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  • World Science Fiction Studies

    ISSN: 2296-8814

    World Science Fiction Studies understands science fiction to be an inherently global phenomenon. Proposals are invited for monographs and edited collections that celebrate the tremendous reach of a genre that continues to be interpreted and transformed by a variety of cultures and linguistic communities around the world. The series embraces this global vision of the genre but also supports the articulation of each community’s unique approach to the challenges of science, technology and society. The series encourages the use of contemporary theoretical approaches (e.g. postcolonialism, posthumanism, feminisms, ecocriticism) as well as engagement with positionalities understood through critical race and ethnicity studies, gender studies, queer theory, disability studies, class analysis, and beyond. Interdisciplinary work and research on any media (e.g. print, film, television, visual arts, video games, new media) is welcome. The language of the series is English. Advisory Board: Jinyi Chu (Yale University), Antonio Cordoba (Manhattan College), Elizabeth Ginway (University of Florida), Hugh O’Connell (University of Massachusetts, Boston), Iva Polak (University of Zagreb), Umberto Rossi (Sapienza University of Rome), Alfredo Luiz Suppia (University of Campinas), Ida Yoshinaga (Georgia Institute of Technology).

    4 publications

  • Mediated Fictions

    Studies in Verbal and Visual Narratives

    ISSN: 2194-5918

    The Mediated Fiction series aims at providing a forum for studies in English Language and Literatures, but also Comparative Literature, the History of Sciences, and Slavonic Languages and Literatures. The series emphasis is on studies in Verbal and Visual Narratives. The editors, Professor Artur Blaim and Associate Professor Ludmila Gruszewska-Blaim, specialize in literary theory, cultural semiotics and fictional worlds in literature and cinema.

    21 publications

  • Anthropocene / Anthropocène / Anthropozän

    New geological period following the impact of human activities on the Earth system, the Anthropocene is at the same time a concept resulting from the Earth System Sciences and Geology, a political concept on the possible orientations of the human adventure, but also an ideological concept invested to generate social, economic and political changes. This collection integrates books (monographs or collective) from Earth System Sciences as well as from Environmental Humanities. In this collection the works raise the question of the future and its preparation in a period marked by uncertainty. The topics covered can be particularly varied, as, for example: stratigraphy of the Anthropocene, planetary boundaries, plastics, biogeochemical cycles... but also education, health, governance and democracy, the organization of contemporary societies and ecological changes, agriculture, urbanism, the stories of the Anthropocene, science fiction, or economic models. Nouvelle période géologique suite à l’impact des activités humaines sur le système Terre, l’Anthropocène est tout à la fois un concept issu des Sciences du système Terre et de la Géologie, un concept politique portant sur les orientations possibles de l’aventure humaine, mais aussi un concept idéologique investi pour générer des changements sociaux, économiques et politiques. Cette collection accueille des ouvrages (monographies ou collectifs) des Sciences du système Terre comme des Humanités environnementales. Les ouvrages de cette collection permettent de mettre au travail la question de l’avenir et de sa préparation dans une période marquée par l’incertitude. Les thématiques abordées peuvent être particulièrement variées, comme, à titre d’exemple : la stratigraphie de l’Anthropocène, les limites planétaires, les plastiques, les flux bio-géo-chimiques… mais aussi l’éducation, la santé, la gouvernance et la démocratie, l’organisation des sociétés contemporaines et les mutations écologiques, l’agriculture, l’urbanisme, les récits de l’Anthropocène en construction, la science-fiction, ou encore les modèles économiques. Als eine neue geologische Zeit aufgrund der Auswirkungen menschlicher Einflüsse auf das Erdsystem, ist das Anthropozän gleichzeitig ein Konzept, das aus den Erdsystemwissenschaften und aus der Geologie entwickelt wurde. Es handelt sich dabei auch um ein politisches Konzept, das sich mit den möglichen Strebungen des menschlichen Abenteuers befasst. Schließlich ist es ein ideologisches Konstrukt das für soziale, wirtschaftliche und politische Veränderungen genutzt wird. Die vorliegende Sammlung umfasst Bücher (Monographien oder mit mehreren Autoren) der Erdsystemwissenschaften und der Umweltwissenschaften. Die in dieser Sammlung enthaltenen Bücher stellen die Frage nach der Zukunft der Menschen und wie sie sich darauf in einer Zeit der Ungewissheit vorbereiten können. Die verarbeiteten Themen können sehr unterschiedlich sein, z. B.: Stratigraphie des Anthropozän, planetarische Grenzen, Kunststoffe, bio-geo-chemische Zyklen… aber auch Bildung, Gesundheit, Politik und Demokratie, Organisation von gegenwärtigen Gesellschaften, ökologische Mutationen, Landwirtschaft, Urbanismus und auch, was über das sich bildende Anthropozän bereits geschrieben wurde, Science-Fiction, oder Wirtschaftsmodelle.

