Toronto Studies in Religion

This series of monographs and books is designed as a contribution to the scholarly and academic understanding of religion. Such understanding is taken to involve both a descriptive and an explanatory task. The first task is conceived as one of surface description involving the gathering of information about religions, and depth description that provides, on the basis of the data gathered, a more finely nuanced description of a tradition's self-understanding. The second task concerns the search for explanation and the development of theory to account for religion and for particular historical traditions. The series will, furthermore, cover the phenomenon of religion in all its constituent dimensions and geographic diversity. Both established and younger scholars in the field will be included and will represent a wide range of viewpoints and positions, producing original work of high order at the monograph and major study level. Although predominantly empirically oriented, the series will also encourage theoretical studies and even leave room for creative and empirically controlled philosophical and speculative approaches in the interpretation of religions and religion. Toronto Studies in Religion will be of particular interest to those who study the subject at universities and colleges but will also be of value to the general educated reader. This series of monographs and books is designed as a contribution to the scholarly and academic understanding of religion. Such understanding is taken to involve both a descriptive and an explanatory task. The first task is conceived as one of surface description involving the gathering of information about religions, and depth description that provides, on the basis of the data gathered, a more finely nuanced description of a tradition's self-understanding. The second task concerns the search for explanation and the development of theory to account for religion and for particular historical traditions. The series will, furthermore, cover the phenomenon of religion in all its constituent dimensions and geographic diversity. Both established and younger scholars in the field will be included and will represent a wide range of viewpoints and positions, producing original work of high order at the monograph and major study level. Although predominantly empirically oriented, the series will also encourage theoretical studies and even leave room for creative and empirically controlled philosophical and speculative approaches in the interpretation of religions and religion. Toronto Studies in Religion will be of particular interest to those who study the subject at universities and colleges but will also be of value to the general educated reader. This series of monographs and books is designed as a contribution to the scholarly and academic understanding of religion. Such understanding is taken to involve both a descriptive and an explanatory task. The first task is conceived as one of surface description involving the gathering of information about religions, and depth description that provides, on the basis of the data gathered, a more finely nuanced description of a tradition's self-understanding. The second task concerns the search for explanation and the development of theory to account for religion and for particular historical traditions. The series will, furthermore, cover the phenomenon of religion in all its constituent dimensions and geographic diversity. Both established and younger scholars in the field will be included and will represent a wide range of viewpoints and positions, producing original work of high order at the monograph and major study level. Although predominantly empirically oriented, the series will also encourage theoretical studies and even leave room for creative and empirically controlled philosophical and speculative approaches in the interpretation of religions and religion. Toronto Studies in Religion will be of particular interest to those who study the subject at universities and colleges but will also be of value to the general educated reader.

21 publications

Modern French Identities

ISSN: 1422-9005

This series aims to publish monographs, editions or collections of papers based on recent research into modern French literature. It welcomes contributions from academics, researchers and writers worldwide and in British and Irish universities in particular. Modern French Identities focuses on the French and Francophone writing of the twentieth and twenty-first centuries, whose formal experiments and revisions of genre have combined to create an entirely new set of literary forms, from the thematic autobiographies of Michel Leiris and Bernard Noël to the magic realism of French Caribbean writers. The idea that identities are constructed rather than found, and that the self is an area to explore rather than a given pretext, runs through much of modern French literature, from Proust, Gide, Apollinaire and Césaire to Barthes, Duras, Kristeva, Glissant, Germain and Roubaud. This series explores the turmoil in ideas and values expressed in the works of theorists like Lacan, Irigaray, Foucault, Fanon, Deleuze and Bourdieu and traces the impact of current theoretical approaches – such as gender and sexuality studies, de/coloniality, intersectionality, and ecocriticism – on the literary and cultural interpretation of the self. The series publishes studies of individual authors and artists, comparative studies, and interdisciplinary projects and welcomes research on autobiography, cinema, fiction, poetry and performance art and/or the intersections between them. Editorial Board Contemporary Literature and Thought: Martin Crowley (University of Cambridge) Francophone Studies: Louise Hardwick (University of Birmingham) and Jean Khalfa (University of Cambridge) Gender and Sexuality Studies: Florian Grandena (University of Ottawa) and Cristina Johnston (University of Stirling) Language and Linguistics: Michaël Abecassis (University of Oxford) Literature and Art: Peter Collier and Jean Khalfa (University of Cambridge) Literature and Non-fiction: Muriel Pic (University of Bern) Poetry: Nina Parish (University of Stirling) and Emma Wagstaff (University of Birmingham) Zoopoetics and Ecocriticism: Anne Simon (CNRS/Ecole normale supérieure, Paris)

