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  • Title: Du split-screen au multi-screen-- From split-screen to multi-screen

    Du split-screen au multi-screen-- From split-screen to multi-screen

    La narration vidéo-filmique spatialement distribuée-- Spatially distributed video-cinematic narration
    by Marcin Sobieszczanski (Volume editor) Céline Masoni Lacroix (Volume editor) 2010
    ©2011 Edited Collection
  • Title: Terrorisme / Terrorism

    Terrorisme / Terrorism

    Regards croisés / Cross Analysis
    by Quentin Michel (Volume editor)
    ©2005 Conference proceedings
  • Title: Artisanat et design

    Artisanat et design

    Un dessein indien ?
    by Philippe Bouquillion (Volume editor) Julie Peghini (Volume editor) Catherine Servan Schreiber (Volume editor) 2018
    ©2018 Edited Collection
  • Canadiana

    Literaturen/Kulturen, Literatures/Cultures, Littératures/Cultures

    The collection will offer a platform for the presentation of research-works in Canadian Studies, a discipline of increasing interest. New developments in the Studies of Literature, Culture and Media shall be documented in the new collection. The specific character of Canadianess creates a major interest for intercultural, multicultural and transcultural aspects. This fact will have an impact not only on the basic research fields, but also on epistemological dimensions. In this collection, research works to Canadian issues will be published in German, English or French, with abstracts in the other two languages. Editors’ Homepage: Prof. Dr. Klaus-Dieter Ertler Prof. Dr. Wolfgang Klooß La présente collection cherche à fournir une plate-forme aux travaux de recherche portant sur les Etudes canadiennes, dont l'importance ne cesse d'augmenter. Elle servira de documentation des nouveaux développements en recherches sur les littératures, les cultures et les médias. Par le caractère particulier de la canadianité, les aspects interculturels, multiculturels et transculturels y connaîtront une dimension particulière, ce qui aura des conséquences non seulement aux objets de la recherche, mais aussi aux questions épistémologiques. Dans notre collection, les recherches sur les sujets canadiens seront publiées en allemand, anglais ou français, avec des résumés dans les deux autres langues respectives. Page d'accueil des éditeurs: Prof. Dr. Klaus-Dieter Ertler Prof. Dr. Wolfgang Klooß Die Reihe versteht sich als Plattform für Forschungsarbeiten aus dem Bereich der Kanada-Studien, deren Bedeutung in den letzten Jahren ständig zugenommen hat. Neuere Entwicklungen in den Literatur-, Kultur- und Medienwissenschaften sollen hier dokumentiert werden. Durch den spezifischen Charakter des Kanadischen kommt den interkulturellen, multikulturellen und transkulturellen Aspekten eine besondere Bedeutung zu, was sich nicht nur auf die untersuchten Zusammenhänge, sondern auch auf die epistemologische Dimension auswirkt. In dieser Reihe werden die Untersuchungen zu kanadischen Themen in deutscher, englischer oder französischer Sprache mit abstracts in den jeweils anderen Sprachen veröffentlicht. Homepage der Herausgeber: Prof. Dr. Klaus-Dieter Ertler Prof. Dr. Wolfgang Klooß

