Sprache, Mehrsprachigkeit und sozialer Wandel. Language. Multilinguism and Social Change. Langue, multilinguisme et changement social

Die Buchreihe "Sprache, Mehrsprachigkeit und sozialer Wandel" beschäftigt sich mit linguistischen Fragestellungen im Bereich der Romanistik. Der thematische Schwerpunkt der Reihe liegt auf Untersuchungen zu Sprachkontakt, Sprachkonflikten, Sprachbewusstsein und den Varietäten verschiedener romanischer Sprachen. Frankophonie, Mehrsprachigkeit und Migration sowie soziale Identifikation durch Sprache stehen ebenfalls im Fokus der Reihenbände. Herausgeber der Reihe ist der Sprachwissenschaftler Professor Jürgen Erfurt.

38 publications

Wor(l)ds of Change: Latin American and Iberian Literature

"This series deals with the relationship between literary creation and the social, political, and historical contexts in which it is produced. The types of volumes may include critical analyses of one or more works by one or several authors; critical editions of important works that may have been out of print for a long time, but which represent a major contribution to literature of the Iberian Peninsula or Latin America, English translations of important works, with critical introduction. Topics for Latin America include: studies of representative works of nineteenth- and twentieth-century thought, poetic portrayals of history, subgenres (fictionalization of the rural and urban social structures); historical novels; literature of exile; re-readings of colonial texts; new approaches to the figure of the Indian and other representatives of transculturation; women writers and other less studied authors. Topics for Spain and Portugal include: writing and nationalism in the Spanish State; bilingualism and the literary texts; censorship and exile; new and renewed genres such as autobiography and testimony; the formation of the avant-garde. Formal studies are expected to bear out the general contextual focus of the series. The use of recent developments in literary criticism is especially appropriate. The series also seeks to contribute to the understanding and accuracy of interpretation of the writing which has combined European elements with indigenous and African ones as well as to the understanding of the dynamics behind such major cultural issues as the formation of literary trends or subgenres, national identities, the effects of postcolonial status on literary imagination, the appearance and experience of women writers, and the relationships between post-modernism and Ibero-American writing. The series title is inclusive of literatures which are geographically, historically, or politically related and whose comparison is relevant to Spanish and Spanish American writing. This means those written in the other three languages of Spain, in Portugal, and Brazil. Comparative studies in which colonial or post colonial themes are prevalent may also be appropriate, if one of the literatures is in either Spanish or Portuguese. The breadth of the geographical area is intended to provide a forum for revealing and interpreting its multicultural aspects." "This series deals with the relationship between literary creation and the social, political, and historical contexts in which it is produced. The types of volumes may include critical analyses of one or more works by one or several authors; critical editions of important works that may have been out of print for a long time, but which represent a major contribution to literature of the Iberian Peninsula or Latin America, English translations of important works, with critical introduction. Topics for Latin America include: studies of representative works of nineteenth- and twentieth-century thought, poetic portrayals of history, subgenres (fictionalization of the rural and urban social structures); historical novels; literature of exile; re-readings of colonial texts; new approaches to the figure of the Indian and other representatives of transculturation; women writers and other less studied authors. Topics for Spain and Portugal include: writing and nationalism in the Spanish State; bilingualism and the literary texts; censorship and exile; new and renewed genres such as autobiography and testimony; the formation of the avant-garde. Formal studies are expected to bear out the general contextual focus of the series. The use of recent developments in literary criticism is especially appropriate. The series also seeks to contribute to the understanding and accuracy of interpretation of the writing which has combined European elements with indigenous and African ones as well as to the understanding of the dynamics behind such major cultural issues as the formation of literary trends or subgenres, national identities, the effects of postcolonial status on literary imagination, the appearance and experience of women writers, and the relationships between post-modernism and Ibero-American writing. The series title is inclusive of literatures which are geographically, historically, or politically related and whose comparison is relevant to Spanish and Spanish American writing. This means those written in the other three languages of Spain, in Portugal, and Brazil. Comparative studies in which colonial or post colonial themes are prevalent may also be appropriate, if one of the literatures is in either Spanish or Portuguese. The breadth of the geographical area is intended to provide a forum for revealing and interpreting its multicultural aspects." "This series deals with the relationship between literary creation and the social, political, and historical contexts in which it is produced. The types of volumes may include critical analyses of one or more works by one or several authors; critical editions of important works that may have been out of print for a long time, but which represent a major contribution to literature of the Iberian Peninsula or Latin America, English translations of important works, with critical introduction. Topics for Latin America include: studies of representative works of nineteenth- and twentieth-century thought, poetic portrayals of history, subgenres (fictionalization of the rural and urban social structures); historical novels; literature of exile; re-readings of colonial texts; new approaches to the figure of the Indian and other representatives of transculturation; women writers and other less studied authors. Topics for Spain and Portugal include: writing and nationalism in the Spanish State; bilingualism and the literary texts; censorship and exile; new and renewed genres such as autobiography and testimony; the formation of the avant-garde. Formal studies are expected to bear out the general contextual focus of the series. The use of recent developments in literary criticism is especially appropriate. The series also seeks to contribute to the understanding and accuracy of interpretation of the writing which has combined European elements with indigenous and African ones as well as to the understanding of the dynamics behind such major cultural issues as the formation of literary trends or subgenres, national identities, the effects of postcolonial status on literary imagination, the appearance and experience of women writers, and the relationships between post-modernism and Ibero-American writing. The series title is inclusive of literatures which are geographically, historically, or politically related and whose comparison is relevant to Spanish and Spanish American writing. This means those written in the other three languages of Spain, in Portugal, and Brazil. Comparative studies in which colonial or post colonial themes are prevalent may also be appropriate, if one of the literatures is in either Spanish or Portuguese. The breadth of the geographical area is intended to provide a forum for revealing and interpreting its multicultural aspects."

