding of changes in modern society. It includes topics such as democratic transformations, cultural dynamics, genealogies of change, collective identities, articulation of alternative discourses, and the role of civil society in processes of change. It covers both historical readings and contemporary studies. It directs attention toward multi-scalar changes in the global world where local, national and transnational practices are intertwined. The series welcomes innovative theoretical approaches in the field of social and political change as well as applied studies that offer new insight about the mentioned topics. It is open to edited volumes and monographs and welcomes comparative studies and transnational perspectives. “Political and Social Change” is a multidisciplinary series dedicated to the analysis and understanding of changes in modern society. It includes topics such as democratic transformations, cultural dynamics, genealogies of change, collective identities, articulation of alternative discourses, and the role of civil society in processes of change. It covers both historical readings and contemporary studies. It directs attention toward multi-scalar changes in the global world where local, national and transnational practices are intertwined. The series welcomes innovative theoretical approaches in the field of social and political change as well as applied studies that offer new insight about the mentioned topics. It is open to edited volumes and monographs and welcomes comparative studies and transnational perspectives. “Political and Social Change” is a multidisciplinary series dedicated to the analysis and understanding of changes in modern society. It includes topics such as democratic transformations, cultural dynamics, genealogies of change, collective identities, articulation of alternative discourses, and the role of civil society in processes of change. It covers both historical readings and contemporary studies. It directs attention toward multi-scalar changes in the global world where local, national and transnational practices are intertwined. The series welcomes innovative theoretical approaches in the field of social and political change as well as applied studies that offer new insight about the mentioned topics. It is open to edited volumes and monographs and welcomes comparative studies and transnational perspectives.

    10 publications

  • Changing Democracy and Systems of Differences and Adjustments

    "The series is intended as a collection of original and critical political-philosophicalworks as well as interdisciplinary studies on contemporary trends within democracy, its counter-actors, and transparent–global market players. Authors representing various backgrounds and standpoints are encouraged in order to engage in the political philosophy; theoretical and mathematical analyses on politics; cyber society; environments; economics; civil, constitutional, and international law (e.g. legal transplants); human rights; social psychology; and sociology. The series used to collect the best global achievements and standards. Accordingly, the series has been provided in Spanish, Japanese, [Modern] Greek, German, French, and English but all double-peer-reviewed and accepted manuscripts should contain an English translation of its detailed contents and a résumé written in English. The world of the social has been rich enough to suggest no leading theoretical standpoint and no approaches of investigations are expected as imposed to the subject but normative studies on changing democracy and systems of differences and adjustments are not preferred because every non-changeable thing/idea disappears."

    1 publications

  • Sprache, Mehrsprachigkeit und sozialer Wandel / Language, Multilingualism and Social Change / Langue, multilinguisme et changement social

    Die Buchreihe «Sprache, Mehrsprachigkeit und sozialer Wandel» beschäftigt sich mit linguistischen Fragestellungen im Bereich der Romanistik. Der thematische Schwerpunkt der Reihe liegt auf Untersuchungen zu Sprachkontakt, Sprachkonflikten, Sprachbewusstsein und den Varietäten verschiedener romanischer Sprachen. Frankophonie, Mehrsprachigkeit und Migration sowie soziale Identifikation durch Sprache stehen ebenfalls im Fokus der Reihenbände. Herausgeber der Reihe ist der Sprachwissenschaftler Professor Jürgen Erfurt.

