Minding the Media

This series is designed for those engaged in pedagogy and pedagogy and media. Using a critical perspective, authors will be invited to contribute volumes of approximately 85,000 words to this series. The editors anticipate acquiring between 5 and 8 volumes per year. Around the world today, there are blatant and insidious uses and effects of media in a hyperreal society. As educators we watch the media curriculum which pervades childhood and youth and understand that it would be impossible for young citizens to escape this curriculum. We recognize that teachers and administrators are often unequipped and/or unwilling to address their students’ embedded media curricula. Students walk into schools with the expectations that they must shirk their knowledge (and often obsessions) of media to drink the weakened Kool-Aid of public school curriculum. Minding the Media is the first book series specifically designed to address the needs of both students and teachers in watching, comprehending, using, and reading the media. We will acquire books from a wide range of authors in theoretical, technical and practitioner media disciplines.

30 publications

Global Crises and the Media

From climate change to the war on terror, financial meltdowns to forced migrations, pandemics to world poverty and humanitarian disasters to the denial of human rights, these and other crises represent the dark side of our globalized planet. They are endemic to the contemporary global world and so too are they highly dependent on the world's media. Each of the specially commissioned books in the Global Crises and the Media series examines the media's role, representation and responsibility in covering major global crises. They show how the media can enter into their constitution, enacting them on the public stage and thereby helping to shape their future trajectory around the world. Each book provides a sophisticated and empirically engaged understanding of the topic in order to invigorate the wider academic study and public debate about the most pressing and historically unprecedented global crises of our time.

53 publications

Sport, Sprache, Medien / Sport, Language, Media

ISSN: 2701-2816

Sport plays a large role in modern societies and is often the subject of intense media coverage. An extensive lexicon has developed around sport, both within the individual sports themselves but also in the media, and new text types and forms of media coverage have emerged that have increasingly become the subject of academic studies. The series Sport, Language, Media is designed to serve as a forum for studies of sports language and media communication. Volumes in the series will primarily focus on German-speaking regions, but comparative studies on sports language, sports media coverage and fan communication in other countries and cultures, including non-European ones, are welcome. Research on the history of individual sports languages is also encouraged. In addition to football, the ‘king’ of sports, other disciplines may also be the subject of linguistic studies to be included in the series. Book proposals are welcome and may be sent to the series editors. Der Sport nimmt im Leben moderner Gesellschaften breiten Raum ein und ist Gegenstand vielfältiger Formen der medialen Berichterstattung. In den Sportarten selbst, aber auch in den Medien sind eine umfangreiche Lexik sowie neue Textsorten und mediale Formen entstanden, die wiederholt zum Thema wissenschaftlicher Studien wurden. Für das Thema Sportsprache und Medienkommunikation soll mit der Reihe Sport, Sprache, Medien ein eigenes Forum geschaffen werden. Der Fokus der Bände liegt in erster Linie auf dem deutschsprachigen Raum, doch auch vergleichende Studien zu Sportsprache, Sportberichterstattung und Fankommunikation in anderen, auch nicht-europäischen Ländern und Kulturen sowie zur Geschichte der jeweiligen Sportsprachen sind willkommen. Neben „König" Fußball sollen in der Reihe auch andere Sportarten in den linguistischen Blick genommen werden. Manuskriptvorschläge können an die Herausgeber gerichtet werden.

4 publications

Studien zur Geschichte europäischer Periodika / Studies in the History of European Periodicals