50 publications

Studies in Language, Culture and Society

ISSN: 2195-7479

Until the publication of volume 16, the series was coedited by prof. Piotr Ruszkiewicz. The series will publish books addressing the nexus between language, culture and society. Contrastive studies are welcome in particular, whether of a synchronic or diachronic orientation. Various perspectives on language/communication are of interest: grammatical, pragmatic, sociolinguistic, discoursal and semiotic. A wide range of theoretical and methodological positions is accepted: cognitive /anthropological / corpus linguistics, as well as pragmatics, interactional sociolinguistics, (specialized) genre analysis, or critical discourse studies. The cutting edge of the series is to publish innovative research elucidating the processes of inter- and intra-language variation and change, and – at the same time – relating them to flows in and across cognate categories of culture, community and society. The series will publish monographs and edited volumes reporting on data-driven research that carries a potential for application in translation studies, language teaching, multilingual (multicultural) education, and interdisciplinary critical discourse studies. The languages of publication will be English and German, yet book proposals in other major languages will also be considered, if centrally contributive to the main aim of the series.

20 publications

Studies in Historical Linguistics

Studies in Historical Linguistics brings together work which utilises the comparative method of language study. Topics include the examination of language change over time, the genetic classification of language, lexicography, dialectology and etymology. Pronunciation, lexis, morphology and syntax are examined within the framework of historical linguistics. Both synchronic and diachronic approaches are used so that language is examined both at one time and across time. Historical Linguistics is still a young area of academic study, but it has its foundations in one of the oldest - philology. This series recognises both the seminal importance of philology, and the recent development through the conceptual framework provided by linguistic science. Studies in Historical Linguistics is based at the Department of Media, Culture and Languages at the University of Roehampton.