    38 publications

  • Wor(l)ds of Change: Latin American and Iberian Literature

    "This series deals with the relationship between literary creation and the social, political, and historical contexts in which it is produced. The types of volumes may include critical analyses of one or more works by one or several authors; critical editions of important works that may have been out of print for a long time, but which represent a major contribution to literature of the Iberian Peninsula or Latin America, English translations of important works, with critical introduction. Topics for Latin America include: studies of representative works of nineteenth- and twentieth-century thought, poetic portrayals of history, subgenres (fictionalization of the rural and urban social structures); historical novels; literature of exile; re-readings of colonial texts; new approaches to the figure of the Indian and other representatives of transculturation; women writers and other less studied authors. Topics for Spain and Portugal include: writing and nationalism in the Spanish State; bilingualism and the literary texts; censorship and exile; new and renewed genres such as autobiography and testimony; the formation of the avant-garde. Formal studies are expected to bear out the general contextual focus of the series. The use of recent developments in literary criticism is especially appropriate. The series also seeks to contribute to the understanding and accuracy of interpretation of the writing which has combined European elements with indigenous and African ones as well as to the understanding of the dynamics behind such major cultural issues as the formation of literary trends or subgenres, national identities, the effects of postcolonial status on literary imagination, the appearance and experience of women writers, and the relationships between post-modernism and Ibero-American writing. The series title is inclusive of literatures which are geographically, historically, or politically related and whose comparison is relevant to Spanish and Spanish American writing. This means those written in the other three languages of Spain, in Portugal, and Brazil. Comparative studies in which colonial or post colonial themes are prevalent may also be appropriate, if one of the literatures is in either Spanish or Portuguese. The breadth of the geographical area is intended to provide a forum for revealing and interpreting its multicultural aspects." "This series deals with the relationship between literary creation and the social, political, and historical contexts in which it is produced. The types of volumes may include critical analyses of one or more works by one or several authors; critical editions of important works that may have been out of print for a long time, but which represent a major contribution to literature of the Iberian Peninsula or Latin America, English translations of important works, with critical introduction. Topics for Latin America include: studies of representative works of nineteenth- and twentieth-century thought, poetic portrayals of history, subgenres (fictionalization of the rural and urban social structures); historical novels; literature of exile; re-readings of colonial texts; new approaches to the figure of the Indian and other representatives of transculturation; women writers and other less studied authors. Topics for Spain and Portugal include: writing and nationalism in the Spanish State; bilingualism and the literary texts; censorship and exile; new and renewed genres such as autobiography and testimony; the formation of the avant-garde. Formal studies are expected to bear out the general contextual focus of the series. The use of recent developments in literary criticism is especially appropriate. The series also seeks to contribute to the understanding and accuracy of interpretation of the writing which has combined European elements with indigenous and African ones as well as to the understanding of the dynamics behind such major cultural issues as the formation of literary trends or subgenres, national identities, the effects of postcolonial status on literary imagination, the appearance and experience of women writers, and the relationships between post-modernism and Ibero-American writing. The series title is inclusive of literatures which are geographically, historically, or politically related and whose comparison is relevant to Spanish and Spanish American writing. This means those written in the other three languages of Spain, in Portugal, and Brazil. Comparative studies in which colonial or post colonial themes are prevalent may also be appropriate, if one of the literatures is in either Spanish or Portuguese. The breadth of the geographical area is intended to provide a forum for revealing and interpreting its multicultural aspects." "This series deals with the relationship between literary creation and the social, political, and historical contexts in which it is produced. The types of volumes may include critical analyses of one or more works by one or several authors; critical editions of important works that may have been out of print for a long time, but which represent a major contribution to literature of the Iberian Peninsula or Latin America, English translations of important works, with critical introduction. Topics for Latin America include: studies of representative works of nineteenth- and twentieth-century thought, poetic portrayals of history, subgenres (fictionalization of the rural and urban social structures); historical novels; literature of exile; re-readings of colonial texts; new approaches to the figure of the Indian and other representatives of transculturation; women writers and other less studied authors. Topics for Spain and Portugal include: writing and nationalism in the Spanish State; bilingualism and the literary texts; censorship and exile; new and renewed genres such as autobiography and testimony; the formation of the avant-garde. Formal studies are expected to bear out the general contextual focus of the series. The use of recent developments in literary criticism is especially appropriate. The series also seeks to contribute to the understanding and accuracy of interpretation of the writing which has combined European elements with indigenous and African ones as well as to the understanding of the dynamics behind such major cultural issues as the formation of literary trends or subgenres, national identities, the effects of postcolonial status on literary imagination, the appearance and experience of women writers, and the relationships between post-modernism and Ibero-American writing. The series title is inclusive of literatures which are geographically, historically, or politically related and whose comparison is relevant to Spanish and Spanish American writing. This means those written in the other three languages of Spain, in Portugal, and Brazil. Comparative studies in which colonial or post colonial themes are prevalent may also be appropriate, if one of the literatures is in either Spanish or Portuguese. The breadth of the geographical area is intended to provide a forum for revealing and interpreting its multicultural aspects."

    50 publications

  • Gesellschaften und Staaten im Epochenwandel / Societies and States in Transformation

    The series “Societies and States in Transformation” offers an interdisciplinary forum for investigations of radical changes in world history with their concomitant social, political, cultural, and economic upheavals. Focus is thus laid on people and societies, both as actors and agencies in processes of transformation and as objects of such changes. These issues are addressed not only in the context of the intense ideological, institutional, and sociological shifts of the 20th Century, but also from deeper historical perspectives, and with a concern for processes currently emerging on the global horizon. The series thus deals with the various forms of expression in time and space that reflect the reactions to the challenges posed by epochal change brought about by the affected societies and nations. It includes works from historical and political science, sociology, socio-cultural anthropology, and cultural studies with the aim of facilitating interdisciplinary communication and interaction. Volume 25 concludes the serie. Die Publikationsreihe "Gesellschaften und Staaten im Epochenwandel" bietet ein interdisziplinäres Forum für Beiträge, die auf die großen Umbrüche in der Weltgeschichte mit ihren sozialen, politischen, kulturellen und wirtschaftlichen Verwerfungen fokussieren. Mensch und Gesellschaften stehen hierbei sowohl als Handelnde als auch als Objekt von Transformationsprozessen im Mittelpunkt der Betrachtung, die über den Paradigmenwechsel in der jüngeren Vergangenheit Europas hinaus auch aktuelle Prozesse einer zunehmend global vernetzten Welt ins Blickfeld nimmt. Thema der Reihe sind damit die unterschiedlichen Ausdrucksformen in Raum und Zeit, in denen sich die Reaktionen der betroffenen Gesellschaften und Staaten auf die Herausforderungen epochalen Wandels zeigen. In diesem interdisziplinären Feld korrespondieren und interagieren Analysen der Geschichts- und Politikwissenschaft, von Soziologie, Ethnologie und Kulturwissenschaft. Band 25 schließt die Reihe ab.

    23 publications

  • Eurosinica

    ISSN: 2235-6258

    "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. For Authors EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Editors • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Board Members • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. Pour les auteurs EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Éditeurs • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Les membres du conseil d'administration • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. Für Autoren EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Herausgeber • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Vorstandsmitglieder • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) "

    12 publications

  • Russian and East European Studies in Aesthetics and the Philosophy of Culture

    This series treats such issues as art es a social phenomenon, categories of aesthetic analysis, social origins of taste, mathematical aspects of aesthetic analysis, and the material basis of cultural change. Contributors include distinguished scholars from Russia and other East European countries. This series treats such issues as art es a social phenomenon, categories of aesthetic analysis, social origins of taste, mathematical aspects of aesthetic analysis, and the material basis of cultural change. Contributors include distinguished scholars from Russia and other East European countries. This series treats such issues as art es a social phenomenon, categories of aesthetic analysis, social origins of taste, mathematical aspects of aesthetic analysis, and the material basis of cultural change. Contributors include distinguished scholars from Russia and other East European countries.

    3 publications

  • Studies in Political Transition

    ISSN: 2191-3307

    The “Studies in Political Transition” are a series dedicated to publishing interdisciplinary approaches to Political Sciences, Law, and Media and Communication. Scholars examine various forms of regime changes and their impact on social and institutional matters by analyzing the mechanisms and procedures leading to those changes. The series’’ editor, Professor Klaus Bachmann, is a widely known critical commentator on issues concerning the European Union as well as contemporary Polish culture.