ISSN: 2570-0510

These "Studies" explore the periodical in its many forms, dating back to the beginning of printing. In addition to magazines and newspapers, we investigate broadsheets, folk calendars, almanacs, and other forms of the periodical. In this international and interdisciplinary series, local, regional, national and trans-European communication spaces and forms are also examined. The series considers historical developments (of a specific genre or an ensemble of several periodicals, etc.) and offers synchronous investigations into the media and communications of a given period. The "Studies" aim to contribute to the understanding of the emergence, establishment and diversification of the European print media reception and literary and media formats and techniques. Die „Studien" erforschen die vielfältigen Formen der periodisch publizierten Kommunikation seit Beginn des Buchdrucks. Neben Zeitschriften, Magazinen oder Zeitungen gehören hierzu auch ältere Formen wie Flugblätter, Volkskalender, Almanache etc. In der internationalen und interdisziplinären Reihe werden lokale, regionale, nationale oder transeuropäische Kommunikationsräume und -formen untersucht. Sie interessiert sich für historische Entwicklungen (einer spezifischen Gattung oder eines Ensembles mehrerer Periodika etc.) und bietet synchrone Untersuchungen zur medialen Kommunikation einer Epoche. Damit leisten die Studien einen Beitrag zur Erforschung der Entstehung, Etablierung und Diversifizierung der europäischen Printmedienrezeption sowie medialer und literarischer Formate und Techniken.

6 publications

Politics, Media, and Popular Culture

ISSN: 1094-6225

"This series is devoted to both scholorly and teach i ng materials that exami ne the ways politics, the media, and popu l ar culture interact and influence social and political behavior. Subject matters to be addressed in this series include, but will not be limited to: media and politics; political communication; telev i sion, politics, and mass culture; mass media and political behavior; and politics and alter-native media and telecommunications such as computers. Sub-mission of single-author and collaborative studies, as well as collections of essays are invited. " "This series is devoted to both scholorly and teach i ng materials that exami ne the ways politics, the media, and popu l ar culture interact and influence social and political behavior. Subject matters to be addressed in this series include, but will not be limited to: media and politics; political communication; telev i sion, politics, and mass culture; mass media and political behavior; and politics and alter-native media and telecommunications such as computers. Sub-mission of single-author and collaborative studies, as well as collections of essays are invited. " "This series is devoted to both scholorly and teach i ng materials that exami ne the ways politics, the media, and popu l ar culture interact and influence social and political behavior. Subject matters to be addressed in this series include, but will not be limited to: media and politics; political communication; telev i sion, politics, and mass culture; mass media and political behavior; and politics and alter-native media and telecommunications such as computers. Sub-mission of single-author and collaborative studies, as well as collections of essays are invited. "

10 publications

Disability, Media, Culture

ISSN: 2633-0849

Globally today, television, film and the internet comprise the principal sources of cultural consumption and engagement. Despite this, these areas have not featured strongly in the cultural study of disability. This book series will provide the first specific outlet for international scholars of disability to present their work on these topics. The series will build a body of work that brings together critical analysis of disability and impairments in media and culture. The series expands the work currently undertaken in literary studies on disability by using media and cultural theory to understand the place of disability and impairment in a range of media and cultural forms. The series encourages the development of work on disabled people in the media, within the media industries and in the wider cultural sphere. Whilst film and television analysis will be central to this series, we also encourage work on disability in other media, including journalism, radio, the internet and gaming. We welcome proposals from media studies: narrative constructions of disability; technical aspects of media production; disability, the economy and society; the impact of social media and gaming on disabled identities; and the role of architecture and image. Cultural studies are also encouraged: the uses of disabled and chronically ill bodies, ‘cripping culture’, corporeal projections in culture, intersectional identities, advertising, and the uses of cultural theory in furthering understandings of ableism and disablism. All proposals and manuscripts will be rigorously peer reviewed. The language of publication is English, although we welcome submissions from around the world and on topics that may take as their focus non-English media. We welcome new proposals for monographs and edited collections. Editorial Board: Eleoma Bodammer (Edinburgh), Catalin Brylla (Bournemouth), Colin Cameron (Northumbria), Sally Chivers (Trent, Canada), Eduard Cuelenaere (Ghent), Beth Haller (Towson, USA), Catherine Long, Nicole Marcotić (Windsor), Maria Tsakiri (Cyprus), Dolly Sen, Sonali Shah (Birmingham), Alison Sheldon (Leeds), Murray Simpson (Dundee), Angela M. Smith (Utah), Heike Steinhoff (Ruhr-University Bochum), Laura Waite (Liverpool Hope).

