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- Science, Society & Culture (125)
- English Studies (86)
- Education (61)
- Media and Communication (53)
- History & Political Science (42)
- Romance Studies (35)
- The Arts (35)
- Theology & Philosophy (19)
- German Studies (17)
- Linguistics (16)
- Law, Economics & Management (3)
- Slavic Studies (1)
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«Ah done been tuh de horizon and back»
Zora Neale Hurston’s Cultural Spaces in "Their Eyes Were Watching God" and "Jonah’s Gourd Vine"©2012 Thesis -
The Future of Post-Human Space-Time
Conceiving a Better Way to Understand Space and Time©2007 Monographs -
Spaces of Desire – Spaces of Transition
Space and Emotions in Modern Literature©2011 Edited Collection -
Space, Time and the Construction of Identity
Discursive Indexicality in Cultural, Institutional and Professional Fields©2013 Edited Collection -
Foundations of Culture
Knowledge-Construction, Belief Systems and Worldview in Their Dynamic Interplay©2007 Monographs -
Storytelling as a Cultural Practice
Pedagogical and Linguistic Perspectives©2024 Conference proceedings -
Documentary Film Cultures
ISSN: 2504-4834
This series provides a space for exploring the development of documentary film cultures in the contemporary context. The series takes an ecological approach to the study of documentary funding, production, distribution and consumption by emphasizing the interconnections between these practices and those of other media systems. It thus encourages new ways of understanding documentary films or practices as part of other, wider systems of cultural production. Volumes may focus on specific sociopolitical environments, such as that of a nation or region. Alternatively, they may explore specific themes or production practices, such as new wave documentaries, environmentalism or indigenous film communities. Studies of shared technological platforms, including films that make use of embodied technologies or using emergent distribution platforms, are also welcome. The series reflects not only the maturing of literature on documentary film and media production studies over the last two decades but also the growing interest amongst nonacademic and professional audiences in documentary texts as they occupy an increasingly hybrid cultural space: part journalism, part art cinema, part activism, part entertainment, part digital culture. Editorial Board: Jouko Aaltonen (Aalto University), John Corner (Liverpool University, UK), Yingchi Chu (Murdoch University, Australia), Jonathan Dovey (University of the West of England, Bristol), Susanna Helke (Aalto University, Finland), Anette Hill (Lund University, Sweden), Bert Hogenkamp (Netherlands Institute for Sound and Vision), Ilona Hongisto (Macquarie University, Australia), K. P. Jayasankar (Tata Institute of Social Sciences, India), Susan Kerrigan (Newcastle University, Australia), Richard Kilborn (University of Stirling), Erik Knudsen (University of Central Lancashire, UK), David MacDougall (Australian National University), Anjali Monteiro (Tata Institute of Social Sciences, Mumbai), Pablo Piedras (Universidad de Buenos Aires, Argentina), Agnieszka Piotrowska (University of Bedfordshire, UK), Laura Rascaroli (University College Cork, Ireland), Belinda Smaill (Monash University, Australia), Inge Sorensen (University of Glasgow, UK), Bjørn Sørenssen (Norwegian University of Science and Technology, Norway), Malin Walhberg (Stockholm University, Sweden), Deane Williams (Monash University, Australia), Yingjin Zhang (UC San Diego, USA)
6 publications
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Occupying Space in Medieval and Early Modern Britain and Ireland
Edited Collection -
Learning in Video Game Affinity Spaces
©2012 Textbook -
Reproduction of Armenianness in Diasporic Spaces
A Comparative Analysis of Armenianness in Turkish, Lebanese and British Cases©2020 Edited Collection -
Centres and Peripheries in the Post-Soviet Space
Relevance and Meanings of a Classical Distinction©2020 Edited Collection