    19 publications

  • Angewandte Genderforschung / Gender Research Applied

    ISSN: 1861-1915

    The Series Angewandte Genderforschung.Gender Research Applied provides German and English monographs on gender and diversity research in organizations. The series has a transdisciplinary approach, and it focuses on gender and diversity issues in organizations. It incorporates findings from sociology, psychology, business administration and medicine, and provides input on how theoretical and empirical findings can be applied successfully to organizational change processes. Editor of the series is Professor Ingelore Welpe, an expert on human resource management and cross cultural gender and diversity management. Die Reihe Angewandte Genderforschung. Gender Research Applied enthält deutsch- und englischsprachige Monographien aus dem Fachbereich Gender- und Diversity-Forschung in Organisationen. Sie ist transdiziplinär ausgerichtet und setzt aktuelle Schwerpunkte mit anwendungsbezogenen Gender-Diversity-Aspekten in der Soziologie, Psychologie, Betriebswirtschaftlehre und in der Medizin. Die Reihe liefert Beiträge dazu, wie theoretische und empirische Befunde praktikabel und erfolgreich in organisationalen Veränderungsprozessen umgesetzt werden. Herausgegeben wird die Reihe von Frau Professor Ingelore Welpe, Expertin für Human Resource Management und interkulturelles Gender- und Diversity-Management.

    10 publications

  • Medienästhetik und Mediennutzung. Media Production and Media Aesthetics

    ISSN: 2365-2993

    Media production and media aesthetics are corresponding aspects of the discussion surrounding media that form a single unit. The series focuses partly on works about the aesthetic-dialectic analysis of media design. Areas of interest include media technology development and the resulting changes in both media design and what is expected of media. At the same time, digital and online media are influencing usage to a large extent. Authors in this series address these impacts and examine the extent to which changed forms of use are encouraging the development of new technologies and applications. By linking these interacting areas, we want this series to encourage and promote discussion between the disciplines. The volumes 1–4 have been published under "Babelsberger Schriften zu Mediendramaturgie und -Ästhetik". Medienästhetik und Mediennutzung bilden als korrespondierende Aspekte des Diskurses über Medien eine Einheit. Im Fokus der Schriftenreihe stehen zum einen Arbeiten, in denen sich Autor_innen der ästhetisch-dialektischen Analyse der Gestaltung medialer Werke zuwenden. Fokussiert werden die Entwicklungen der Medientechnik und die sich daraus ergebenden Veränderungen in der Gestaltung und in den Erwartungen an Medien. Zum anderen nehmen digitale und Online-Medien einen großen Einfluss auf die Nutzung ein. Autor_innen der Reihe widmen sich diesen Auswirkungen sowie der Untersuchung dessen, inwiefern veränderte Gebrauchsformen die Entwicklung neuer Technologien und Anwendungen anstoßen. Mit der Verbindung dieser interagierenden Bereiche möchten wir in der Reihe einen Diskurs zwischen den Disziplinen anregen und befördern. Die Bände 1–4 sind unter dem Reihentitel "Babelsberger Schriften zu Mediendramaturgie und -Ästhetik" erschienen.

    4 publications

  • Markt- und Innovationsmanagement

    ISSN: 2197-828X

    Most industries continue to face dramatic changes and challenges in their competitive environment, ranging from the increasingly global nature of the marketplace to the growing importance of innovation as a source of competitive differentiation. The new market situation requires an integrative market management orientation by companies for substantial future growth. This series is intended for readers in the academic, professional and practioner markets, who are interested in up-to-date insights into relevant topics and practional applications important for contemporary market and innovation management. In that regard, we welcome query contacts, as well as self-nomination of manuscripts for inclusion in this series, which is published in English and German. Editor's Homepage: Prof. Dr. Wolfgang Müller

    3 publications

  • Frontiers in Journalism Studies

    The aim of the series Frontiers in Journalism Studies is straightforward: journalism as a field, and journalism studies as a way to make sense of it, both face the challenge of keeping pace with a range of developments. Buffeted by new, mostly digital, changes in content, journalistic production, media technologies, business models, political pressures, and audience interest, not to mention still unfolding questions around algorithms, data and privacy, and platforms, the challenges for making sense of journalism are many and the changes have been significant. But changes can be made sense of, and even the most novel developments come from somewhere. Frontiers in Journalism Studies embraces an opportunity to understand journalism’s place in society anew. By identifying key areas of journalism which have been defined almost exclusively by ‘change’ and revisiting these for how they draw on longer legacies, and by casting our gaze back towards theories and concepts that have fallen out of popular favour and revising these for our current circumstances, this series recognizes that while digital developments often catch our attention, we also have to confront societal, political, and commercial changes that affect how we understand journalism. It does so in work that is: Conceptually rich, abundantly clear. This series will provide a conceptually and theoretically rich dialogue that is delivered within a clear and approachable discussion of journalism’s new frontiers, matching theoretical richness with accessibility. Research for tomorrow. The books in this series prioritize forward-looking research agendas that avoid being quickly ‘outdated’. By not focusing too narrowly on technological changes or current trends, it offers a jumping off point and a conceptual foundation for journalism research going forward. Mapping journalism’s terrain. This series will place journalism in our current societies, addressing how they have changed and offering a map for how they might continue to be shaped in both journalism’s and journalism studies’ futures. Comprehensive. The titles in this series will give readers the information they need to make sense of a topic, providing students and scholars alike with an idea as to how to move forward in further developing their own research or understanding. Global. The issues addressed and the research presented in this series maintain a global focus. This recognizes that in journalism studies, engaging theoretical and conceptual work is being done across the world. This series aims to elevate this work across its titles. Provocative. This series provides a platform for scholars to deeply explore the topics under discussion, with the space to engage theoretical and conceptual questions with curiosity and boldness.

