Studies in Life Writing

Studies in Life Writing: Biography, Autobiography, Memoir welcomes full-length studies of life writing in all its forms: biography, autobiography, memoir, journals, diaries, blogs, and so forth. Dovetailing nicely with the critical theories of the later twentieth century, life writing questions the divide between fact and fiction, challenges the possibility of presenting a life objectively, and examines how the shaping forces of language and memory prohibits any simple attempts at truth and reference. Provocatively, interest in life writing has increased as both autobiographical and biographical narratives have become a major presence on the Internet, and the growth of literary nonfiction has prompted a resurgence of life narratives and memoirs. The series invites both single-authored book-length studies and multi-authored essay collections on the theory and/or pedagogy of life writing.

1 publications

Travel Writing Across the Disciplines

The recent critical attention devoted to travel writing enacts a logical transition from the ongoing focus on autobiography, subjectivity, and multiculturalism. Travel extends the inward direction of autobiography to consider the journey outward and intersects provocatively with studies of multiculturalism, gender, and subjectivity. Whatever the journey's motive--tourism, study, flight, emigration, or domination--journey changes both the country visited and the self that travels. Travel Writing Across the Disciplines welcomes studies from all periods of literature on the theory and/or pedagogy of travel writing from various disciplines, such as social history, cultural theory, multicultural studies, anthropology, sociology, religious studies, literary analysis, and feminist criticism. The volumes in this series explore journey literature from critical and pedagogical perspectives and focus on travel as metaphor in cultural practice. The recent critical attention devoted to travel writing enacts a logical transition from the ongoing focus on autobiography, subjectivity, and multiculturalism. Travel extends the inward direction of autobiography to consider the journey outward and intersects provocatively with studies of multiculturalism, gender, and subjectivity. Whatever the journey's motive--tourism, study, flight, emigration, or domination--journey changes both the country visited and the self that travels. Travel Writing Across the Disciplines welcomes studies from all periods of literature on the theory and/or pedagogy of travel writing from various disciplines, such as social history, cultural theory, multicultural studies, anthropology, sociology, religious studies, literary analysis, and feminist criticism. The volumes in this series explore journey literature from critical and pedagogical perspectives and focus on travel as metaphor in cultural practice. The recent critical attention devoted to travel writing enacts a logical transition from the ongoing focus on autobiography, subjectivity, and multiculturalism. Travel extends the inward direction of autobiography to consider the journey outward and intersects provocatively with studies of multiculturalism, gender, and subjectivity. Whatever the journey's motive--tourism, study, flight, emigration, or domination--journey changes both the country visited and the self that travels. Travel Writing Across the Disciplines welcomes studies from all periods of literature on the theory and/or pedagogy of travel writing from various disciplines, such as social history, cultural theory, multicultural studies, anthropology, sociology, religious studies, literary analysis, and feminist criticism. The volumes in this series explore journey literature from critical and pedagogical perspectives and focus on travel as metaphor in cultural practice.

13 publications

Studies in Contemporary Women’s Writing

ISSN: 2235-4123

A series founded by Gill Rye This book series supports the work of the Centre for the Study of Contemporary Women’s Writing at the Institute of Languages, Cultures and Societies, University of London, by publishing high-quality critical studies in the field. Studies in Contemporary Women’s Writing provides a forum for innovative research exploring new trends and issues in the work of new, hitherto neglected or established authors who write primarily, but not exclusively, in the languages covered by the Centre: French, German, Italian, Portuguese and the Hispanic languages. The series has redefined its remit in light of current scholarship. ‘Contemporary’ is still defined as ‘after 1968’, with a preference for studies of post-1990 texts in any genre. While the series initially focused on writing, it now welcomes research that crosses disciplinary boundaries and defines creativity in the broadest sense, including intersections between literature and the arts, cinema and music. Scholarship that embraces gender and sexuality more broadly, including the work of non-binary and queer authors, is also welcome. We encourage studies that connect texts with the social, cultural, linguistic and political contexts in which they are created, taking into account the transnational and postcolonial configuration of the contemporary world and its impact on lives and experiences. Proposals are invited for monographs and edited collections. The series welcomes single-author studies, thematic analyses across languages and cross-cultural discussions that rely on a variety of approaches and theoretical frameworks, as well as studies that showcase the application of new methodologies to primary texts. Manuscripts should be written in English. Editorial Board: Claudia Bernardi (Victoria University of Wellington), Francesca Calamita (University of Virginia), Emily Jeremiah (Royal Holloway, University of London), Shirley Jordan (Newcastle University), Catriona MacLeod (University of London Institute in Paris), Lorraine Ryan (University of Birmingham), Godela Weiss-Sussex (School of Advanced Study, University of London), Caragh Wells (University of Bristol), Claire Williams (St Peter’s College, University of Oxford)

