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Performing Christ
South African Protest Theatre and the Theological Dramatic Theory of Hans Urs von Balthasar©2021 Monographs -
Signatures of the Past
Cultural Memory in Contemporary Anglophone North American Drama©2008 Conference proceedings -
Sartre’s Theatre: Acts for Life
©2005 Monographs -
Labyrinth of Hybridities
Avatars of O’Neillian Realism in Multi-ethnic American Drama (1972-2003)©2010 Monographs -
A Maeterlinck Reader
Plays, Poems, Short Fiction, Aphorisms, and Essays by Maurice Maeterlinck – Edited and Translated by David Willinger and Daniel Gerould©2011 Monographs -
The Stage as ‘Der Spielraum Gottes’
©2007 Monographs -
Dis/Figuring Sam Shepard
©2008 Monographs -
Dramaturgies
Textes, Cultures et Représentations / Texts, Cultures and PerformancesISSN: 1376-3199
This series presents innovative research work in the dramaturgies of the twentieth and twenty-first centuries. Its main purpose is to re-assess the complex relationship between textual studies, cultural and/or performance aspects at the dawn of this new multicultural millennium. The series offers discussions of the link between drama and multiculturalism (studies of minority playwrights – ethnic, Aboriginal, gay, and lesbian), reconsiderations of established playwrights in the light of contemporary critical theories, studies of the interface between theatre practice and textual analysis, studies of marginalized theatrical practices (circus, vaudeville, etc.), explorations of emerging postcolonial drama, research into new modes of dramatic expressions and comparative or theoretical drama studies. Cette série présente des travaux de recherche innovateurs dans le domaine de la dramaturgie des XXe et XXIe siècles. Son objectif essentiel est de ré-examiner la relation complexe entre études de textes, aspects culturels et/ou performatifs à l’aube d’un millénaire multiculturel. La collection offre des analyses du lien entre textes dramatiques et multiculturalisme (études de dramaturges issus de « minorités » diverses, ethniques, aborigènes et sexuelles), de nouvelles approches de dramaturges confirmés à la lumière des théories critiques contemporaines, des études de l’interface entre pratique théâtrale et analyse textuelle, des études de formes théâtrales marginales (cirque, vaudeville, etc.), des monographies relatives au théâtre postcolonial ainsi qu’aux nouveaux modes d’expression dramatique. Elle aborde également le domaine du théâtre comparé et de la théorie théâtrale.
46 publications