3 publications

A Critical Introduction to Media and Communication Theory

The study of the media has led scholars to apply a humbling array of theories in their efforts to analyze messages, media systems, audiences and media themselves. One of the strengths of media studies has been its flexibility as it incorporates humanist and social scientific ideas in our work. This series is focused on theories, methods, schools of thought, domains of intellectual struggle, and individual thinkers whose importance to the study of the media can be reconfigured, reinvented, and refocused. Each of the specially commissioned books in the series shares a concern for the heritage of thought in the field of communication. These books provide sophisticated discussions of the relevance of particular theorists or theories, with an emphasis on reinventing communication and media studies, whether by incorporating ideas thought by some to be 'outside' the field, or by providing fresh analyses of ideas that have long been considered central to media studies. Though theoretical in focus, the books are at all times concerned with the applicability of theory to empirical research and experience, and are designed to be accessible, yet critical, for students -undergraduates and postgraduates - and scholars.

16 publications

Media Industries

The Media Industries series offers comprehensive, reader-friendly textbooks written to meet the needs of classes in newspapers, magazines, radio, and television broadcasting. Each book provides a concise, practical guide to all aspects of each industry. These volumes are also an ideal reference source for libraries. The Media Industries series offers comprehensive, reader-friendly textbooks written to meet the needs of classes in newspapers, magazines, radio, and television broadcasting. Each book provides a concise, practical guide to all aspects of each industry. These volumes are also an ideal reference source for libraries. The Media Industries series offers comprehensive, reader-friendly textbooks written to meet the needs of classes in newspapers, magazines, radio, and television broadcasting. Each book provides a concise, practical guide to all aspects of each industry. These volumes are also an ideal reference source for libraries.

8 publications

MeLiS. Medien – Literaturen – Sprachen in Anglistik/Amerikanistik, Germanistik und Romanistik

MeLiS is dedicated to media science, literature and linguistics from a cultural perspective. It also deals with issues derived from anthropology, the media, society, history and aesthetics. The cornerstone of MeLiS is an extended and descriptive interpretation of culture. The ability to decipher specific cultural derivatives and phenomena is dependent on time, space, the relevant context, and the disciplinary environment of the respective observer. MeLiS presents research approaches from various disciplines for discussion. A perspective that transcends trans-disciplinary or national-philological borders and promotes reflective dialogue among the academic disciplines is therefore expressly encouraged. MeLiS ist der kulturwissenschaftlichen Ausrichtung in den Medien-, Literatur- und Sprachwissenschaften verpflichtet. Dies schließt auch anthropologische, mediale, soziale, historische und ästhetische Fragestellungen ein. MeLiS legt einen erweiterten, deskriptiven Kulturbegriff zugrunde. Die Entschlüsselung spezifischer kultureller Erzeugnisse und Phänomene ist abhängig von Zeit, Raum, dem jeweiligen Kontext und dem disziplinären Umfeld des jeweiligen Betrachters. MeLiS stellt Forschungsansätze aus verschiedenen Fachdisziplinen zur Diskussion. Eine transdisziplinäre oder nationalphilologische Grenzen überschreitende Perspektive, die den reflektierten Dialog zwischen den Fachkulturen fördert, ist daher ausdrücklich erwünscht.