8 publications

Eurosinica

ISSN: 2235-6258

"EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. For Authors EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Editors • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Board Members • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. Pour les auteurs EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Éditeurs • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Les membres du conseil d'administration • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. Für Autoren EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Herausgeber • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Vorstandsmitglieder • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) "

12 publications

Cahiers du Collège d’Europe / College of Europe Studies

L'Europe subit des mutations permanentes. La vie politique, l’'’économie, le droit, mais également les sociétés européennes, changent rapidement. L'’’Union européenne s'’’inscrit dès lors dans un processus d'’’adaptation constant. Des défis et des nouvelles demandes surviennent sans cesse, provenant à la fois de l’'’intérieur et de l'’’extérieur. La collection des « Cahiers du Collège d'’’Europe » publie les résultats des recherches menées sur ces thèmes au Collège d'’’Europe, au sein de ses deux campus (Bruges et Varsovie). Focalisés sur l'Union européenne et le processus d'’’intégration, ces travaux peuvent être spécialisés dans les domaines des sciences politiques, du droit ou de l’'’économie, mais ils sont le plus souvent de nature interdisciplinaire. La collection vise à approfondir la compréhension de ces questions complexes et contribue ainsi au débat européen. Critères pour l'’acceptation des manuscrits dans la collection : - Un manuscrit abouti et finalisé, rédigé dans un anglais et/ou français correct, ne demandant pas ou pratiquement pas de correction linguistique - Un manuscrit mis aux normes éditoriales de la maison d'édition - L'excellent développement d'’un sujet relevant d'un des quatre domaines de recherche du Collège d’'Europe (Droit, Économie, Science politique et diplomatie, Relations internationales ou une approche interdisciplinaire) ; qui est à jour qui ouvre des perspectives sur le futur - Un texte original, qui représente une valeur ajoutée aux études européennes et qui est destiné à une audience académique internationale - Un texte qui montre une expertise dans le champ des études européennes, ou une discipline annexe, qui rencontre les attentes (élevées) des lecteurs de la collection - Un livre qui se veut être académique et analytique, et non politique ou idéologique, même si, bien entendu, les recommandations peuvent laisser transparaitre des préférences. On conseille aux futurs auteurs de faire relire leur manuscrit par un ou deux collègues, pour augmenter les chances d'’acceptation du manuscrit. Les manuscrits proposés seront soumis pour évaluation aux directeurs de collection ainsi que, de façon anonyme, à un comité d'’évaluation externe. Europe is in a constant state of flux. European politics, economics, law and indeed European societies are changing rapidly. The European Union itself is in a continuous situation of adaptation. New challenges and new requirements arise continually, both internally and externally. The «College of Europe Studies» series seeks to publish research on these issues done at the College of Europe, both at its Bruges and its Warsaw campus. Focused on the European Union and the European integration process, this research may be specialised in the areas of political science, law or economics, but much of it is of an interdisciplinary nature. The objective is to promote understanding of the issues concerned and to make a contribution to ongoing discussions. Criteria for acceptance of manuscripts include: - a fully-fledged mature manuscript in correct English and/or French, which requires little or no language editing - a manuscript which is technically up to standard and in conformity with the publishers editorial guidelines - a good treatment of a subject in the four areas that the College of Europe has expertise in (Law, economics, political science and diplomacy + International Relations or a solid interdisciplinary treatise); which is up-to-date and preferably also forward looking - a text which is original and presents an added value in EU studies for a sophisticated international academic readership - a text showing expertise in EU studies, or the