    0 publications

  • Studies in Communication and Politics

    ISSN: 2197-1625

    Technological development and the emergence of new notions of media and media-like services (blogs, online gaming, social networks, wikis, virtual worlds etc.) have changed the nature of communication, making it more open, personalized, fragmented and interactive. At the same a shift in paradigms in relation to traditional concepts of democracy, political communication and public participation has been observed. All of this has an impact on the functioning of contemporary societies and offers a wide range of opportunities for reexamination and redefinition of several concepts in social science. In Studies in Communication and Politics the editors are particularly interested in changing approaches to democracy, communication, political participation and media. By publishing collaborative works and monographs they aim at supporting and promoting interdisciplinary research, offering comparative approach and/or examining national factors for communication and politics development. Hence, the emphasis here is being put on the changing approaches to democracy and its institutions, political actors, electoral campaigns, as well as citizens' participation in political processes, electoral behavior, and so on. Having in mind the changing media landscape and the rise of media ecologies we also aim at investigating emerging communication and media policies, evolution of journalism culture, changing patterns of users' behavior and media innovations in the digital and multiplatform scenario. All of this when taking into account interrelations between communication and as well as the role of media in contemporary politics. The editors believe that the topic presented here will stimulate international and interdisciplinary research changes and challenges facing communication and politics today. We also hope that the wide range of approaches presented in each collection will be of interest for researchers, academic experts as well as policy makers and media professionals who might be particularly interested in taking a part in the debate on emerging theories and practices.

    23 publications

  • Religion, Education and Values

    ISSN: 2235-4638

    Debates about religion, education and values are more central to contemporary society than ever before. The challenges posed by the interaction between these different spheres will continue to increase as the effects of globalization and cultural pluralization impact on educational settings. Our radically changed and rapidly changing environment poses critical questions about how we should educate individuals to live in increasingly diverse societies. Books in this series offer the most recent research, from a variety of disciplinary perspectives, on the interface between religion, education and values around the world. The series covers such themes as the history of religious education, the philosophies and psychologies of religious and values education, and the application of social science research methods to the study of young peoples values and world-views. Books within the series are subject to peer review and include single and co-authored monographs and edited collections. Debates about religion, education and values are more central to contemporary society than ever before. The challenges posed by the interaction between these different spheres will continue to increase as the effects of globalization and cultural pluralization impact on educational settings. Our radically changed and rapidly changing environment poses critical questions about how we should educate individuals to live in increasingly diverse societies. Books in this series offer the most recent research, from a variety of disciplinary perspectives, on the interface between religion, education and values around the world. The series covers such themes as the history of religious education, the philosophies and psychologies of religious and values education, and the application of social science research methods to the study of young peoples values and world-views. Books within the series are subject to peer review and include single and co-authored monographs and edited collections. Debates about religion, education and values are more central to contemporary society than ever before. The challenges posed by the interaction between these different spheres will continue to increase as the effects of globalization and cultural pluralization impact on educational settings. Our radically changed and rapidly changing environment poses critical questions about how we should educate individuals to live in increasingly diverse societies. Books in this series offer the most recent research, from a variety of disciplinary perspectives, on the interface between religion, education and values around the world. The series covers such themes as the history of religious education, the philosophies and psychologies of religious and values education, and the application of social science research methods to the study of young peoples values and world-views. Books within the series are subject to peer review and include single and co-authored monographs and edited collections.

    18 publications

  • Higher Education Research and Policy

    ISSN: 2193-7613

    The Higher Education Research and Policy (HERP) series is intended to present both research-oriented and policy-oriented studies of higher education systems in transition, especially from international comparative perspectives. Higher education systems worldwide are currently under multi-layered pressures to transform their funding and governance structures in rapidly changing environments. The series intends to explore the impact of such wider social and economic processes as globalization, internationalization and Europeanization on higher education institutions and it is focused on such issues as changing relationships between the university and the state, the changing academic profession, changes in public funding and university governance, the emergent public/private dynamics in higher education, the consequences of educational expansion, education and public/private goods, and the impact of changing demographics on national systems. Its audience includes higher education researchers and higher education policy analysts, university managers and administrators, as well as national policymakers and staff of international organizations involved in higher education policymaking. Board Members Daniel C. Levy, Department of Educational Administration and Policy Studies, State University of New York, Albany, USA Peter Maassen, Department of Edcational Research, University of Oslo, Norway Paul Temple, Centre for Higher Education Studies (CHES), Institute of Education, London, United Kingdom Pavel Zgaga, Centre for Educational Policy Studies (CEPS), Faculty of Education, University of Ljubljana, Slovenia