31 publications

Medienästhetik und Mediennutzung. Media Production and Media Aesthetics

ISSN: 2365-2993

Media production and media aesthetics are corresponding aspects of the discussion surrounding media that form a single unit. The series focuses partly on works about the aesthetic-dialectic analysis of media design. Areas of interest include media technology development and the resulting changes in both media design and what is expected of media. At the same time, digital and online media are influencing usage to a large extent. Authors in this series address these impacts and examine the extent to which changed forms of use are encouraging the development of new technologies and applications. By linking these interacting areas, we want this series to encourage and promote discussion between the disciplines. The volumes 1–4 have been published under "Babelsberger Schriften zu Mediendramaturgie und -Ästhetik". Medienästhetik und Mediennutzung bilden als korrespondierende Aspekte des Diskurses über Medien eine Einheit. Im Fokus der Schriftenreihe stehen zum einen Arbeiten, in denen sich Autor_innen der ästhetisch-dialektischen Analyse der Gestaltung medialer Werke zuwenden. Fokussiert werden die Entwicklungen der Medientechnik und die sich daraus ergebenden Veränderungen in der Gestaltung und in den Erwartungen an Medien. Zum anderen nehmen digitale und Online-Medien einen großen Einfluss auf die Nutzung ein. Autor_innen der Reihe widmen sich diesen Auswirkungen sowie der Untersuchung dessen, inwiefern veränderte Gebrauchsformen die Entwicklung neuer Technologien und Anwendungen anstoßen. Mit der Verbindung dieser interagierenden Bereiche möchten wir in der Reihe einen Diskurs zwischen den Disziplinen anregen und befördern. Die Bände 1–4 sind unter dem Reihentitel "Babelsberger Schriften zu Mediendramaturgie und -Ästhetik" erschienen.

4 publications

Literary and Cultural Studies, Theory and the (New) Media

ISSN: 0935-4093

Literary and Cultural Studies, Theory and the (New) Media provides a forum for discussions on a variety of topics in literary, cultural, and media studies. Open to comparatist approaches, the series main venue is in anglophone literature and media, with a special emphasis on narratological, postcolonial, film and media studies. Dedicated to promoting innovative and theoretically informed analyses, the series publishes monographs as well as edited volumes versed in media and literary theory. It also encourages explorations within, as well as dialogues between, narratological, postcolonial, feminist and queer approaches. Other theoretical approaches (stylistics, New Historicism, ecocriticism, etc.) are welcome as are works on literary and cultural theory. All volumes in the series are peer-reviewed. Monographs: Only complete manuscripts are accepted for review. Edited volumes: A proposal with two essays is solicited; a final decision will be taken after all the essays have been submitted in their final form. Please address all queries to sekretariat.fludernik@anglistik.uni-freiburg.de or sieglinde.lemke@anglistik.uni-freiburg.de.

10 publications

New Media in Creativity, Content and Entertainment

ISSN: 2190-8176

The “New Media in Creativity, Content and Entertainment“ series aims at providing a forum for discussions of interdisciplinary approaches to Computer Science and Data Processing, Business and Management, and Music. Editor of the series is Professor Christine Strauß who specializes in Electronic Business and Electronic Commerce, Service-Oriented Architectures, Knowledge Management and Accessibility.

2 publications

Cultural Media Studies

ISSN: 2577-6231

In the past few years, our political, cultural, and media landscapes have cultivated a sharp, notable rise of media activism, more representations of diverse groups and characters, and the need for intersectional approaches to media studies. The #MeToo campaign, the 2017 and 2018 Women’s Marches, Black Lives Matter marches, cross-border anti-feminicide activist marches, immigration marches, and increased representation of diverse sexual identities, racial/ethnic groups, and gender identities are evidence of the need for continued research on cultural media studies topics. The Peter Lang Cultural Media Studies Book Series is accepting book proposals for both proposed book and fully developed manuscripts on a rolling basis for media studies books that explore media production, media consumption, media effects, and media representations of feminism(s), race/ethnicity, gender, sexuality, and related topics.

11 publications

United States Studies: Culture, Politics, Media

"The American Studies and Media Series is addressed to scholars and students from various disciplines with a general interest in multi-, trans-, and interdisciplinary study of the United States and whose research is inspired by diverse approaches to the analysis of cultural, social, and political phenomena as seen from the perspective of broadly understood media, i.e., film, television, press media, new media, visual art and literature. The Editors of the series welcome original, previously unpublished research from individual scholars as well as edited volumes which exploit a well defined cultural, social, or political aspect of the United States. Elżbieta H. Oleksy and Wiesław Oleksy Department of American Studies and Mass Media Faculty of International and Political Studies University of Łódź"

