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The National and Beyond
The Globalisation of Finnish Cinema in the Films of Aki and Mika Kaurismäki©2010 Monographs -
Cinématismes- La littérature au prisme du cinéma
La littérature au prisme du cinéma©2012 Conference proceedings -
Mexican Transnational Cinema and Literature
Edited Collection -
Mexican Transnational Cinema and Literature
Edited Collection -
Time and Space in Contemporary Greek-Cypriot Cinema
©2015 Monographs -
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Reimagining Kenyan Cinema
©2022 Monographs -
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Postcolonial Nation and Narrative III: Literature & Cinema
Cape Verde, Guinea-Bissau and São Tomé e Príncipe©2019 Edited Collection -
Theorizing Ambivalence in Ang Lee's Transnational Cinema
©2012 Monographs -
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Italian Political Cinema
Public Life, Imaginary, and Identity in Contemporary Italian Film©2016 Monographs -
The Gun and Irish Politics
Examining National History in Neil Jordan’s 'Michael Collins'©2009 Monographs -
Turkish Cinema and Television Industry in the Digital Streaming Era
©2022 Edited Collection -
Socio-critical Aspects in Latin American Cinema(s)
Themes – Countries – Directors – Reviews©2012 Monographs -
Cinematic Echoes of Covenants Past and Present
National Identity in the Historical Films of Steven Spielberg and Andrzej Wajda©2018 Monographs -
Métiers et techniques du cinéma et de l’audiovisuel : sources, terrains, méthodes
©2020 Edited Collection -
New Studies in European Cinema
ISSN: 1661-0261
With its focus on new critical, theoretical, and cultural developments in contemporary film studies, this series encourages lively analytical debate within an innovative, multidisciplinary, and transnational approach to European cinema. It aims to create an expansive sense of where the borders of European cinema may lie and to explore its interactions and exchanges within and between regional and national spaces, taking into account diverse audiences and institutions. The series reflects the range and depth of European cinema, while also attempting to revise and extend its importance within the development of cinema studies in the coming decades. Of particular interest is how European cinema may respond to the challenges of digital distribution and the new intermedial landscape, evolving issues in transnational funding and production, the significance of film festival culture, and questions of multivocality and pluralism at a time of global crisis. The impact of all such developments upon European culture and identity will be of fundamental interest in the coming decades and the New Studies in European Cinema series makes a key contribution to this debate. Proposals for monographs and edited collections are welcome. All proposals and manuscripts undergo a rigorous peer review assessment prior to publication.
28 publications
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Mythologies romandes : Gustave Doret et la musique nationale
©2018 Edited Collection -
Génocide, enfance et adolescence dans la littérature, le dessin et au cinéma
©2014 Conference proceedings -
Cinema and Media Cultures in the Middle East
ISSN: 2770-9051
The purpose of this series is to demarcate and critically examine the shifting terrain of film- and media-making in the Middle East, and of practices of film and media studies regarding it, testing them both against their larger, social enabling conditions at the national, regional, and transnational levels. Titles in the series will engage recent developments in the field of Middle East film and media studies and will help point the field in an intellectually meaningful, pedagogically effective direction in relation to both current and, in some cases, significant, previously ignored older work. The series is conceived at a moment during which Middle Eastern film and film criticism have begun to develop in new directions. Recent years have witnessed a modest increase in scholarly engagement with topics and modes of inquiry often previously considered outside academic discourse. A handful of books and special journal issues published in English over the past half-decade, focusing on specific Middle Eastern countries, such as Tunisia, Morocco, Syria, Iran, Palestine/Israel and Turkey, as well as the long-overdue establishment of cinema studies as an emerging field of academic inquiry within universities located in the Arab world indicate a preponderance of previously unproblematized issues now circulating within the field. These include critical questions from queer and transgendered perspectives about the representation of women, and from indigenous and settler-colonial studies perspectives about the representation of migrant workers and refugees, the growing importance of documentary, digital animation and hybrid shooting, the continuing influence of global cinema imperatives, and the revival of interest in militant, revolutionary and third cinema aesthetics.
2 publications