15 publications

Studies in Composition and Rhetoric

"This series welcomes both individually-authored and collaboratively-authored books and monographs as well as edited collections of essays. We are especially interested in books that might be used in either advanced undergraduate or graduate courses in one or more of the following subjects: cultural or multicultural studies and the teaching of writing; feminist perspectives on composition and rhetoric; postmodernism and the theory and practice of composition; “post-process” pedagogies; values, ethics, and ideologies in the teaching of writing; information technology and composition pedagogy; the assessment of writing; authorship and intellectual property issues; and studies of oppositional discourse in the academy, particularly challenges to exclusionary or hegemonic conventions. We also seek proposals in the following areas: the role of autobiography and of identity issues in both writing and writing pedagogy; the influence of social context on composing; the relationship of composition and rhetoric to various disciplines and schools of thought; collaborative learning and peer tutoring; facilitating and responding to student writing; approaches to empowering marginalized learners; the role or status of composition studies within English studies and the academy at large; and the role or status of student writers within the fields of composition and English studies."

37 publications

Writing and Culture in the Long Nineteenth Century

The long nineteenth century, extending from the Napoleonic Wars to the First World War, was a time of enormous change and experimentation. This series aims to publish the work of scholars and critics alert to these changes in a variety of spheres, including literature, art, the sciences, philosophy, and economics. The editors have a special interest in work that addresses questions of aesthetics, poetics, and form at the intersection between the written word, the visual and decorative arts, architecture, and music. Many scholars are now working on the cultural matrix out of which these forms emerge and recent critical thinking has shown how important was the prevailing economic, political, scientific, and philosophical climate in creating the appropriate conditions for artistic production. Some volumes in the series focus on specific writers and texts, while others consider the connection between writing, art, philosophy, and science and the broader cultural horizon. All contribute significantly to the widening sphere of nineteenth-century literary studies.

12 publications

Studies in Nineteenth-Century British Literature

"Books in this series examine the poetry and prose produced by British writers from the time of the French Revolution to the death of Queen Victoria. Historical events – rather than traditional literary categories or dates – define the scope of the series because they better convey a sense of the social consciousness that animates literary undertakings during this age. While the series includes a wide range of approaches to nineteenth-century British works, its special focus is on studies that relate this literature to its cultural context(s). Manuscripts addressing their subjects’ social, political, or historical situations, ideals, influences, or receptions are especially welcome; manuscripts analyzing the implications of classifying this literature as “Romantic” or “Victorian” or of separating it into genres are also encouraged. Authors should write in English, though they may appropriately compare British works with those in other languages." "Books in this series examine the poetry and prose produced by British writers from the time of the French Revolution to the death of Queen Victoria. Historical events – rather than traditional literary categories or dates – define the scope of the series because they better convey a sense of the social consciousness that animates literary undertakings during this age. While the series includes a wide range of approaches to nineteenth-century British works, its special focus is on studies that relate this literature to its cultural context(s). Manuscripts addressing their subjects’ social, political, or historical situations, ideals, influences, or receptions are especially welcome; manuscripts analyzing the implications of classifying this literature as “Romantic” or “Victorian” or of separating it into genres are also encouraged. Authors should write in English, though they may appropriately compare British works with those in other languages." "Books in this series examine the poetry and prose produced by British writers from the time of the French Revolution to the death of Queen Victoria. Historical events – rather than traditional literary categories or dates – define the scope of the series because they better convey a sense of the social consciousness that animates literary undertakings during this age. While the series includes a wide range of approaches to nineteenth-century British works, its special focus is on studies that relate this literature to its cultural context(s). Manuscripts addressing their subjects’ social, political, or historical situations, ideals, influences, or receptions are especially welcome; manuscripts analyzing the implications of classifying this literature as “Romantic” or “Victorian” or of separating it into genres are also encouraged. Authors should write in English, though they may appropriately compare British works with those in other languages."

25 publications

Middlebury Studies in Russian Language and Literature

The Middlebury Studies in Russian Language and Literature series seeks to expand our knowledge of the latest developments in linguistics, literary and pedagogical scholarship devoted to Russian language and literature. The series includes analyses of texts and authors, translations of significant literary and scholarly works, and writing on theoretical and applied linguistics with special attention to new methods for the teaching of Russian language and literature. The Middlebury Studies in Russian Language and Literature series seeks to expand our knowledge of the latest developments in linguistics, literary and pedagogical scholarship devoted to Russian language and literature. The series includes analyses of texts and authors, translations of significant literary and scholarly works, and writing on theoretical and applied linguistics with special attention to new methods for the teaching of Russian language and literature. The Middlebury Studies in Russian Language and Literature series seeks to expand our knowledge of the latest developments in linguistics, literary and pedagogical scholarship devoted to Russian language and literature. The series includes analyses of texts and authors, translations of significant literary and scholarly works, and writing on theoretical and applied linguistics with special attention to new methods for the teaching of Russian language and literature.