6 publications

Media and Culture

This series will be publishing works in media and culture, focusing on research embracing a variety of critical perspectives. The editors are particularly interested in promoting theoretically informed empirical work using both quantitative and qualitative approaches. Although the focus is on scholarly research, works published in the series will appeal to readers beyond a narrow, specialized audience. This series will be publishing works in media and culture, focusing on research embracing a variety of critical perspectives. The editors are particularly interested in promoting theoretically informed empirical work using both quantitative and qualitative approaches. Although the focus is on scholarly research, works published in the series will appeal to readers beyond a narrow, specialized audience. This series will be publishing works in media and culture, focusing on research embracing a variety of critical perspectives. The editors are particularly interested in promoting theoretically informed empirical work using both quantitative and qualitative approaches. Although the focus is on scholarly research, works published in the series will appeal to readers beyond a narrow, specialized audience.

14 publications

Contextualising Literature and Media

ISSN: 2627-0684

The series was founded and edited by prof. Dorota Filipczak (1963–2021) until the publication of volume 2. The aim of the series is to introduce new, incisive analyses of literature and media in different cultural contexts. The series will focus on the phenomena that are inderdisciplinary and dissolve the boundary between literature and media such as film, music video, computer games etc. The idea behind the series is to show how our traditional understanding of literature can be transformed by the cultural, social and technological contexts. The successive studies will be informed by the scholarly background of contemporary literary theory and media studies, while seeking to relate literature and media to the challenges of contemporary world. The books published in the series will bridge the gap between diverse discourses and involve different fields of study, e.g. philosophy, gender studies, cultural studies etc.

4 publications

Cinema and Media Cultures in the Middle East

ISSN: 2770-9051

The purpose of this series is to demarcate and critically examine the shifting terrain of film- and media-making in the Middle East, and of practices of film and media studies regarding it, testing them both against their larger, social enabling conditions at the national, regional, and transnational levels. Titles in the series will engage recent developments in the field of Middle East film and media studies and will help point the field in an intellectually meaningful, pedagogically effective direction in relation to both current and, in some cases, significant, previously ignored older work. The series is conceived at a moment during which Middle Eastern film and film criticism have begun to develop in new directions. Recent years have witnessed a modest increase in scholarly engagement with topics and modes of inquiry often previously considered outside academic discourse. A handful of books and special journal issues published in English over the past half-decade, focusing on specific Middle Eastern countries, such as Tunisia, Morocco, Syria, Iran, Palestine/Israel and Turkey, as well as the long-overdue establishment of cinema studies as an emerging field of academic inquiry within universities located in the Arab world indicate a preponderance of previously unproblematized issues now circulating within the field. These include critical questions from queer and transgendered perspectives about the representation of women, and from indigenous and settler-colonial studies perspectives about the representation of migrant workers and refugees, the growing importance of documentary, digital animation and hybrid shooting, the continuing influence of global cinema imperatives, and the revival of interest in militant, revolutionary and third cinema aesthetics.