    4 publications

  • Speculations

    This new series explores the multiple intersections of science, fiction and the future, where speculative imaginings begin to enter the present. The series provides short introductions to single topics where science, technology and the imagination intertwine in the creation of possible futures. How is speculative fiction in dialogue with futures thinking and technological development? What challenges do we face when futuristic science and technology are happening now? Who benefits from these futures and how can they be made ethical, inclusive and sustainable? Welcome topics include big data, AI, urban renewal, machine learning, pandemics, interplanetary life, robotics, green energy, the posthuman and more. Each book in this multidisciplinary series offers a critical yet accessible approach to one topic, including coverage of key texts and ground-breaking original research.

    0 publications

  • Literatur – Kultur – Ökonomie / Literature – Culture – Economy

    ISSN: 2364-1304

    The series provides a forum for interdisciplinary discussion of aspects of a cultural science-oriented economics. Representations of economic relationships in literature and other arts, cultural sociological studies on the relationship between art, culture and economics, linguistics and literary analysis of economic narratives and metaphors, and the importance of cultural studies concepts such as fictionality and virtuality in the context of financial economics are topics of the series. Also, studies on the design and manipulation of spaces, time management and cultural practices are within its scope. Manuscript Proposals may be submitted in literary and cultural studies, economics, sociology, and philosophy – like with comparative or interdisciplinary approach. Languages of publication are primarily German and English. All volumes are peer reviewed. Editorial Board: Georgiana Banita (University of Bamberg) Bernd Blaschke (University of Bern) Elena Esposito (Bielefeld University / Università di Bologna) Nadja Gernalzick (Mainz University / University of Vienna) Anton Kirchhofer (University of Oldenburg) Stefan Neuhaus (University of Koblenz and Landau) Wolfgang Reinhard (University of Freiburg) Peter Seele (Università della Svizzera italiana, Lugano) Urs Stäheli (University of Hamburg) Die Schriftenreihe bietet ein Forum für die interdisziplinäre Diskussion von Aspekten einer kulturwissenschaftlich orientierten Ökonomik. Darstellungen ökonomischer Zusammenhänge in der Literatur und anderen Künsten, kultursoziologische Untersuchungen zum Zusammenhang zwischen Kunst, Kultur und Ökonomie, sprach- und literaturwissenschaftliche Analysen ökonomischer Narrative und Metaphern sowie die Bedeutung kulturwissenschaftlicher Konzepte wie Fiktionalität und Virtualität im Rahmen der Finanzökonomie sind Themen der Reihe. Auch Studien zur Gestaltung und Veränderung von Raum und Räumen oder Zeitmanagement und kulturellen Praxen entsprechen ihrem Profil. Manuskriptvorschläge können unterbreitet werden aus Literatur- und Kulturwissenschaften, Wirtschaftswissenschaften, Soziologie und Philosophie – gern mit komparatistischem oder interdisziplinärem Ansatz. Publikationssprachen sind in erster Linie Deutsch und Englisch. Alle Bände werden peer reviewed. Wissenschaftlicher Beirat: Georgiana Banita (Universität Bamberg) Bernd Blaschke (Universität Bern) Elena Esposito (Universität Bielefeld / Università di Bologna) Nadja Gernalzick (Universität Mainz / Universität Wien) Anton Kirchhofer (Universität Oldenburg) Stefan Neuhaus (Universität Koblenz-Landau) Wolfgang Reinhard (Universität Freiburg i.Br.) Peter Seele (Università della Svizzera italiana, Lugano) Urs Stäheli (Universität Hamburg)

    16 publications

  • Criminal Humanities & Forensic Semiotics

    This series publishes monographs, anthologies, annotated literary editions, and comparative studies that critically engage the humanities as a locus for the study of criminal offending, criminal investigation, deviance, penology, and deterrence, as well as the epistemology of justice. We are especially interested in submissions with a strong interdisciplinary orientation and which lie at the crossroads of theory and practice. In other words, this series is foremost concerned with using artistic, literary, and multimedia texts, situations, and other products of the strictly non-investigative world as vehicles for exploring long-standing social and procedural issues of interest to both academia and the general public. By engaging a wide readership encompassing both scholars and practitioners, it is the intent of this series to breathe new life into the humanities and cultural studies, not to further alienate or obfuscate the scholarship done in these disciplines. For this reason, collaborations between authors representing academic institutions and those working in both private and public knowledge sectors, including government and specialized areas of law enforcement, are encouraged to collaborate with respect to this project. The series will publish studies and anthologies that explore the connection between fictional writing, movies, music, traditional electronic media, the Internet, and other domains of popular culture and how they have influenced the perception of crime and criminality. The synergy that exists between real crime (reality) and imagined criminality as manifesting itself through representations in writing and media is the primary focus of the series. We also welcome submissions that draw on any number of semiotic, linguistic, and comparative literature traditions, particularly those espousing new approaches to these fields and which allow key concepts to be unpacked within the framework of the criminal justice system, the forensic sciences, or other professions or institutions that serve the public interest.

    5 publications

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