28 publications

Martin Luther King Jr. Memorial Studies in Religion, Culture, and Social Development

This series is named for Martin Luther King, Jr. because of his superb scholarship and eminence in religion and society, and is designed to promote excellence in scholarly research and writing in areas that reflect the interrelatedness of religion and social/cultural/political development both in the American society and in the world. Examination of and elaboration on religion and socio-cultural components such as race relations, economic developments, marital and sexual relations, inter-ethnic cooperation, contemporary political problems, women, Black American, Native America, and Third World issues, and the like are welcomed. Manuscripts must be equal to a 200 to 425 page book, and are to be submitted in duplicate. This series is named for Martin Luther King, Jr. because of his superb scholarship and eminence in religion and society, and is designed to promote excellence in scholarly research and writing in areas that reflect the interrelatedness of religion and social/cultural/political development both in the American society and in the world. Examination of and elaboration on religion and socio-cultural components such as race relations, economic developments, marital and sexual relations, inter-ethnic cooperation, contemporary political problems, women, Black American, Native America, and Third World issues, and the like are welcomed. Manuscripts must be equal to a 200 to 425 page book, and are to be submitted in duplicate. This series is named for Martin Luther King, Jr. because of his superb scholarship and eminence in religion and society, and is designed to promote excellence in scholarly research and writing in areas that reflect the interrelatedness of religion and social/cultural/political development both in the American society and in the world. Examination of and elaboration on religion and socio-cultural components such as race relations, economic developments, marital and sexual relations, inter-ethnic cooperation, contemporary political problems, women, Black American, Native America, and Third World issues, and the like are welcomed. Manuscripts must be equal to a 200 to 425 page book, and are to be submitted in duplicate.

13 publications

Studies in Biblical Hebrew

Studies in Biblical Hebrew is series of monographs designed to promote and publish topical research into the Hebrew of the Old Testament. The series does not assume that Biblical Hebrew is a form of the Aramaic languages (Canaanite) spoken from c. 1200 B.C. to c. 200 B.C., given standardized form only later and then perpetuated as a fixed literary medium. The focus of the series is specifically the corpus of the Old Testament, since the composition and compilation of these writings continue to generate major interest worldwide for reasons historical and academic, as well as religious. The series is devoted to fresh philological, syntactical, and linguistic study of the language of the Hebrew canon, with the subsidiary aim of displaying the contribution of such study to informed and accurate exegesis. Research into the broader evidence of the period, including inscriptional materials, is welcome, provided the results are cast in terms of their particular bearing upon Biblical (classical) Hebrew. Studies in Biblical Hebrew is series of monographs designed to promote and publish topical research into the Hebrew of the Old Testament. The series does not assume that Biblical Hebrew is a form of the Aramaic languages (Canaanite) spoken from c. 1200 B.C. to c. 200 B.C., given standardized form only later and then perpetuated as a fixed literary medium. The focus of the series is specifically the corpus of the Old Testament, since the composition and compilation of these writings continue to generate major interest worldwide for reasons historical and academic, as well as religious. The series is devoted to fresh philological, syntactical, and linguistic study of the language of the Hebrew canon, with the subsidiary aim of displaying the contribution of such study to informed and accurate exegesis. Research into the broader evidence of the period, including inscriptional materials, is welcome, provided the results are cast in terms of their particular bearing upon Biblical (classical) Hebrew. Studies in Biblical Hebrew is series of monographs designed to promote and publish topical research into the Hebrew of the Old Testament. The series does not assume that Biblical Hebrew is a form of the Aramaic languages (Canaanite) spoken from c. 1200 B.C. to c. 200 B.C., given standardized form only later and then perpetuated as a fixed literary medium. The focus of the series is specifically the corpus of the Old Testament, since the composition and compilation of these writings continue to generate major interest worldwide for reasons historical and academic, as well as religious. The series is devoted to fresh philological, syntactical, and linguistic study of the language of the Hebrew canon, with the subsidiary aim of displaying the contribution of such study to informed and accurate exegesis. Research into the broader evidence of the period, including inscriptional materials, is welcome, provided the results are cast in terms of their particular bearing upon Biblical (classical) Hebrew.

1 publications

Writing About Women

ISSN: 1053-7937

This is a literary series devoted to feminist studies on past and contemporary women authors, exploring social, psychological, political, economic, and historical insights directed toward an interdisciplinary approach. The series is dedicated to the memory of Simone de Beauvoir, early pioneer in feminist literary theory. This is a literary series devoted to feminist studies on past and contemporary women authors, exploring social, psychological, political, economic, and historical insights directed toward an interdisciplinary approach. The series is dedicated to the memory of Simone de Beauvoir, early pioneer in feminist literary theory. This is a literary series devoted to feminist studies on past and contemporary women authors, exploring social, psychological, political, economic, and historical insights directed toward an interdisciplinary approach. The series is dedicated to the memory of Simone de Beauvoir, early pioneer in feminist literary theory.