156 publications

Europe plurielle/Multiple Europes

The series «Multiple Europes» is multiple in two ways: it understands Europe in an interdisciplinary manner with a strong historical perspective, and it understands Europe as being inserted in transnational and global contexts. On both levels, the perspectives on Europe and the very role and understanding of Europe is multiple. The special emphasis of the series thus lies in understanding the pasts of Europe as well as its complex present. The history of Europe and the history of European integration have influenced each other in the past and will continue to do so in the future. There is an inbuilt tension in the relation between European history and the history of European integration. Europe signifies a space and semantics much broader and more complex than the EU. The relations between ideas of Europe, European history, global history and European integration need to be faced more openly. In order to do this, an open dialogue between academic disciplines is just as necessary as critical self-reflection within each discipline. Furthermore, European history was preoccupied with looking at itself and needs to be connected to global relations. La collection « Europe plurielle » tente d’’analyser à la fois la richesse du passé dont l’’Europe est issue et la complexité de son présent à travers une lecture transdisciplinaire, historique et globale – en un mot : plurielle. L’’histoire de l’’Europe et l’’histoire de l’’intégration européenne se sont influencées mutuellement dans le passé et continuent à le faire. Il existe, en effet, une tension inhérente entre elles. Mais le terme « Europe » renvoie à un espace et à un signifié bien plus amples et complexes que celui d’’« Union Européenne ». Par ailleurs, l’’histoire européenne s’’est trop longtemps penchée sur elle-même et doit à présent s’’articuler aux relations internationales en général. Les relations entre l’’idée de l’’Europe, l’’histoire européenne, l’’histoire mondiale et l’’intégration européenne doivent donc être abordées de façon plus large dans un dialogue interdisciplinaire qui intègre également une réflexion critique à l’’intérieur de chaque discipline. Tels sont les objectifs de la collection. The series «Multiple Europes» is multiple in two ways: it understands Europe in an interdisciplinary manner with a strong historical perspective, and it understands Europe as being inserted in transnational and global contexts. On both levels, the perspectives on Europe and the very role and understanding of Europe is multiple. The special emphasis of the series thus lies in understanding the pasts of Europe as well as its complex present. The history of Europe and the history of European integration have influenced each other in the past and will continue to do so in the future. There is an inbuilt tension in the relation between European history and the history of European integration. Europe signifies a space and semantics much broader and more complex than the EU. The relations between ideas of Europe, European history, global history and European integration need to be faced more openly. In order to do this, an open dialogue between academic disciplines is just as necessary as critical self-reflection within each discipline. Furthermore, European history was preoccupied with looking at itself and needs to be connected to global relations.

51 publications

Ars Interpretandi

ISSN: 1043-5778

The title indicates the open-ended nature of this series. lt includes books and monographs in all literatures and has as its primary focus the hermeneutic act. Topics are not restricted to critical theory, but can range from studies on a landmark poem or poetic cycle to broader essays on a literary generation or a genre, etc., provided they make clear the extent to which they insert themselves into the past or contemporary critical and self-critical discourse. Prospective authors are invited to send their proposal or an outline and text sample to the editor of the series prior to submitting a manuscript. The publisher requires a camera-ready copy of a minimum length of 200 pages and a maximum of 400 pages.

7 publications