relevant segment of it, which reflects the (high) expectations or readers of the College of Europe series - a book which is academic and analytical, not political or ideological, although of course (policy) recommendations can express certain preferences. Potential authors are well advised to have the manuscript read critically by one or two colleagues, so that the chances of being accepted increase. Submitted manuscripts will be subject to a critical review by the book series editors as well as external «blind» peer review. L’’Europe subit des mutations permanentes. La vie politique, l’’’économie, le droit, mais également les sociétés européennes, changent rapidement. L’’’Union européenne s’’’inscrit dès lors dans un processus d’’’adaptation constant. Des défis et des nouvelles demandes surviennent sans cesse, provenant à la fois de l’’’intérieur et de l’’’extérieur. La collection des « Cahiers du Collège d’’’Europe » publie les résultats des recherches menées sur ces thèmes au Collège d’’’Europe, au sein de ses deux campus (Bruges et Varsovie). Focalisés sur l’’’Union européenne et le processus d’’’intégration, ces travaux peuvent être spécialisés dans les domaines des sciences politiques, du droit ou de l’’’économie, mais ils sont le plus souvent de nature interdisciplinaire. La collection vise à approfondir la compréhension de ces questions complexes et contribue ainsi au débat européen. Critères pour l’’acceptation des manuscrits dans la collection : - Un manuscrit abouti et finalisé, rédigé dans un anglais et/ou français correct, ne demandant pas ou pratiquement pas de correction linguistique - Un manuscrit mis aux normes éditoriales de la maison d’’édition - L’’excellent développement d’’un sujet relevant d’’un des quatre domaines de recherche du Collège d’’Europe (Droit, Économie, Science politique et diplomatie, Relations internationales ou une approche interdisciplinaire) ; qui est à jour qui ouvre des perspectives sur le futur - Un texte original, qui représente une valeur ajoutée aux études européennes et qui est destiné à une audience académique internationale - Un texte qui montre une expertise dans le champ des études européennes, ou une discipline annexe, qui rencontre les attentes (élevées) des lecteurs de la collection - Un livre qui se veut être académique et analytique, et non politique ou idéologique, même si, bien entendu, les recommandations peuvent laisser transparaitre des préférences. On conseille aux futurs auteurs de faire relire leur manuscrit par un ou deux collègues, pour augmenter les chances d’’acceptation du manuscrit. Les manuscrits proposés seront soumis pour évaluation aux directeurs de collection ainsi que, de façon anonyme, à un comité d’’évaluation externe. Europe is in a constant state of flux. European politics, economics, law and indeed European societies are changing rapidly. The European Union itself is in a continuous situation of adaptation. New challenges and new requirements arise continually, both internally and externally. The «College of Europe Studies» series seeks to publish research on these issues done at the College of Europe, both at its Bruges and its Warsaw campus. Focused on the European Union and the European integration process, this research may be specialised in the areas of political science, law or economics, but much of it is of an interdisciplinary nature. The objective is to promote understanding of the issues concerned and to make a contribution to ongoing discussions. Criteria for acceptance of manuscripts include: - a fully-fledged mature manuscript in correct English and/or French, which requires little or no language editing - a manuscript which is technically up to standard and in conformity with the publishers editorial guidelines - a good treatment of a subject in the four areas that the College of Europe has expertise in (Law, economics, political science and diplomacy + International Relations or a solid interdisciplinary treatise); which is up-to-date and preferably also forward looking - a text which is original and presents an added value in EU studies for a sophisticated international academic readership - a text showing expertise in EU studies, or the relevant segment of it, which reflects the (high) expectations or readers of the College of Europe series - a book which is academic and analytical, not political or ideological, although of course (policy) recommendations can express certain preferences. Potential authors