    10 publications

  • Cahiers du Collège d’Europe / College of Europe Studies

    L'Europe subit des mutations permanentes. La vie politique, l’'’économie, le droit, mais également les sociétés européennes, changent rapidement. L'’’Union européenne s'’’inscrit dès lors dans un processus d'’’adaptation constant. Des défis et des nouvelles demandes surviennent sans cesse, provenant à la fois de l’'’intérieur et de l'’’extérieur. La collection des « Cahiers du Collège d'’’Europe » publie les résultats des recherches menées sur ces thèmes au Collège d'’’Europe, au sein de ses deux campus (Bruges et Varsovie). Focalisés sur l'Union européenne et le processus d'’’intégration, ces travaux peuvent être spécialisés dans les domaines des sciences politiques, du droit ou de l’'’économie, mais ils sont le plus souvent de nature interdisciplinaire. La collection vise à approfondir la compréhension de ces questions complexes et contribue ainsi au débat européen. Critères pour l'’acceptation des manuscrits dans la collection : - Un manuscrit abouti et finalisé, rédigé dans un anglais et/ou français correct, ne demandant pas ou pratiquement pas de correction linguistique - Un manuscrit mis aux normes éditoriales de la maison d'édition - L'excellent développement d'’un sujet relevant d'un des quatre domaines de recherche du Collège d’'Europe (Droit, Économie, Science politique et diplomatie, Relations internationales ou une approche interdisciplinaire) ; qui est à jour qui ouvre des perspectives sur le futur - Un texte original, qui représente une valeur ajoutée aux études européennes et qui est destiné à une audience académique internationale - Un texte qui montre une expertise dans le champ des études européennes, ou une discipline annexe, qui rencontre les attentes (élevées) des lecteurs de la collection - Un livre qui se veut être académique et analytique, et non politique ou idéologique, même si, bien entendu, les recommandations peuvent laisser transparaitre des préférences. On conseille aux futurs auteurs de faire relire leur manuscrit par un ou deux collègues, pour augmenter les chances d'’acceptation du manuscrit. Les manuscrits proposés seront soumis pour évaluation aux directeurs de collection ainsi que, de façon anonyme, à un comité d'’évaluation externe. Europe is in a constant state of flux. European politics, economics, law and indeed European societies are changing rapidly. The European Union itself is in a continuous situation of adaptation. New challenges and new requirements arise continually, both internally and externally. The «College of Europe Studies» series seeks to publish research on these issues done at the College of Europe, both at its Bruges and its Warsaw campus. Focused on the European Union and the European integration process, this research may be specialised in the areas of political science, law or economics, but much of it is of an interdisciplinary nature. The objective is to promote understanding of the issues concerned and to make a contribution to ongoing discussions. Criteria for acceptance of manuscripts include: - a fully-fledged mature manuscript in correct English and/or French, which requires little or no language editing - a manuscript which is technically up to standard and in conformity with the publishers editorial guidelines - a good treatment of a subject in the four areas that the College of Europe has expertise in (Law, economics, political science and diplomacy + International Relations or a solid interdisciplinary treatise); which is up-to-date and preferably also forward looking - a text which is original and presents an added value in EU studies for a sophisticated international academic readership - a text showing expertise in EU studies, or the relevant segment of it, which reflects the (high) expectations or readers of the College of Europe series - a book which is academic and analytical, not political or ideological, although of course (policy) recommendations can express certain preferences. Potential authors are well advised to have the manuscript read critically by one or two colleagues, so that the chances of being accepted increase. Submitted manuscripts will be subject to a critical review by the book series editors as well as external «blind» peer review. L’’Europe subit des mutations permanentes. La vie politique, l’’’économie, le droit, mais également les sociétés européennes, changent rapidement. L’’’Union européenne s’’’inscrit dès lors dans un processus d’’’adaptation constant. Des défis et des nouvelles demandes surviennent sans cesse, provenant à la fois de l’’’intérieur et de l’’’extérieur. La collection des « Cahiers du Collège d’’’Europe » publie les résultats des recherches menées sur ces thèmes au Collège d’’’Europe, au sein de ses deux campus (Bruges et Varsovie). Focalisés sur l’’’Union européenne et le processus d’’’intégration, ces travaux peuvent être spécialisés dans les domaines des sciences politiques, du droit ou de l’’’économie, mais ils sont le plus souvent de nature interdisciplinaire. La collection vise à approfondir la compréhension de ces questions complexes et contribue ainsi au débat européen. Critères pour l’’acceptation des manuscrits dans la collection : - Un manuscrit abouti et finalisé, rédigé dans un anglais et/ou français correct, ne demandant pas ou pratiquement pas de correction linguistique - Un manuscrit mis aux normes éditoriales de la maison d’’édition - L’’excellent développement d’’un sujet relevant d’’un des quatre domaines de recherche du Collège d’’Europe (Droit, Économie, Science politique et diplomatie, Relations internationales ou une approche interdisciplinaire) ; qui est à jour qui ouvre des perspectives sur le futur - Un texte original, qui représente une valeur ajoutée aux études européennes et qui est destiné à une audience académique internationale - Un texte qui montre une expertise dans le champ des études européennes, ou une discipline annexe, qui rencontre les attentes (élevées) des lecteurs de la collection - Un livre qui se veut être académique et analytique, et non politique ou idéologique, même si, bien entendu, les recommandations peuvent laisser transparaitre des préférences. On conseille aux futurs auteurs de faire relire leur manuscrit par un ou deux collègues, pour augmenter les chances d’’acceptation du manuscrit. Les manuscrits proposés seront soumis pour évaluation aux directeurs de collection ainsi que, de façon anonyme, à un comité d’’évaluation externe. Europe is in a constant state of flux. European politics, economics, law and indeed European societies are changing rapidly. The European Union itself is in a continuous situation of adaptation. New challenges and new requirements arise continually, both internally and externally. The «College of Europe Studies» series seeks to publish research on these issues done at the College of Europe, both at its Bruges and its Warsaw campus. Focused on the European Union and the European integration process, this research may be specialised in the areas of political science, law or economics, but much of it is of an interdisciplinary nature. The objective is to promote understanding of the issues concerned and to make a contribution to ongoing discussions. Criteria for acceptance of manuscripts include: - a fully-fledged mature manuscript in correct English and/or French, which requires little or no language editing - a manuscript which is technically up to standard and in conformity with the publishers editorial guidelines - a good treatment of a subject in the four areas that the College of Europe has expertise in (Law, economics, political science and diplomacy + International Relations or a solid interdisciplinary treatise); which is up-to-date and preferably also forward looking - a text which is original and presents an added value in EU studies for a sophisticated international academic readership - a text showing expertise in EU studies, or the relevant segment of it, which reflects the (high) expectations or readers of the College of Europe series - a book which is academic and analytical, not political or ideological, although of course (policy) recommendations can express certain preferences. Potential authors are well advised to have the manuscript read critically by one or two colleagues, so that the chances of being accepted increase. Submitted manuscripts will be subject to a critical review by the book series editors as well as external «blind» peer review. L'’Europe subit des mutations permanentes. La vie politique, l’'’économie, le droit, mais également les sociétés européennes, changent rapidement. L'Union européenne s'’’inscrit dès lors dans un processus d’’’adaptation constant. Des défis et des nouvelles demandes surviennent sans cesse, provenant à la fois de l’'’intérieur et de l'’’extérieur. La collection des « Cahiers du Collège d'’’Europe » publie les résultats des recherches menées sur ces thèmes au Collège d'Europe, au sein de ses deux campus (Bruges et Varsovie). Focalisés sur l'’’Union européenne et le processus d'’’intégration, ces travaux peuvent être spécialisés dans les domaines des sciences politiques, du droit ou de l’'’économie, mais ils sont le plus souvent de nature interdisciplinaire. La collection vise à approfondir la compréhension de ces questions complexes et contribue ainsi au débat européen. Critères pour l'’acceptation des manuscrits dans la collection : - Un manuscrit abouti et finalisé, rédigé dans un anglais et/ou français correct, ne demandant pas ou pratiquement pas de correction linguistique - Un manuscrit mis aux normes éditoriales de la maison d'édition - L'’excellent développement d'’un sujet relevant d'’un des quatre domaines de recherche du Collège d’’Europe (Droit, Économie, Science politique et diplomatie, Relations internationales ou une approche interdisciplinaire) ; qui est à jour qui ouvre des perspectives sur le futur - Un texte original, qui représente une valeur ajoutée aux études européennes et qui est destiné à une audience académique internationale - Un texte qui montre une expertise dans le champ des études européennes, ou une discipline annexe, qui rencontre les attentes (élevées) des lecteurs de la collection - Un livre qui se veut être académique et analytique, et non politique ou idéologique, même si, bien entendu, les recommandations peuvent laisser transparaitre des préférences. On conseille aux futurs auteurs de faire relire leur manuscrit par un ou deux collègues, pour augmenter les chances d’'acceptation du manuscrit. Les manuscrits proposés seront soumis pour évaluation aux directeurs de collection ainsi que, de façon anonyme, à un comité d'’évaluation externe. Europe is in a constant state of flux. The European Union’s politics, economics, law and external action are changing rapidly. The European Union itself is in a continuous situation of adaptation. New challenges and new requirements arise continually, both internally and externally. The College of Europe Studies series seeks to publish new research on these issues carried out by members of its academic community. Focused on the European Union and the European integration process, this research may be specialised in the areas of political science, law, economics or international relations, but much of it is of an interdisciplinary nature. The objective is to promote the understanding and explanation of the issues concerned and to make a contribution to ongoing discussions. Criteria for acceptance of manuscripts include: - a fully-fledged mature manuscript in correct English and/or French, which requires little or no language editing - a manuscript which is technically up to standard and in conformity with the publishers editorial guidelines - a good treatment of a subject in the four areas that the College of Europe has expertise in (Law, economics, political science and diplomacy + International Relations or a solid interdisciplinary treatise); which is up-to-date and preferably also forward looking - a text which is original and presents an added value in EU studies for a sophisticated international academic readership - a text showing expertise in EU studies, or the relevant segment of it, which reflects the (high) expectations or readers of the College of Europe series - a book which is academic and analytical, not political or ideological, although of course (policy) recommendations can express certain preferences. Potential authors are well advised to have the manuscript read critically by one or two colleagues, so that the chances of being accepted increase. Submitted manuscripts will be subject to a critical review by the book series editors as well as external «blind» peer review.