22 publications

Neo-Latin Studies / Neulateinische Studien

The Neo-Latin literature is an important factor uniting Europe as a cultural entity. It is impossible to comprehend European culture as a coherent homogenous whole without an enquiry into this literature. European culture perceived as the sum of national literatures emerges to us as incomplete and distorted as a figure reflected in a broken mirror. The series œNeo-Latin Studies shall include books concerning all aspects of Neo-Latin writing. It is our intention to pay a special attention to Central European writing of the 16th, 17th, 18th centuries and more broadly the issues of the Northern Renaissance. Books “ both collections of studies by various authors (such as its forerunner Pietas Humanistica, 2006) and individual monographs “ will be published both in English and German. Editor's Homepage : Prof. Dr. Piotr Urbanski

2 publications

New Testament Studies in Contextual Exegesis. Neutestamentliche Studien zur kontextuellen Exegese

The series New Testament Studies in Contextual Exegesis (NTS) is dedicated to the publication of exegetical works which aim at enhancing a textually adequate understanding of the New Testament by taking into consideration the life-contexts, horizons of interpretation, and questions of the non-Western world. African, Latin-American, Oceanic, and Asian exegetes can, from their own perspectives, make significant contributions to the field of New Testament studies with respect to content and methodology. The contributions that appear in NSKE are works of critical exegesis. They are informed by methodological reflection. The authors consider the cultural embededness or contextuality of the New Testament writings as well as that of the exegetical perspective. Die Reihe "Neutestamentliche Studien zur kontextuellen Exegese" (NTS) ist der Veröffentlichung solcher exegetischen Arbeiten gewidmet, die Lebenskontexte, Deutehorizonte und Fragestellungen der nicht-westlichen Welt für ein textangemessenes Verstehen des Neuen Testaments fruchtbar zu machen suchen. In ihrer je besonderen Perspektivität haben afrikanische, lateinamerikanische, ozeanische und asiatische Exegeten und Exegetinnen sowohl inhaltlich als auch methodisch einiges und zuweilen Entscheidendes im Bereich Neutestamentliche Wissenschaft beizutragen. Bei den in NTS erscheinenden Untersuchungen handelt es sich um exegetisch-kritische Beiträge, die wissenschaftlich-methodisch verantwortet die kulturelle Einbettung bzw. Kontextualität sowohl der neutestamentlichen Schriften als auch der exegetischen Perspektive bedenken.

14 publications

Studies in East Asian Literatures and Cultures

Until the publication of volume 6, the series was edited by prof. Barbara Michalak-Pikulska, and the title of the series was "Studies in Oriental Culture and Literature". The series aims to present contemporary research in the fields of Literary and Culture Studies encompassing the Chinese, Korean, Japanese cultural spheres, and the geographic area of Mainland China and Taiwan, Korean Peninsula, and Japan. Topics of interest include classical and contemporary literature, languages and writing systems, research on historical and modern East Asian cultures, as well as cross-cultural and comparative studies of the region. Of special interest are topics transgressing the traditional boundaries of Sinology, Korean, and Japanese Studies, presenting original, interdisciplinary perspectives. The series welcomes monographs and thematic collective volumes by scholars from around the world. The language of the series is English.

8 publications

Liturgical Studies

The Liturgical Studies series provides a forum for scholars of matters related to the theory and practice of ritual and worship. Titles in this series may address liturgical history, liturgical theology, ritual studies, or interdisciplinary writing and research centered on topics related to liturgical aspects of both secular and religious culture. Approaches may be multi-disciplinary, concentrated in a single aspect of liturgical studies, or focused on performance theory in worship. Included in this series are discussions addressing either the worship practices of one religious tradition or inter-faith liturgical studies research. Also appropriate are discussions concerning the political, sociological, economic, or psychological dimensions of religious worship or non-religious ritual.

2 publications

(Post-)Critical Global Childhood & Youth Studies

This book series focuses on critical and post-critical research in global childhood and youth studies. It aims to trace the stimulating exchange of ideas on contemporary issues affecting children and young people around the world while exploring possibilities for local and global social change. That is, the intent is to situate and possibly deconstruct the systems of reasoning that govern human development and education, including deconstructing Euro-American critical paradigms. The series encourages innovative writing formats as well as novel theoretical and methodological approaches to co-producing knowledge in fields such as: urban, rural and indigenous childhood & youth; children's rights; alternative sexual identities; social policy, ecology and youth activism; diverse faith communities; immigration and intersectionality; mobile Internet, digital futures, and global education. It will discuss the geopolitics of knowledge, feminisms in the majority world, and decolonial and anthropological perspectives, among others. It is addressed to relevant scholars from all over the world as well as to global policy makers and employees at international organizations and NGOs interested in theoretical and methodological innovation in childhood and youth studies.

