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  • Title: The Gate Theatre, Dublin

    The Gate Theatre, Dublin

    Inspiration and Craft
    by David Clare (Volume editor) Des Lally (Volume editor) Patrick Lonergan (Volume editor) 2019
    ©2018 Edited Collection
  • Title: Buffoonery in Irish Drama

    Buffoonery in Irish Drama

    Staging Twentieth-Century Post-Colonial Stereotypes
    by Kathleen Heininge (Author) 2009
    ©2009 Monographs
  • Title: Drama Reinvented

    Drama Reinvented

    Theatre Adaptation in Ireland (1970-2007)
    by Thierry Dubost (Volume editor)
    ©2012 Conference proceedings
  • Title: Echoes of the Rebellion

    Echoes of the Rebellion

    The Year 1798 in Twentieth-Century Irish Fiction and Drama
    by Radvan Markus (Author) 2015
    ©2015 Monographs
  • Title: Performing Christ

    Performing Christ

    South African Protest Theatre and the Theological Dramatic Theory of Hans Urs von Balthasar
    by Marthinus Havenga (Author) 2021
    ©2021 Monographs
  • Title: Signatures of the Past

    Signatures of the Past

    Cultural Memory in Contemporary Anglophone North American Drama
    by Marc Maufort (Volume editor) Caroline De Wagter (Volume editor)
    ©2008 Conference proceedings
  • Title: Twenty-First-Century Chinese Drama

    Twenty-First-Century Chinese Drama

    Four Plays by Wan Fang
    by Valerie Pellatt (Volume editor) 2018
    ©2019 Others
  • Title: Sartre’s Theatre: Acts for Life

    Sartre’s Theatre: Acts for Life

    by Benedict O'Donohoe (Author)
    ©2005 Monographs
  • Title: Irish Women Playwrights 1900-1939

    Irish Women Playwrights 1900-1939

    Gender and Violence on Stage
    by Cathy Leeney (Author) 2012
    ©2011 Monographs
  • Title: Labyrinth of Hybridities

    Labyrinth of Hybridities

    Avatars of O’Neillian Realism in Multi-ethnic American Drama (1972-2003)
    by Marc Maufort (Author) 2011
    ©2010 Monographs
  • Title: A Maeterlinck Reader

    A Maeterlinck Reader

    Plays, Poems, Short Fiction, Aphorisms, and Essays by Maurice Maeterlinck – Edited and Translated by David Willinger and Daniel Gerould
    by David Willinger (Volume editor) Daniel Gerould (Volume editor)
    ©2011 Monographs
  • Title: Because We Are Poor

    Because We Are Poor

    Irish Theatre in the 1990s
    by Victor Merriman (Volume editor)
    ©2011 Monographs
  • Title: Stage Histories

    Stage Histories

    Post-War British Historical Drama
    by Paweł Schreiber (Author) 2015
    ©2016 Monographs
  • Title: ‘Dancing As If Language No Longer Existed’

    ‘Dancing As If Language No Longer Existed’

    Dance in Contemporary Irish Drama
    by Katarzyna Ojrzynska (Author) 2014
    ©2015 Monographs
  • Title: Aftermyths

    Aftermyths

    Hysteria, Colloquialism, and Caricature in the Age of Doubt
    by Robert Eisenhauer (Author)
    ©2007 Monographs
  • Title: The Stage as ‘Der Spielraum Gottes’

    The Stage as ‘Der Spielraum Gottes’

    by Olivia Gabor (Author)
    ©2007 Monographs
  • Title: Dis/Figuring Sam Shepard

    Dis/Figuring Sam Shepard

    by Johan Callens (Author)
    ©2008 Monographs
  • Dramaturgies

    Textes, Cultures et Représentations / Texts, Cultures and Performances

    ISSN: 1376-3199

    This series presents innovative research work in the dramaturgies of the twentieth and twenty-first centuries. Its main purpose is to re-assess the complex relationship between textual studies, cultural and/or performance aspects at the dawn of this new multicultural millennium. The series offers discussions of the link between drama and multiculturalism (studies of “minority” playwrights –– ethnic, Aboriginal, gay, and lesbian), reconsiderations of established playwrights in the light of contemporary critical theories, studies of the interface between theatre practice and textual analysis, studies of marginalized theatrical practices (circus, vaudeville, etc.), explorations of emerging postcolonial drama, research into new modes of dramatic expressions and comparative or theoretical drama studies. Cette série présente des travaux de recherche innovateurs dans le domaine de la dramaturgie des XXe et XXIe siècles. Son objectif essentiel est de ré-examiner la relation complexe entre études de textes, aspects culturels et/ou performatifs à l’aube d’un millénaire multiculturel. La collection offre des analyses du lien entre textes dramatiques et multiculturalisme (études de dramaturges issus de « minorités » diverses, ethniques, aborigènes et sexuelles), de nouvelles approches de dramaturges confirmés à la lumière des théories critiques contemporaines, des études de l’interface entre pratique théâtrale et analyse textuelle, des études de formes théâtrales marginales (cirque, vaudeville, etc.), des monographies relatives au théâtre postcolonial ainsi qu’aux nouveaux modes d’expression dramatique. Elle aborde également le domaine du théâtre comparé et de la théorie théâtrale.

    46 publications

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