    21 publications

  • Yourcenar

    ISSN: 2030-7314

    Nobody disputes the modern relevance of Marguerite Yourcenar’s work. Back in 1981, when she was the first woman to be elected to the Académie Française, her work was received enthusiastically, rather deferentially even; there was something of an aura surrounding it with the media attention her election attracted. But this time is now past and more recent research activity has taken a new turn, with critical attention focusing on Yourcenar’s roots in her own century. The study of traditional major themes – death, the sacred, nature, history etc. – has given way to the study of more comparative, theoretical issues such as the relationship between text and images, and more incisive issues such as ecology, gender, political activism etc. And her work seems to expand accordingly, offering up a seemingly inexhaustible supply of subject matter, not only through her novels but also through her novellas, her many essays, plays, letters and so on. The primary objective of the «Yourcenar» series is to publish monographs, collected volumes, conference proceedings and volumes resulting from doctoral research which will give our intended public of academics and Yourcenar devotees a regularly updated idea of the state of the art in the field. Cross-disciplinary approaches are encouraged. The intention is to publish two volumes per year, in either English or French. The collection is directed by Francesca Counihan (Maynooth University) and Bérengère Deprez (Université catholique de Louvain). L’actualité de l’œuvre de Marguerite Yourcenar ne fait aucun doute. Passé un moment de réception enthousiaste et plutôt déférente de ses écrits, auréolés et très médiatisés par son admission comme première femme à l’Académie française en 1981, il semble que la recherche ait pris un virage vers la critique attentive de l’enracinement de l’écrivaine dans son siècle. À l’examen des grands thèmes comme la mort, le sacré, la nature, l’histoire, etc., ont succédé des questions plus comparatistes, plus théoriques telles le rapport texte/image ou plus incisives telles l’écologie, la dimension de genre, l’engagement politique, etc. Et l’œuvre répond présente : la matière semble inépuisable, non seulement les romans mais les nouvelles, les nombreux essais, le théâtre, la correspondance, etc. La collection « Yourcenar » a pour ambition de présenter à un public universitaire académique ou non, ainsi qu’aux nombreux passionnés de l’œuvre de Marguerite Yourcenar, un état des lieux régulier de la recherche, par la publication de monographies, de volumes collectifs, d’actes de colloques et d’essais issus de thèses de doctorat. Elle encourage les points de vue transdisciplinaires. L’objectif de publication est de deux volumes par an, en français ou en anglais. La collection est dirigée par Francesca Counihan (Maynooth University) et Bérengère Deprez (Université catholique de Louvain). Nobody disputes the modern relevance of Marguerite Yourcenar’s work. Back in 1981, when she was the first woman to be elected to the Académie Française, her work was received enthusiastically, rather deferentially even; there was something of an aura surrounding it with the media attention her election attracted. But this time is now past and more recent research activity has taken a new turn, with critical attention focusing on Yourcenar’s roots in her own century. The study of traditional major themes – death, the sacred, nature, history etc. – has given way to the study of more comparative, theoretical issues such as the relationship between text and images, and more incisive issues such as ecology, gender, political activism etc. And her work seems to expand accordingly, offering up a seemingly inexhaustible supply of subject matter, not only through her novels but also through her novellas, her many essays, plays, letters and so on. The primary objective of the «Yourcenar» series is to publish monographs, collected volumes, conference proceedings and volumes resulting from doctoral research which will give our intended public of academics and Yourcenar devotees a regularly updated idea of the state of the art in the field. Cross-disciplinary approaches are encouraged. The intention is to publish two volumes per year, in either English or French. The collection is directed by Francesca Counihan (Maynooth University) and Bérengère Deprez (Université catholique de Louvain).

    2 publications

  • European Connections

    Studies in Comparative Literature, Intermediality and Aesthetics

    European Connections: Studies in Comparative Literature, Intermediality and Aesthetics is a peer-reviewed series that publishes innovative research monographs, edited volumes as well as translations of key theoretical works. The series focuses on the literary and artistic relations that have shaped and continue to shape European cultures across national, linguistic and media boundaries, leading to vibrant new forms of artistic creation and aesthetic expression. It also wishes to explore relations with non-European cultures with a view to fostering more equitable models of cultural exchange and transfer. The series promotes comparative, intermedial and interdisciplinary approaches, whether studies of specific writers, filmmakers and artists; critical re-evaluations of historical periods (from the medieval to the ultra-contemporary) and movements; or wider theoretical reflections within the fields of comparative literature, intermediality studies and aesthetics. In light of the urgent need to revitalize the idea of Europe along new lines of thought, the series encourages research that explores the rich connections within European artistic and cultural production as well as the participation of European cultures in what the great philosopher of relation Édouard Glissant has called the Tout-monde. The series publishes in English, French and German. Editorial Board: Vincent Ferré (University Paris-Est Créteil), Robin Kirkpatrick (University of Cambridge), Kim Knowles (Aberystwyth University), Frauke Matthes (University of Edinburgh), Jean-Pascal Pouzet (University of Limoges), Marisa Verna (Università Cattolica, Milan)