7 publications

Contributions to English and American Literary Studies (CEALS)

ISSN: 2366-5068

Contributions to English and American Literary Studies provides visibility for excellent work on English, American and Anglophone literatures. The series publishes monographs and thematically focused volumes by emerging as well as established scholars engaged in exploring literary writing from the early modern period to the present as a rich imaginary form of cultural, political, and intellectual analysis. Open to a variety of theories and methods, CEALS is dedicated to strengthening the scholarly discussion of literary texts and their interconnections with cultural and historical, transatlantic and global contexts. Book proposals are welcome and may be submitted to the editors. All publications will be peer reviewed. Editorial board: Martine W. Brownley (Emory University, Atlanta) Andrew Hadfield (University of Sussex, Brighton) Heinz Ickstadt (Free University of Berlin) David James (University of Birmingham) Maurice S. Lee (Boston University) Laura Marcus (University of Oxford) Marek Paryż (University of Warsaw) Gill Plain (University of St. Andrews) Andrew Sanders (Durham University) Hans Ulrich Seeber (University of Stuttgart)

8 publications

Peirce Studies

ISSN: 2567-479X

"Peirce Studies" is a peer-reviewed monographic series edited by members of the Institute for Studies in Pragmaticism at Texas Tech University. It seeks to advance scientific research relating to the works and influence of Charles Sanders Peirce and in the spirit of interdisciplinary research. Volumes may be focused upon Peirce’s writings or involve studies that link the spirit of his methods with contemporary problems and projects in any relevant discipline. Works may be expressed in any recognized scholarly language. Editors: K. L. Ketner, E. Bisanz, S. R. Cunningham, C. Hendrick, L. Johnson, R. McDonnell, T. G. McLaughlin, M. O’Boyle, K. Perkins. https://www.depts.ttu.edu/pragmaticism/

5 publications

Seventeenth-Century Texts and Studies

ISSN: 0893-6900

This series is primarily concerned with English non-dramatic writings, prose and poetry, from the time of Donne and Jonson to the death of Milton. It includes monographs on individual writers, wider studies employing a variety of critical and historical methods, collections of original essays on special topics, and editions of texts from the period.

5 publications

Philosophy and Cultural Studies Revisited / Historisch-genetische Studien zur Philosophie und Kulturgeschichte

The main purposes of this series are philological and philosophical analytical reconstructions, and reinterpretations of philosophical writings. Under the terms "reconstruction" and "reinterpretation" is understood that such approach foregrounds the primary, alive philosophical idea. We assume that a precise philological analysis of source texts with the new analysis of philosophical concepts they are based on, can reveal meanings that have been obscured and distorted by the subsequent translations and interpretations. Without undermining the importance of the philosophical tradition, we ask what the authors have told us in their own language. We start with the strictly hermeneutic methodology: source texts are placed in the historical background, as they are not rigid constructs, but lively voices in a broader dialogue. Our object is to bring out the original meaning of texts. The language of the publication of the series is both English and German.