    21 publications

  • Warsaw Studies in Contemporary History

    Reconsidering the Cold War historiography’s focus on high politics, conflict and confrontation, this series encourages the development of new research that explores ties and similarities transcending the political divide in Europe. It also welcomes new approaches to the history of Central and East European societies under dictatorships: approaches which shed light on individual and collective agency and show high politics as only one of several factors of change. Research in contemporary history still often mentally maps Europe as divided into a West and an East. This overemphasizes barriers between people who often shared similar values and tastes, practices and technologies, between interrelated social phenomena or just neighboring regions. In a similar way, narratives of Central and Eastern Europe often tend to reflect a simplistic vision centered on the conflict between the “regime” and “society”. This overemphasizes the role of crude domination and hinders understanding of the reproduction, evolution and normalization of European communist regimes up to 1989. We seek contributions that employ approaches from history, especially those which integrate insights gained from neighboring disciplines, such as sociology, anthropology, political science, or cultural and gender studies. Discussions of comparative and transnational perspectives are particularly welcome. From Vol. 4 onwards, the series continues as Studies in Contemporary History . Reconsidering the Cold War historiography’s focus on high politics, conflict and confrontation, this series encourages the development of new research that explores ties and similarities transcending the political divide in Europe. It also welcomes new approaches to the history of Central and East European societies under dictatorships: approaches which shed light on individual and collective agency and show high politics as only one of several factors of change. Research in contemporary history still often mentally maps Europe as divided into a West and an East. This overemphasizes barriers between people who often shared similar values and tastes, practices and technologies, between interrelated social phenomena or just neighboring regions. In a similar way, narratives of Central and Eastern Europe often tend to reflect a simplistic vision centered on the conflict between the “regime” and “society”. This overemphasizes the role of crude domination and hinders understanding of the reproduction, evolution and normalization of European communist regimes up to 1989. We seek contributions that employ approaches from history, especially those which integrate insights gained from neighboring disciplines, such as sociology, anthropology, political science, or cultural and gender studies. Discussions of comparative and transnational perspectives are particularly welcome. From Vol. 4 onwards, the series continues as Studies in Contemporary History . Reconsidering the Cold War historiography’s focus on high politics, conflict and confrontation, this series encourages the development of new research that explores ties and similarities transcending the political divide in Europe. It also welcomes new approaches to the history of Central and East European societies under dictatorships: approaches which shed light on individual and collective agency and show high politics as only one of several factors of change. Research in contemporary history still often mentally maps Europe as divided into a West and an East. This overemphasizes barriers between people who often shared similar values and tastes, practices and technologies, between interrelated social phenomena or just neighboring regions. In a similar way, narratives of Central and Eastern Europe often tend to reflect a simplistic vision centered on the conflict between the “regime” and “society”. This overemphasizes the role of crude domination and hinders understanding of the reproduction, evolution and normalization of European communist regimes up to 1989. We seek contributions that employ approaches from history, especially those which integrate insights gained from neighboring disciplines, such as sociology, anthropology, political science, or cultural and gender studies. Discussions of comparative and transnational perspectives are particularly welcome. From Vol. 4 onwards, the series continues as Studies in Contemporary History .