    54 publications

  • Études canadiennes – Canadian Studies

    ISSN: 1781-3867

    This series examines the many facets of Canadian reality from a multidisciplinary perspective. Contributions from both the humanities and the social sciences are invited. The editor welcomes manuscripts whose primary object is «Canada» in the widest possible sense of the term. The series therefore covers a variety of fields such as literature, history, sociology, politics, economics, geography, law, media, museology, etc. as well as comparative studies. One of the most innovative features of this series is its focus on the latest research conducted outside Canada. It therefore illuminates various aspects of the country in a new and significant manner and encourages a constant and innovative dialogue between Canadian scholars and the community of Canadian studies specialists worldwide. La collection « Études canadiennes » analyse les multiples facettes de la réalité canadienne dans une perspective pluridisciplinaire. Elle accueille des travaux sur tous les thèmes de recherche en sciences humaines et sociales qui ont pour objet principal le Canada dans son acception la plus large – études littéraires, historiques, sociologiques, politiques, économiques, géographiques, juridiques, médiatiques, muséologiques, etc. – mais elle met également l’accent sur les travaux comparatistes incluant le Canada. L’une des principales originalités de la collection est d’accueillir le fruit des recherches les plus récentes menées à l’extérieur du Canada. Elle jette ainsi un éclairage significatif et inédit sur les différentes composantes de ce pays, privilégiant le développement d’un dialogue constant et original entre les scientifiques canadiens et la communauté internationale des canadianistes répartis à travers le monde.

    37 publications

  • Natur, Wissenschaft und die Künste / Nature, Science and the Arts / Nature, Science et les Arts

    ISSN: 1663-6007

    Nature, Science and the Arts is an international scholarly series dealing with the history of cultural interplay between arts, humanities, natural sciences and technology, both on the level of theoretical reflection and in artistic enunciations. It is not restricted to any particular epoch, society, medium or region. By publishing contributions to this new interdisciplinary research area, the series illuminates the traditional connection between two ways of interpreting the world, a connection that has been largely marginalized since Wilhelm Dilthey’s strict dissociation between humanities and natural sciences. Nature, Science et les Arts est une collection scientifique internationale qui explore l’histoire des interactions entre la culture des sciences humaines et artistiques et celle des sciences naturelles et techniques, au niveau de la réflexion théorique et de l’articulation artistique. Elle s’intéresse pour cela à toutes les époques, formes de sociétés, médias et régions. La collection présente des études sur ces nouveaux domaines de recherche et illustre le lien traditionnel entre deux perceptions du monde qui ont été très largement marginalisées depuis la stricte séparation opérée par Wilhem Diltheys entre les sciences humaines et naturelles. Natur, Wissenschaft und die Künste ist eine internationale Wissenschaftsreihe, welche die Geschichte des Zusammenwirkens geisteswissenschaftlich-künstlerischer und naturwissenschaftlich-technischer Kultur auf der Ebene theoretischer Reflektion und künstlerischer Artikulation untersucht. Dabei gibt es keine Beschränkungen auf bestimmte Epochen, Gesellschaftsformen, Medien oder Regionen. Die Reihe stellt Untersuchungen aus diesem neuen wissenschaftlichen Forschungsgebiet vor und veranschaulicht den traditionellen Zusammenhang zweier Formen der Weltdeutung, welcher seit Wilhelm Diltheys strenger Trennung von Geistes- und Naturwissenschaften weitestgehend marginalisiert wurde.

    20 publications

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