13 publications

Wor(l)ds of Change: Latin American and Iberian Literature

"This series deals with the relationship between literary creation and the social, political, and historical contexts in which it is produced. The types of volumes may include critical analyses of one or more works by one or several authors; critical editions of important works that may have been out of print for a long time, but which represent a major contribution to literature of the Iberian Peninsula or Latin America, English translations of important works, with critical introduction. Topics for Latin America include: studies of representative works of nineteenth- and twentieth-century thought, poetic portrayals of history, subgenres (fictionalization of the rural and urban social structures); historical novels; literature of exile; re-readings of colonial texts; new approaches to the figure of the Indian and other representatives of transculturation; women writers and other less studied authors. Topics for Spain and Portugal include: writing and nationalism in the Spanish State; bilingualism and the literary texts; censorship and exile; new and renewed genres such as autobiography and testimony; the formation of the avant-garde. Formal studies are expected to bear out the general contextual focus of the series. The use of recent developments in literary criticism is especially appropriate. The series also seeks to contribute to the understanding and accuracy of interpretation of the writing which has combined European elements with indigenous and African ones as well as to the understanding of the dynamics behind such major cultural issues as the formation of literary trends or subgenres, national identities, the effects of postcolonial status on literary imagination, the appearance and experience of women writers, and the relationships between post-modernism and Ibero-American writing. The series title is inclusive of literatures which are geographically, historically, or politically related and whose comparison is relevant to Spanish and Spanish American writing. This means those written in the other three languages of Spain, in Portugal, and Brazil. Comparative studies in which colonial or post colonial themes are prevalent may also be appropriate, if one of the literatures is in either Spanish or Portuguese. The breadth of the geographical area is intended to provide a forum for revealing and interpreting its multicultural aspects." "This series deals with the relationship between literary creation and the social, political, and historical contexts in which it is produced. The types of volumes may include critical analyses of one or more works by one or several authors; critical editions of important works that may have been out of print for a long time, but which represent a major contribution to literature of the Iberian Peninsula or Latin America, English translations of important works, with critical introduction. Topics for Latin America include: studies of representative works of nineteenth- and twentieth-century thought, poetic portrayals of history, subgenres (fictionalization of the rural and urban social structures); historical novels; literature of exile; re-readings of colonial texts; new approaches to the figure of the Indian and other representatives of transculturation; women writers and other less studied authors. Topics for Spain and Portugal include: writing and nationalism in the Spanish State; bilingualism and the literary texts; censorship and exile; new and renewed genres such as autobiography and testimony; the formation of the avant-garde. Formal studies are expected to bear out the general contextual focus of the series. The use of recent developments in literary criticism is especially appropriate. The series also seeks to contribute to the understanding and accuracy of interpretation of the writing which has combined European elements with indigenous and African ones as well as to the understanding of the dynamics behind such major cultural issues as the formation of literary trends or subgenres, national identities, the effects of postcolonial status on literary imagination, the appearance and experience of women writers, and the relationships between post-modernism and Ibero-American writing. The series title is inclusive of literatures which are geographically, historically, or politically related and whose comparison is relevant to Spanish and Spanish American writing. This means those written in the other three languages of Spain, in Portugal, and Brazil. Comparative studies in which colonial or post colonial themes are prevalent may also be appropriate, if one of the literatures is in either Spanish or Portuguese. The breadth of the geographical area is intended to provide a forum for revealing and interpreting its multicultural aspects." "This series deals with the relationship between literary creation and the social, political, and historical contexts in which it is produced. The types of volumes may include critical analyses of one or more works by one or several authors; critical editions of important works that may have been out of print for a long time, but which represent a major contribution to literature of the Iberian Peninsula or Latin America, English translations of important works, with critical introduction. Topics for Latin America include: studies of representative works of nineteenth- and twentieth-century thought, poetic portrayals of history, subgenres (fictionalization of the rural and urban social structures); historical novels; literature of exile; re-readings of colonial texts; new approaches to the figure of the Indian and other representatives of transculturation; women writers and other less studied authors. Topics for Spain and Portugal include: writing and nationalism in the Spanish State; bilingualism and the literary texts; censorship and exile; new and renewed genres such as autobiography and testimony; the formation of the avant-garde. Formal studies are expected to bear out the general contextual focus of the series. The use of recent developments in literary criticism is especially appropriate. The series also seeks to contribute to the understanding and accuracy of interpretation of the writing which has combined European elements with indigenous and African ones as well as to the understanding of the dynamics behind such major cultural issues as the formation of literary trends or subgenres, national identities, the effects of postcolonial status on literary imagination, the appearance and experience of women writers, and the relationships between post-modernism and Ibero-American writing. The series title is inclusive of literatures which are geographically, historically, or politically related and whose comparison is relevant to Spanish and Spanish American writing. This means those written in the other three languages of Spain, in Portugal, and Brazil. Comparative studies in which colonial or post colonial themes are prevalent may also be appropriate, if one of the literatures is in either Spanish or Portuguese. The breadth of the geographical area is intended to provide a forum for revealing and interpreting its multicultural aspects."