    3 publications

  • New Literacies and Digital Epistemologies

    ISSN: 1523-9543

    New literacies emerge and evolve apace as people from all walks of life engage with new technologies, shifting values and institutional change, and increasingly assume 'postmodern' orientations toward their everyday worlds. Despite many efforts to take account of such changes, educational institutions largely remain out of touch with the range of new ways of making and sharing meanings that increasingly mediate and shape the lives of the young people they teach and the futures they face. This series aims to explore some key dimensions of the changes occurring within social practices of literacy and the educational challenges they present, with a view to informing educational practice in helpful ways. It asks what are new literacies,how do they impact on life in schools, homes, communities, workplaces, sites of leisure, and other key settings of human cultural engagement, and what significance do new literacies have for how people learn and how they understand and construct knowledge? It aims to challenge established and 'official' ways of framing literacy, and to ask what it means for literacies to be powerful, effective, and enabling under current and foreseeable conditions. Collectively, the works in this series will help to reorient literacy debates and literacy education agendas.

    120 publications

  • Travel Writing Across the Disciplines

    Theory and Pedagogy

    The recent critical attention devoted to travel writing enacts a logical transition from the ongoing focus on autobiography, subjectivity, and multiculturalism. Travel extends the inward direction of autobiography to consider the journey outward and intersects provocatively with studies of multiculturalism, gender, and subjectivity. Whatever the journey's motive--tourism, study, flight, emigration, or domination--journey changes both the country visited and the self that travels. Travel Writing Across the Disciplines welcomes studies from all periods of literature on the theory and/or pedagogy of travel writing from various disciplines, such as social history, cultural theory, multicultural studies, anthropology, sociology, religious studies, literary analysis, and feminist criticism. The volumes in this series explore journey literature from critical and pedagogical perspectives and focus on travel as metaphor in cultural practice. The recent critical attention devoted to travel writing enacts a logical transition from the ongoing focus on autobiography, subjectivity, and multiculturalism. Travel extends the inward direction of autobiography to consider the journey outward and intersects provocatively with studies of multiculturalism, gender, and subjectivity. Whatever the journey's motive--tourism, study, flight, emigration, or domination--journey changes both the country visited and the self that travels. Travel Writing Across the Disciplines welcomes studies from all periods of literature on the theory and/or pedagogy of travel writing from various disciplines, such as social history, cultural theory, multicultural studies, anthropology, sociology, religious studies, literary analysis, and feminist criticism. The volumes in this series explore journey literature from critical and pedagogical perspectives and focus on travel as metaphor in cultural practice. The recent critical attention devoted to travel writing enacts a logical transition from the ongoing focus on autobiography, subjectivity, and multiculturalism. Travel extends the inward direction of autobiography to consider the journey outward and intersects provocatively with studies of multiculturalism, gender, and subjectivity. Whatever the journey's motive--tourism, study, flight, emigration, or domination--journey changes both the country visited and the self that travels. Travel Writing Across the Disciplines welcomes studies from all periods of literature on the theory and/or pedagogy of travel writing from various disciplines, such as social history, cultural theory, multicultural studies, anthropology, sociology, religious studies, literary analysis, and feminist criticism. The volumes in this series explore journey literature from critical and pedagogical perspectives and focus on travel as metaphor in cultural practice.

    13 publications

  • Critical Education and Ethics

    ISSN: 2166-1359

    The Critical Education and Ethics series intends to systematically analyze the pitfalls of social structures such as race, class, and gender as they relate to edu-cational issues. Books in the series contain theoretical work grounded in prag-matic, society-changing practices. The series places value on ethical responses, as prophetic commitments to change the conditions under which education takes place. The series aims to (1) Further the ethical understanding linking broader social issues to education by exploring the environmental, health-related, and faith/spiritual responses to our educational times and policy, and (2) Ground these works in the everyday world of the classroom, viewing how schools are impacted by what critical researchers do. Both theoretically and practically, the series aims to identify itself as an agent for community change. The Critical Education and Ethics series welcomes work from emerging scholars as well as those already established in the field.

    18 publications

  • Rethinking Education

    Rethinking education has never been more important. While there are many examples of good, innovative practice in teaching and learning at all levels, the conventional education mindset has proved largely resistant to pedagogic or systemic change, remaining preoccupied with the delivery of standardised packages in a standardised fashion, relatively unresponsive to the diversity of learners’ experiences and inclinations as well as to the personal perspectives of individual teachers. The challenge of our times in relation to education is to help transform that mindset. This series takes up this challenge. It re-examines perennial major issues in education and opens up new ones. It includes, but is not confined to, pedagogies for transforming the learning experience, any-time-any-place learning, new collaborative technologies, fresh understandings of the roles of teachers, schools and other educational institutions, providing for different learning styles and for students with special needs, and adapting to changing needs in a changing environment.

