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  • Title: Film Studies

    Film Studies

    Women in Contemporary World Cinema
    by Alexandra Heidi Karriker (Volume editor)
    ©2002 Textbook
  • Title: Dictionary of Film Terms

    Dictionary of Film Terms

    The Aesthetic Companion to Film Art – Fifth Edition
    by Frank Beaver (Author)
    ©2015 Textbook
  • Title: Engaging Film Criticism

    Engaging Film Criticism

    Film History and Contemporary American Cinema
    by Walter Metz (Author)
    ©2004 Textbook
  • Title: Multilingual Films in Translation

    Multilingual Films in Translation

    A Sociolinguistic and Intercultural Study of Diasporic Films
    by Micòl Beseghi (Author) 2017
    ©2017 Monographs
  • Title: Thinking Media Aesthetics

    Thinking Media Aesthetics

    Media Studies, Film Studies and the Arts
    by Liv Hausken (Volume editor) 2013
    ©2014 Edited Collection
  • Title: Approaches to New Trends in Research on Catalan Studies

    Approaches to New Trends in Research on Catalan Studies

    Linguistics, Literature, Education and Cultural Studies
    by Jordi M. Antolí Martínez (Volume editor) Antonio Cortijo Ocaña (Volume editor) 2021
    ©2021 Edited Collection
  • Title: Sport, Film, and the Modern World

    Sport, Film, and the Modern World

    by Neil Archer (Author) 2024
    ©2024 Textbook
  • Title: What Makes a Film Tick?

    What Makes a Film Tick?

    Cinematic Affect, Materiality and Mimetic Innervation
    by Anne Rutherford (Author) 2011
    ©2011 Thesis
  • Title: The Promotion and Distribution of U.S. Latino Films

    The Promotion and Distribution of U.S. Latino Films

    by Henry Puente (Author)
    ©2011 Textbook
  • Title: Contemporary Greek Film Cultures from 1990 to the Present

    Contemporary Greek Film Cultures from 1990 to the Present

    by Tonia Kazakopoulou (Volume editor) Mikela Fotiou (Volume editor) 2017
    Edited Collection
  • Title: Meanings of Modern Work in Nineteenth- and Twenty-First-Century German Literature and Film

    Meanings of Modern Work in Nineteenth- and Twenty-First-Century German Literature and Film

    by Peter C. Pfeiffer (Volume editor) Nathan T. Tschepik (Volume editor) 2020
    ©2020 Edited Collection
  • Title: The Transnational Turn in American Studies

    The Transnational Turn in American Studies

    Turkey and the United States
    by Tanfer Emin Tunc (Volume editor) Bahar Gursel (Volume editor) 2012
    ©2012 Edited Collection
  • Title: American Indian Studies

    American Indian Studies

    An Interdisciplinary Approach to Contemporary Issues
    by Dane A. Morrison (Volume editor)
    ©1997 Edited Collection
  • Framing Film

    The History and Art of Cinema

    Framing Film has committed itself to the acquisition and publication of serious, high-quality film studies on topics of national and international interest. The series editors are open to a full range of scholarly methodologies and analytical approaches in the examination of cinema art and history, including topics on film theory, film and society, gender and race, politics. Cutting-edge studies and diverse points of view are particularly encouraged.

    21 publications

  • Film Cultures

    ISSN: 1663-8972

    The Film Cultures series publishes high quality academic research in the field of Film Studies with an emphasis on cinema as a medium for the representation and interpretation of cultural identities throughout the world. The editors seek to encourage diversity in the theoretical backgrounds represented in the series, and invite submissions of monographs, collected papers and conference proceedings covering a broad range of film-related research disciplines.

    13 publications

  • New Studies in European Cinema

    ISSN: 1661-0261

    With its focus on new critical, theoretical, and cultural developments in contemporary film studies, this series encourages lively analytical debate within an innovative, multidisciplinary, and transnational approach to European cinema. It aims to create an expansive sense of where the borders of European cinema may lie and to explore its interactions and exchanges within and between regional and national spaces, taking into account diverse audiences and institutions. The series reflects the range and depth of European cinema, while also attempting to revise and extend its importance within the development of cinema studies in the coming decades. Of particular interest is how European cinema may respond to the challenges of digital distribution and the new intermedial landscape, evolving issues in transnational funding and production, the significance of film festival culture, and questions of multivocality and pluralism at a time of global crisis. The impact of all such developments upon European culture and identity will be of fundamental interest in the coming decades and the New Studies in European Cinema series makes a key contribution to this debate. Proposals for monographs and edited collections are welcome. All proposals and manuscripts undergo a rigorous peer review assessment prior to publication.

    28 publications

  • Feuchtwanger Studies

    This series focuses on the life and work of the internationally celebrated German writer Lion Feuchtwanger (1884–1958), whose works have been translated into many languages. Of particular interest are topics such as Feuchtwanger’s role as a critic of Weimar Germany and the rise of Nazism, his years of exile in France (1933–40) and in the United States (1940–58), his achievements as a proponent of the historical novel, and his reception both in Germany and in the wider world. The series presents Feuchtwanger in the context of his times, paying special attention to his years in Southern California and his relationships with other leading cultural figures of the era. With Feuchtwanger at its core, the series explores the multinational literary and intellectual network that resulted from German and Austrian exile under Nationalism Socialism: from Paris to Vienna, Los Angeles to London, Buenos Aires to Tel Aviv, and New York to Moscow. Contributions present cutting-edge research elaborating on the intricate relations of literary locations, emotional spaces and biographies characteristic of these important writers, artists and filmmakers. Books in the series will be of interest to those working in German studies, exile studies, Jewish studies, gender studies and film studies. Volumes in the series include selections of refereed and reworked papers from the biennial conferences of the International Feuchtwanger Society as well as specially commissioned monographs relating to Marta and Lion Feuchtwanger, their circle and contemporaries.

    11 publications

  • Title: What Is Film?

    What Is Film?

    by Julie N. Books (Author) 2016
    ©2016 Monographs
  • Title: Broadened Horizons

    Broadened Horizons

    African-Language Literature, Film and Creative Media in South Africa
    by Dumisani Sibiya (Volume editor) Zilibele Mtumane (Volume editor) 2024
    ©2024 Edited Collection
  • Title: Masculinities in American Western Films

    Masculinities in American Western Films

    A Hyper-Linear History
    by Emma Hamilton (Author) 2016
    Monographs
  • Title: Feuchtwanger and Film- Feuchtwanger und Film

    Feuchtwanger and Film- Feuchtwanger und Film

    by Ian Wallace (Volume editor)
    ©2009 Conference proceedings
  • Title: Cosmopolitanism and Inclusive Education through 21st-Century Disney Films

    Cosmopolitanism and Inclusive Education through 21st-Century Disney Films

    by Ana López-Fuentes (Author)
    ©2024 Monographs
  • Title: Cosmopolitanism and Inclusive Education through 21st-Century Disney Films
  • Title: The Rebirth of Utopia in 21st-Century Cinema

    The Rebirth of Utopia in 21st-Century Cinema

    Cosmopolitan Hopes in the Films of Globalization
    by Mónica Martín (Author) 2023
    ©2023 Monographs
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