50 publications

Eruptions: New Feminism Across the Disciplines

ISSN: 1091-8590

This is a series of red-hot women's writing after the "isms." lt focuses on new cultural assemblages that are emerging from the deformation, breakout, ebullience, and discomfort of postmodern feminism. The series brings together a post-foundational generation of women's writing that, while still respectful of the idea of situated knowledge, does not rely on neat disciplinary distinctions and stable political coalitions. This writing transcends some of the more awkward textual performances of a first generation of "ferninism-meets-postmodernism" scholarship. lt has come to terms with its own body of knowledge as shifty, inflammatory, and ungovernable, The aim of the series is to make this cutting edge thinking more readily available to undergraduate and postgraduate students, researchers and new academics, and professional bodies and practitioners. Thus, we seek contributions from writers whose unruly scholastic projects are expressed in texts that are accessible and seductive to a wider academic readership. Proposals and/or manuscripts are invited from the domains of: "post" humanities, human movement studies, sexualities, media studies, literary criticism, information technologies, history of ideas, performing arts, gay and lesbian studies, cultural studies, post-colonial studies, pedagogics, social psychology, and the philosophy of science. We are particularly interested in publishing research and scholarship with international appeal from Australia, New Zealand, and the United Kingdom. This is a series of red-hot women's writing after the "isms." lt focuses on new cultural assemblages that are emerging from the deformation, breakout, ebullience, and discomfort of postmodern feminism. The series brings together a post-foundational generation of women's writing that, while still respectful of the idea of situated knowledge, does not rely on neat disciplinary distinctions and stable political coalitions. This writing transcends some of the more awkward textual performances of a first generation of "ferninism-meets-postmodernism" scholarship. lt has come to terms with its own body of knowledge as shifty, inflammatory, and ungovernable, The aim of the series is to make this cutting edge thinking more readily available to undergraduate and postgraduate students, researchers and new academics, and professional bodies and practitioners. Thus, we seek contributions from writers whose unruly scholastic projects are expressed in texts that are accessible and seductive to a wider academic readership. Proposals and/or manuscripts are invited from the domains of: "post" humanities, human movement studies, sexualities, media studies, literary criticism, information technologies, history of ideas, performing arts, gay and lesbian studies, cultural studies, post-colonial studies, pedagogics, social psychology, and the philosophy of science. We are particularly interested in publishing research and scholarship with international appeal from Australia, New Zealand, and the United Kingdom. This is a series of red-hot women's writing after the "isms." lt focuses on new cultural assemblages that are emerging from the deformation, breakout, ebullience, and discomfort of postmodern feminism. The series brings together a post-foundational generation of women's writing that, while still respectful of the idea of situated knowledge, does not rely on neat disciplinary distinctions and stable political coalitions. This writing transcends some of the more awkward textual performances of a first generation of "ferninism-meets-postmodernism" scholarship. lt has come to terms with its own body of knowledge as shifty, inflammatory, and ungovernable. The aim of the series is to make this cutting edge thinking more readily available to undergraduate and postgraduate students, researchers and new academics, and professional bodies and practitioners. Thus, we seek contributions from writers whose unruly scholastic projects are expressed in texts that are accessible and seductive to a wider academic readership. Proposals and/or manuscripts are invited from the domains of: "post" humanities, human movement studies, sexualities, media studies, literary criticism, information technologies, history of ideas, performing arts, gay and lesbian studies, cultural studies, post-colonial studies, pedagogics, social psychology, and the philosophy of science. We are particularly interested in publishing research and scholarship with international appeal from Australia, New Zealand, and the United Kingdom.

16 publications

Eurosinica

ISSN: 2235-6258

"EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. For Authors EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Editors • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Board Members • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. Pour les auteurs EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Éditeurs • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Les membres du conseil d'administration • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. Für Autoren EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Herausgeber • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Vorstandsmitglieder • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) "

12 publications

Bible in the Christian Orthodox Tradition

This series aims at exploring and evaluating the various aspects of biblical traditions as studied, understood, taught, and lived in the Christian communities that spoke and wrote – and some continue speaking and writing – in the Aramaic, Arabic, Armenian, Coptic, Georgian, Romanian, Syriac, and other languages of the Orthodox family of churches. A particular focus of this series is the incorporation of the various methodologies and hermeneutics used for centuries in these Christian communities, into the contemporary critical approaches, in order to shed light on understanding the message of the Bible. Each monograph in the series will engage in critical examination of issues raised by contemporary biblical research. Scholars in the fields of biblical text, manuscripts, canon, hermeneutics, theology, lectionary, Apocrypha and Pseudepigrapha will have an enormous opportunity to share their academic findings with a worldwide audience. Manuscripts and dissertations, incorporating a variety of approaches and methodologies to studying the Bible in the Eastern and Oriental Orthodox traditions – including, but not limited to, theological, historiographic, philological and literary – are welcome. This series aims at exploring and evaluating the various aspects of biblical traditions as studied, understood, taught, and lived in the Christian communities that spoke and wrote – and some continue speaking and writing – in the Aramaic, Arabic, Armenian, Coptic, Georgian, Romanian, Syriac, and other languages of the Orthodox family of churches. A particular focus of this series is the incorporation of the various methodologies and hermeneutics used for centuries in these Christian communities, into the contemporary critical approaches, in order to shed light on understanding the message of the Bible. Each monograph in the series will engage in critical examination of issues raised by contemporary biblical research. Scholars in the fields of biblical text, manuscripts, canon, hermeneutics, theology, lectionary, Apocrypha and Pseudepigrapha will have an enormous opportunity to share their academic findings with a worldwide audience. Manuscripts and dissertations, incorporating a variety of approaches and methodologies to studying the Bible in the Eastern and Oriental Orthodox traditions – including, but not limited to, theological, historiographic, philological and literary – are welcome. This series aims at exploring and evaluating the various aspects of biblical traditions as studied, understood, taught, and lived in the Christian communities that spoke and wrote – and some continue speaking and writing – in the Aramaic, Arabic, Armenian, Coptic, Georgian, Romanian, Syriac, and other languages of the Orthodox family of churches. A particular focus of this series is the incorporation of the various methodologies and hermeneutics used for centuries in these Christian communities, into the contemporary critical approaches, in order to shed light on understanding the message of the Bible. Each monograph in the series will engage in critical examination of issues raised by contemporary biblical research. Scholars in the fields of biblical text, manuscripts, canon, hermeneutics, theology, lectionary, Apocrypha and Pseudepigrapha will have an enormous opportunity to share their academic findings with a worldwide audience. Manuscripts and dissertations, incorporating a variety of approaches and methodologies to studying the Bible in the Eastern and Oriental Orthodox traditions – including, but not limited to, theological, historiographic, philological and literary – are welcome.