2 publications

Currents in Media, Social and Religious Movements in the Middle East

ISSN: 2576-2133

4 publications

Eruptions: New Feminism Across the Disciplines

ISSN: 1091-8590

This is a series of red-hot women's writing after the "isms." lt focuses on new cultural assemblages that are emerging from the deformation, breakout, ebullience, and discomfort of postmodern feminism. The series brings together a post-foundational generation of women's writing that, while still respectful of the idea of situated knowledge, does not rely on neat disciplinary distinctions and stable political coalitions. This writing transcends some of the more awkward textual performances of a first generation of "ferninism-meets-postmodernism" scholarship. lt has come to terms with its own body of knowledge as shifty, inflammatory, and ungovernable, The aim of the series is to make this cutting edge thinking more readily available to undergraduate and postgraduate students, researchers and new academics, and professional bodies and practitioners. Thus, we seek contributions from writers whose unruly scholastic projects are expressed in texts that are accessible and seductive to a wider academic readership. Proposals and/or manuscripts are invited from the domains of: "post" humanities, human movement studies, sexualities, media studies, literary criticism, information technologies, history of ideas, performing arts, gay and lesbian studies, cultural studies, post-colonial studies, pedagogics, social psychology, and the philosophy of science. We are particularly interested in publishing research and scholarship with international appeal from Australia, New Zealand, and the United Kingdom. This is a series of red-hot women's writing after the "isms." lt focuses on new cultural assemblages that are emerging from the deformation, breakout, ebullience, and discomfort of postmodern feminism. The series brings together a post-foundational generation of women's writing that, while still respectful of the idea of situated knowledge, does not rely on neat disciplinary distinctions and stable political coalitions. This writing transcends some of the more awkward textual performances of a first generation of "ferninism-meets-postmodernism" scholarship. lt has come to terms with its own body of knowledge as shifty, inflammatory, and ungovernable, The aim of the series is to make this cutting edge thinking more readily available to undergraduate and postgraduate students, researchers and new academics, and professional bodies and practitioners. Thus, we seek contributions from writers whose unruly scholastic projects are expressed in texts that are accessible and seductive to a wider academic readership. Proposals and/or manuscripts are invited from the domains of: "post" humanities, human movement studies, sexualities, media studies, literary criticism, information technologies, history of ideas, performing arts, gay and lesbian studies, cultural studies, post-colonial studies, pedagogics, social psychology, and the philosophy of science. We are particularly interested in publishing research and scholarship with international appeal from Australia, New Zealand, and the United Kingdom. This is a series of red-hot women's writing after the "isms." lt focuses on new cultural assemblages that are emerging from the deformation, breakout, ebullience, and discomfort of postmodern feminism. The series brings together a post-foundational generation of women's writing that, while still respectful of the idea of situated knowledge, does not rely on neat disciplinary distinctions and stable political coalitions. This writing transcends some of the more awkward textual performances of a first generation of "ferninism-meets-postmodernism" scholarship. lt has come to terms with its own body of knowledge as shifty, inflammatory, and ungovernable. The aim of the series is to make this cutting edge thinking more readily available to undergraduate and postgraduate students, researchers and new academics, and professional bodies and practitioners. Thus, we seek contributions from writers whose unruly scholastic projects are expressed in texts that are accessible and seductive to a wider academic readership. Proposals and/or manuscripts are invited from the domains of: "post" humanities, human movement studies, sexualities, media studies, literary criticism, information technologies, history of ideas, performing arts, gay and lesbian studies, cultural studies, post-colonial studies, pedagogics, social psychology, and the philosophy of science. We are particularly interested in publishing research and scholarship with international appeal from Australia, New Zealand, and the United Kingdom.

16 publications

Understanding Media Ecology

ISSN: 2374-7676

Media Ecology is a field of inquiry defined as ‘the study of media as environments’. Within this field, the term «medium» can be defined broadly to refer to any human technology or technique, code or symbol system, invention or innovation, system or environment. Media ecology scholarship typically focuses on how technology, symbolic form, and media relate to communication, consciousness, and culture – past, present and future. This series publishes research that furthers the formal development of media ecology as a field of study. Works in this series bring a media ecology approach to bear on specific topics of interest, including theoretical or philosophical investigations concerning the nature and effects of media or a specific medium. Further, this series also publishes books that examine new and emerging technologies and the contemporary media environment, as well as historical studies of media, technology, modes, and codes of communication. Scholarship regarding technique and the technological society is particularly welcome, as is scholarship on specific types of media and culture (e.g., oral and literate cultures, image, etc.). Publications may also consider specific aspects of culture (such as religion, politics, education, journalism, etc.); critical analyses of art and popular culture; and studies of how physical and symbolic environments function as media.