are well advised to have the manuscript read critically by one or two colleagues, so that the chances of being accepted increase. Submitted manuscripts will be subject to a critical review by the book series editors as well as external «blind» peer review. L'’Europe subit des mutations permanentes. La vie politique, l’'’économie, le droit, mais également les sociétés européennes, changent rapidement. L'Union européenne s'’’inscrit dès lors dans un processus d’’’adaptation constant. Des défis et des nouvelles demandes surviennent sans cesse, provenant à la fois de l’'’intérieur et de l'’’extérieur. La collection des « Cahiers du Collège d'’’Europe » publie les résultats des recherches menées sur ces thèmes au Collège d'Europe, au sein de ses deux campus (Bruges et Varsovie). Focalisés sur l'’’Union européenne et le processus d'’’intégration, ces travaux peuvent être spécialisés dans les domaines des sciences politiques, du droit ou de l’'’économie, mais ils sont le plus souvent de nature interdisciplinaire. La collection vise à approfondir la compréhension de ces questions complexes et contribue ainsi au débat européen. Critères pour l'’acceptation des manuscrits dans la collection : - Un manuscrit abouti et finalisé, rédigé dans un anglais et/ou français correct, ne demandant pas ou pratiquement pas de correction linguistique - Un manuscrit mis aux normes éditoriales de la maison d'édition - L'’excellent développement d'’un sujet relevant d'’un des quatre domaines de recherche du Collège d’’Europe (Droit, Économie, Science politique et diplomatie, Relations internationales ou une approche interdisciplinaire) ; qui est à jour qui ouvre des perspectives sur le futur - Un texte original, qui représente une valeur ajoutée aux études européennes et qui est destiné à une audience académique internationale - Un texte qui montre une expertise dans le champ des études européennes, ou une discipline annexe, qui rencontre les attentes (élevées) des lecteurs de la collection - Un livre qui se veut être académique et analytique, et non politique ou idéologique, même si, bien entendu, les recommandations peuvent laisser transparaitre des préférences. On conseille aux futurs auteurs de faire relire leur manuscrit par un ou deux collègues, pour augmenter les chances d’'acceptation du manuscrit. Les manuscrits proposés seront soumis pour évaluation aux directeurs de collection ainsi que, de façon anonyme, à un comité d'’évaluation externe. Europe is in a constant state of flux. The European Union’s politics, economics, law and external action are changing rapidly. The European Union itself is in a continuous situation of adaptation. New challenges and new requirements arise continually, both internally and externally. The College of Europe Studies series seeks to publish new research on these issues carried out by members of its academic community. Focused on the European Union and the European integration process, this research may be specialised in the areas of political science, law, economics or international relations, but much of it is of an interdisciplinary nature. The objective is to promote the understanding and explanation of the issues concerned and to make a contribution to ongoing discussions. Criteria for acceptance of manuscripts include: - a fully-fledged mature manuscript in correct English and/or French, which requires little or no language editing - a manuscript which is technically up to standard and in conformity with the publishers editorial guidelines - a good treatment of a subject in the four areas that the College of Europe has expertise in (Law, economics, political science and diplomacy + International Relations or a solid interdisciplinary treatise); which is up-to-date and preferably also forward looking - a text which is original and presents an added value in EU studies for a sophisticated international academic readership - a text showing expertise in EU studies, or the relevant segment of it, which reflects the (high) expectations or readers of the College of Europe series - a book which is academic and analytical, not political or ideological, although of course (policy) recommendations can express certain preferences. Potential authors are well advised to have the manuscript read critically by one or two colleagues, so that the chances of being accepted increase. Submitted manuscripts will be subject to a critical review by the book series editors as well as external «blind» peer review.