6 publications

Criminal Humanities & Forensic Semiotics

This series publishes monographs, anthologies, annotated literary editions, and comparative studies that critically engage the humanities as a locus for the study of criminal offending, criminal investigation, deviance, penology, and deterrence, as well as the epistemology of justice. We are especially interested in submissions with a strong interdisciplinary orientation and which lie at the crossroads of theory and practice. In other words, this series is foremost concerned with using artistic, literary, and multimedia texts, situations, and other products of the strictly non-investigative world as vehicles for exploring long-standing social and procedural issues of interest to both academia and the general public. By engaging a wide readership encompassing both scholars and practitioners, it is the intent of this series to breathe new life into the humanities and cultural studies, not to further alienate or obfuscate the scholarship done in these disciplines. For this reason, collaborations between authors representing academic institutions and those working in both private and public knowledge sectors, including government and specialized areas of law enforcement, are encouraged to collaborate with respect to this project. The series will publish studies and anthologies that explore the connection between fictional writing, movies, music, traditional electronic media, the Internet, and other domains of popular culture and how they have influenced the perception of crime and criminality. The synergy that exists between real crime (reality) and imagined criminality as manifesting itself through representations in writing and media is the primary focus of the series. We also welcome submissions that draw on any number of semiotic, linguistic, and comparative literature traditions, particularly those espousing new approaches to these fields and which allow key concepts to be unpacked within the framework of the criminal justice system, the forensic sciences, or other professions or institutions that serve the public interest.

5 publications

Welten Ostasiens / Worlds of East Asia / Mondes de l'Extrême-Orient

ISSN: 2235-5766

The aim of the series Worlds of East Asia of the Swiss Asia Society is to publish high-quality, representative work issuing from academic research on all aspects of East Asia. It comprises, and receives, studies on present-day and historical East Asian cultures and societies covering the fields of art, literature and thought as well as translations and interpretations of important sources. Furthermore the series intends to present studies that offer expert knowledge on relevant themes and current questions appealing not only to the academic public, but also to an audience generally interested in East Asia. One important goal of the series is to establish a forum for academic work in the fields of the humanities and social sciences in Switzerland. However, the series is also committed to the rich variety of studies and writing on East Asia in the international research community. The main publication languages for studies, collections (by individual or several contributors), and surveys are therefore German, French, and English. The series is supervised and internally reviewed by an editorial board comprising leading representatives in East Asian studies. La série Mondes de l’Extrême-Orient de la Société Suisse-Asie publie des recherches de qualité représentatives de la recherche académique sur les cultures et sociétés de l’Asie orientale. Elle propose des études dans des domaines variés comme l’art, la littérature, et la pensée, anciens ou modernes, ainsi que des traductions et interprétations de sources. Elle publie également des travaux qui traitent de questions plus actuelles ou immédiates, de façon compétente mais abordable, avec le souhait de toucher, au-delà des cercles académiques, le grand public cultivé. L’un des buts de la série est de servir de forum pour les sciences humaines et sociales dans le domaine des études asiatique en Suisse. Les travaux de la communauté scientifique internationale sont cependant les bienvenus. Les langues principales des travaux, collections, ou recueils thématiques sont l’allemand, le français et l’anglais. La série est dirigée par un comité composé de chercheurs actifs dans les diverses disciplines des études extrême-orientales. Die Reihe Welten Ostasiens der Schweizerischen Asiengesellschaft stellt repräsentative Arbeiten aus der facettenreichen akademischen Forschung vor. Sie nimmt Studien zu den ostasiatischen Kulturen und Gesellschaften in Gegenwart und Vergangenheit in den Bereichen Kunst, Literatur und Denken sowie Übersetzungen und Interpretationen von Quellentexten auf. Sie will aber auch Arbeiten anbieten, die in allgemein verständlicher Weise kompetentes Wissen zu relevanten und aktuellen Fragen vermitteln und neben dem wissenschaftlichen Zielpublikum auch einer breiter interessierten Leserschaft zugänglich sind. In erster Linie ist sie ein Forum für geistes- und sozialwissenschaftliche Arbeiten aus der Schweiz, daneben werden aber auch Beiträge aus der internationalen Forschung aufgenommen. Die Hauptpublikationssprachen für die Studien, Sammelbände und Übersichtswerke sind Deutsch, Französisch und Englisch. Die Reihe wird von einem Herausgebergremium geleitet, das von führenden Fachvertretern aus den jeweiligen akademischen Disziplinen beraten wird.

21 publications