21 publications

Reconfiguring Identities in the Portuguese-Speaking World

The series publishes studies across the entire spectrum of Lusophone literature, culture and intellectual history, from the Middle Ages to the present day, with particular emphasis on figurations and reconfigurations of identity, broadly understood. It is especially interested in work which interrogates national identity and cultural memory, or which offers fresh insights into Portuguese-speaking cultural and literary traditions, in diverse historical contexts and geographical locations. It is open to a wide variety of approaches and methodologies as well as to interdisciplinary fields: from literary criticism and comparative literature to cultural and gender studies, to film and media studies. It also seeks to encourage critical dialogue among scholarship originating from different continents. Proposals are welcome for either single-author monographs or edited collections (in English and/or Portuguese). Those interested in contributing to the series should send a detailed project outline to oxford@peterlang.com.

21 publications

Race and Resistance Across Borders in the Long Twentieth Century

ISSN: 2297-2552

This series focuses on the history and culture of activists, artists and intellectuals who have worked within and against racially oppressive hierarchies in the twentieth century and beyond, and who have then sought to define and to achieve full equality once those formal hierarchies have been overturned. It explores the ways in which such individuals - writers, scholars, campaigners and organizers, ministers, and artists and performers of all kinds - locate their resistance within a global context and forge connections with each other across national, linguistic, regional and imperial borders. Disseminating the latest interdisciplinary scholarship on the history, literature and culture of anti-racist movements in Africa, the Caribbean, the United States, Europe, Asia and Latin America, the series foregrounds, through a cross-disciplinary approach, the transnational and intercultural nature of these resistance movements. The series embraces a range of themes, including but not limited to antislavery, intellectual and literary networks, emigration and immigration, anti-imperialism, church-based and religious movements, civil rights, citizenship and identity, Black Power, resistance strategies, women's movements, cultural transfer, white supremacy and anti-immigration, hip hop and global justice movements. The series is affiliated with the Race and Resistance Research Programme at The Oxford Research Centre in the Humanities (TORCH), University of Oxford. Proposals are invited for sole- and joint-authored monographs as well as edited collections. We welcome projects in a wide range of fields, including but not restricted to history, political science, anthropology, literature, cultural studies and media studies. Editorial Advisory Board: Funmi Adewole (DeMontfort University), Joan Anim-Addo (Goldsmiths, University of London), Celeste-Marie Bernier (University of Edinburgh), Alan Cobley (University of the West Indies, Cave Hill), Carolyn Cooper (University of the West Indies, Mona), Zaire Dinzey-Flores (Rutgers, State University of New Jersey), Tanisha Ford (University of Delaware), Maryemma Graham (University of Kansas), Christopher J. Lee (The Africa Institute, UAE), Simon Lewis (College of Charleston), Justine McConnell (King's College London), Pap Ndiaye (Sciences Po), Tessa Roynon (University of Oxford), Barbara Savage (University of Pennsylvania), David Scott (Columbia University), Hortense Spillers (Vanderbilt University), Imaobong Umoren (London School of Economics), Harvey Young (Northwestern University)

7 publications

Christianity and Conversion in Scandinavia and the Baltic Region, c. 800-1600

ISSN: 2694-555X

Series Editor: Mihai Dragnea (University of South-Eastern Norway) This is a single-blind peer reviewed series which provides an opportunity for scholars to publish high-quality studies on the culture, society and economy of East Central, Eastern and Northern Europe under the influence of Christianity. It welcomes submissions in various formats, including monographs, edited volumes, conference proceedings, and short form publications between 30,000 to 50,000 words (Peter Lang Prompts) on subjects related to: Christian kingship, Christian and pagan identity, cultural encounters, otherness, barbarians, missionary strategy, canon law, canonical aspects of missionary work, forced conversion, clerical involvement in warfare, military orders, Holy War, martyrdom, sacralisation of a landscape, pilgrimage, shrines, saints’ cults, relics of saints, icons, war banners, pagan war rituals, burial practices, diet and fashion, rural area and the concept of town life, intragroup and intergroup relations, linguistic interactions, emotional discourse, narratives gesta episcoporum, saga studies, colonization, settlement, mythology, ethnography, mental geographies, political culture, political relations, dynastic marital alliances, media and communication, trade, exploration, mappae mundi, portolan charts, art history, architecture, numismatics, and all archaeological sub-disciplines. Each volume may contain up to 20 black-and-white images. Editorial Board: Carsten Selch Jensen (University of Copenhagen) Anti Selart (University of Tartu) Jakub Morawiec (University of Silesia) Carole Cusack (University of Sydney) Stanislaw Rosik (University of Wroclaw) Felix Biermann (University of Greifswald) Rob Meens (Utrecht University) David Kalhous (Masaryk University, Brno) Stanislava Kuzmová (Comenius University Bratislava) Peter Ivanič (Constantine the Philosopher University in Nitra) Myroslav Voloshchuk (Precarpathian National University, Ivano-Frankivsk) Attila Bárány (University of Debrecen) Proposals and author/volume editor CV should be sent to mihaidragnea2018@gmail.com