21 publications

Salzburg Studies in English Literature and Culture SEL & C

The series “Salzburg Studies in English Literature and Culture SEL & C“ publishes monographs and collected volumes on English Language and Literature. The main research topics of the series editor Professor Sabine Coelsch-Foisner are all genres of English literature, with a special focus on theatre, narratology, the concepts of change, cultural and critical theory and aesthetics as well as cultural infrastructures. The series “Salzburg Studies in English Literature and Culture SEL & C“ publishes monographs and collected volumes on English Language and Literature. The main research topics of the series editor Professor Sabine Coelsch-Foisner are all genres of English literature, with a special focus on theatre, narratology, the concepts of change, cultural and critical theory and aesthetics as well as cultural infrastructures. The series “Salzburg Studies in English Literature and Culture SEL & C“ publishes monographs and collected volumes on English Language and Literature. The main research topics of the series editor Professor Sabine Coelsch-Foisner are all genres of English literature, with a special focus on theatre, narratology, the concepts of change, cultural and critical theory and aesthetics as well as cultural infrastructures.

6 publications

Historical Sociolinguistics

The interdisciplinary field of Historical Sociolinguistics seeks to reveal the impact of language development on society and the role of individuals and society in the changing forms and usage of language. This book series is aimed at sociolinguists and social historians who are keen to publish studies on the social history of languages, the interaction of linguistic practices and society, and the sociological significance of linguistic variation with a historical dimension. The purpose of the series is to provide empirically supported studies that will challenge and advance current language historiographies, which often continue to present the history of particular languages as necessarily leading to the creation of a standard or prestige variety. Of particular interest are topics such as the following: language myths and language ideology, historical multilingualism and the formation of nation-states, the sociolinguistics of minority and regional languages, the rise of urban vernaculars, immigrants and their languages, the role of prescriptive grammarians, and the social history of pidgins and creoles. Book proposals from historians and linguists working on any language in any period are welcome, in particular those that include a comparative dimension as well as those with a strong empirical foundation. The language of publication is primarily English, though other languages may be considered. The editors guarantee that all publications in this series have been submitted to external and anonymous peer review. The four series editors and twenty-six members of the advisory board are all members of the Historical Sociolinguistics Network (HiSoN). Advisory Board: Anita Auer (Lausanne), Wendy Ayres-Bennett (Cambridge), Andrea Cuomo (Ghent), Steffan Davies (Bristol), Ana Deumert (Cape Town), José del Valle (CUNY), Martin Durrell (Manchester), Jan Fellerer (Oxford), Elin Fredsted (Flensburg), Róisín Healy (Galway), Juan Hernandez-Campoy (Murcia), Kristine Horner (Sheffield), Ernst Håkon Jahr (Agder), Mark Lauersdorf (Kentucky), Anthony Lodge (St Andrews), Nicola McLelland (Nottingham), Miriam Meyerhoff (Oxford), Agnete Nesse (Bergen), Terttu Nevalainen (Helsinki), Taru Nordlund (Helsinki), Gijsbert Rutten (Leiden), Joachim Scharloth (Waseda Tokyo), Peter Trudgill (Fribourg), Marijke van der Wal (Leiden), Rik Vosters (Vrije Universiteit Brussel), Laura Wright (Cambridge)

8 publications

Kurdish People, History and Politics

ISSN: 2701-3030

Kurdish People, History and Politics is envisioned as a series to create new knowledge about the Kurds. The social basis of Kurdish Studies began to widen in the latter part of the twentieth century, growing in the context of major political and cultural changes on the global and regional levels including the coming to power of the Kurdistan Regional Government in the wake of the 1991 U.S. war against Iraq, the process of peace negotiation between the Turkish State and the Kurdistan Workers’ Party (PKK) since the 1990s, and in more recent years, the struggle of the Syrian Kurds in Rojava (Northern Syria) for self-determination. In the last three decades, an expanded network of Kurdish Studies scholars have borrowed theoretical and methodological approaches from feminist studies, cultural studies, anti-colonial and anti-racist epistemology. This series pushes the boundaries of existing scholarship through a robust engagement with critiques of nationalism, patriarchy, class, colonialism, and orientalism, with the aim of contributing to the renewal of Kurdish Studies in two distinctive ways: First, it aims to prevail over the limitations imposed on knowledge production and dissemination on the Kurds and their homeland of Kurdistan, in Turkey, Iran, Syria, and Iraq. Second, it strives to broaden the social base of Kurdish Studies, which until the mid-twentieth century was primarily conducted by Western academics specializing in the anthropological study of the Kurdish people, languages and culture. The series encourages authors to engage with theoretical frameworks that allow a radical break with the colonial, orientalist, and nationalist traditions of knowledge production, exploring social media, democratization, border studies, and geographies of resistance in the context of Kurdish diaspora through this critical lens. We welcome proposals for monographs, oral history projects, anthologies, edited collections, and projects interdisciplinary and collaborative in nature.

4 publications