    12 publications

  • CEAUP Studies on Africa

    ISSN: 2235-591X

    Still-existing gaps in the current knowledge on Africa are an opportunity for collective scientific efforts: if formerly stable academic boundaries can be transgressed, then these lacunas may provide a good chance to advance with new interdisciplinary designs. CEAUP (Centre of African Studies of the Porto University) is an interdisciplinary research centre working on African issues. This series allows the discussion of CEAUP’s efforts in a larger, international context. The studies to be included focus on subjects regarded as especially innovative and which may help our understanding of African current impasses: – Identity and group conflict – Patterns of change in production and labour relationships, notably forced labour – Access to natural resources, such as water, land and raw materials – State building and ‘civil society’ The series accepts monographs, collected papers and conference proceedings in English. Still-existing gaps in the current knowledge on Africa are an opportunity for collective scientific efforts: if formerly stable academic boundaries can be transgressed, then these lacunas may provide a good chance to advance with new interdisciplinary designs. CEAUP (Centre of African Studies of the Porto University) is an interdisciplinary research centre working on African issues. This series allows the discussion of CEAUP’s efforts in a larger, international context. The studies to be included focus on subjects regarded as especially innovative and which may help our understanding of African current impasses: – Identity and group conflict – Patterns of change in production and labour relationships, notably forced labour – Access to natural resources, such as water, land and raw materials – State building and ‘civil society’ The series accepts monographs, collected papers and conference proceedings in English. Still-existing gaps in the current knowledge on Africa are an opportunity for collective scientific efforts: if formerly stable academic boundaries can be transgressed, then these lacunas may provide a good chance to advance with new interdisciplinary designs. CEAUP (Centre of African Studies of the Porto University) is an interdisciplinary research centre working on African issues. This series allows the discussion of CEAUP’s efforts in a larger, international context. The studies to be included focus on subjects regarded as especially innovative and which may help our understanding of African current impasses: – Identity and group conflict – Patterns of change in production and labour relationships, notably forced labour – Access to natural resources, such as water, land and raw materials – State building and ‘civil society’ The series accepts monographs, collected papers and conference proceedings in English.

    2 publications

  • The Modernist Revolution in World Literature

    ISSN: 1528-9672

    In the stormy time period approximately between the Paris Commune in 1871 and the revolutionary events in May 1968, or between the conclusion of the American Civil War and the withdrawal of American troops from Vietnam, the rise and fall of international modernism was crucial to all historical, political, and intellectual de-velopments around the world. By the time the United States had emerged from its military involvement in Indo-China, the modernist movement had given way to postmodernism. This series investigates the development of international modern-ism in the half century leading up to World War I and its disintegration in the fol-lowing fifty years. High modernism claimed that it represented a break with corrupt values of previous cultural traditions, but we now think that this very drive to “make it new” is itself derivative. What are the roots and characteristics of modernism? How did the philosophical and pedagogical system supporting modernism develop? Is mod-ernism, perhaps, not a liberating movement but a device to shield high culture from rising democratic vulgarization? What is the role of modernism in postcolonial struggles? Where does feminism fall in the modernist agenda? How do changing systems of patronage and the economy of art influence modernism as an enor-mously expanded reading public becomes augmented by cinema, radio, and televi-sion? Such questions on a worldwide stage, in the century approximately from 1870 to 1970, in all manifestations of literature, art, politics, and culture, represent the scope of this series In the stormy time period approximately between the Paris Commune in 1871 and the revolutionary events in May 1968, or between the conclusion of the American Civil War and the withdrawal of American troops from Vietnam, the rise and fall of international modernism was crucial to all historical, political, and intellectual de-velopments around the world. By the time the United States had emerged from its military involvement in Indo-China, the modernist movement had given way to postmodernism. This series investigates the development of international modern-ism in the half century leading up to World War I and its disintegration in the fol-lowing fifty years. High modernism claimed that it represented a break with corrupt values of previous cultural traditions, but we now think that this very drive to “make it new” is itself derivative. What are the roots and characteristics of modernism? How did the philosophical and pedagogical system supporting modernism develop? Is mod-ernism, perhaps, not a liberating movement but a device to shield high culture from rising democratic vulgarization? What is the role of modernism in postcolonial struggles? Where does feminism fall in the modernist agenda? How do changing systems of patronage and the economy of art influence modernism as an enor-mously expanded reading public becomes augmented by cinema, radio, and televi-sion? Such questions on a worldwide stage, in the century approximately from 1870 to 1970, in all manifestations of literature, art, politics, and culture, represent the scope of this series In the stormy time period approximately between the Paris Commune in 1871 and the revolutionary events in May 1968, or between the conclusion of the American Civil War and the withdrawal of American troops from Vietnam, the rise and fall of international modernism was crucial to all historical, political, and intellectual de-velopments around the world. By the time the United States had emerged from its military involvement in Indo-China, the modernist movement had given way to postmodernism. This series investigates the development of international modern-ism in the half century leading up to World War I and its disintegration in the fol-lowing fifty years. High modernism claimed that it represented a break with corrupt values of previous cultural traditions, but we now think that this very drive to “make it new” is itself derivative. What are the roots and characteristics of modernism? How did the philosophical and pedagogical system supporting modernism develop? Is mod-ernism, perhaps, not a liberating movement but a device to shield high culture from rising democratic vulgarization? What is the role of modernism in postcolonial struggles? Where does feminism fall in the modernist agenda? How do changing systems of patronage and the economy of art influence modernism as an enor-mously expanded reading public becomes augmented by cinema, radio, and televi-sion? Such questions on a worldwide stage, in the century approximately from 1870 to 1970, in all manifestations of literature, art, politics, and culture, represent the scope of this series

    3 publications

  • Salzburg Studies in English Literature and Culture SEL & C

    The series “Salzburg Studies in English Literature and Culture SEL & C“ publishes monographs and collected volumes on English Language and Literature. The main research topics of the series editor Professor Sabine Coelsch-Foisner are all genres of English literature, with a special focus on theatre, narratology, the concepts of change, cultural and critical theory and aesthetics as well as cultural infrastructures. The series “Salzburg Studies in English Literature and Culture SEL & C“ publishes monographs and collected volumes on English Language and Literature. The main research topics of the series editor Professor Sabine Coelsch-Foisner are all genres of English literature, with a special focus on theatre, narratology, the concepts of change, cultural and critical theory and aesthetics as well as cultural infrastructures. The series “Salzburg Studies in English Literature and Culture SEL & C“ publishes monographs and collected volumes on English Language and Literature. The main research topics of the series editor Professor Sabine Coelsch-Foisner are all genres of English literature, with a special focus on theatre, narratology, the concepts of change, cultural and critical theory and aesthetics as well as cultural infrastructures.

    6 publications

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