0 publications

Vampire Studies: New Perspectives on the Undead

ISSN: 2977-0718

Vampires are everywhere. Appearing on streaming services, in book series and on multimedia platforms, vampires and the undead are an integral part of popular culture in the twenty-first century. But vampires have a long and varied history across cultures from at least the early eighteenth century onwards. Nina Auerbach once commented on their cultural ubiquity: ‘Every age embraces the vampire it needs, and gets the vampire it deserves’. The inherently transformative properties of vampires have made them uniquely able to reflect the age in which they appear. As a result, they provide original and multiple perspectives, not just on culture, but on established and emerging areas of study. Vampires and the undead serve as a useful lens for exploring Indigeneity, environmental studies and the ecogothic; identity, ethnicity and gender politics; material culture, spectatorship and fan cultures; hybridity, post-humanism and futurities; disability, mental health and ageing studies; and theology, philosophy and politics. These new territories and methodologies of vampire studies also retroactively shift the ways we view and understand earlier iterations of the undead and the different cultures they materialized from. In this first book series dedicated to vampire studies, authors will explore the ongoing evolution of vampires and the undead in the broadest sense – including the supernatural, super-human and non-human, and across cultures, histories and media – and will use new theoretical frameworks to offer original and innovative readings of established and more recent texts. This original series aims to provide a focused hub for the diverse and often dispersed body of study that sees the vampire and the undead not as a subgenre of other categories such as the Gothic or horror, but as a genre in its own right that intersects with others. An important dimension of the series is diversity and the inclusion of multiple cultural and minority perspectives, including LGBTQ+, disability, Indigeneity, and any approaches that encourage new ways of viewing the cultural impact of vampires and the undead and widen our understanding of an ever-expanding genre. Proposals for monographs and edited collections are warmly invited. All projects undergo rigorous peer review. Please contact the series editor, Simon Bacon (baconetti@googlemail.com), or editorial@peterlang.com for more information. Editorial Board: Stacey Abbott (Birkbeck, University of London), Katarzyna Ancuta (Chulalongkorn University, Thailand), Uzoamaka Melissa Anyiwo (University of Scranton, USA), John Edgar Browning (Savannah College of Art and Design, USA), S. Brooke Cameron (Queen's University, Canada), Sir Christopher Frayling, Tabish Khair (University of Aarhus, Denmark), Lorna Piatti-Farnell (Auckland University of Technology, New Zealand), Xavier Aldana Reyes (Manchester Metropolitan University, UK), Cristina Santos (Brock University, Canada), Jeffrey Andrew Weinstock (Central Michigan University, USA), Laura Westengard (City University of New York).

0 publications

French Studies of the Eighteenth and Nineteenth Centuries

This series publishes the latest research by teachers and researchers working in all the disciplines which constitute French and Francophone studies in this period, in the form of monographs, revised dissertations, collected papers and conference proceedings. Adhering to the highest academic standards, it provides a vehicle for established scholars with specialised research projects but also encourages younger academics who may be publishing for the first time. The editors take a broad view of French studies and intend to examine literary and cultural phenomena of the eighteenth and nineteenth centuries, excluding the Romantic movement, against their historical, political and social background in all the French-speaking countries. The editors also welcome work in comparative studies, and on adaptations, across languages or media.

39 publications