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  • Title: Alienation in Constant's «Adolphe»

    Alienation in Constant's «Adolphe»

    An Exercise in Structural Thematics
    by Godelieve Mercken-Spaas (Author)
    ©1978 Others
  • Title: White Evolution

    White Evolution

    The Constant Struggle for Racial Consciousness
    by Christopher S. Collins (Author) Alexander Jun (Author) 2020
    ©2020 Textbook
  • Title: Rainer Maria Rilke

    Rainer Maria Rilke

    The Poet’s Trajectory
    by Volker Durr (Author)
    ©2006 Monographs
  • Hermeneutic Commentaries

    ISSN: 1043-5735

    "The question of “interpretation” of the text is at the center of this collection of monographs and commentaries on classical literatures. Interpretation starts with the realisation that at the outset, the sense of a text is an hypothesis to be gradually and constantly revised and ascertained. Grammar, syntax, and rhetoric are certainly the necessary part for this critical operation, but they fall short of giving full sense to the signification of the text. A philological commentary establishes the texts as close as possible to the author’s text, and provides the information necessary for modern readers to understand what the text meant to its contemporary users. But besides the impossibility of achieving this task fully, this sort of information does not provide the sense of the text as it opens itself to the questions of its individuality and universality, its historicity and its transhistorical iterability, as it hides the rules and game of its composition, its difference in order to show its identity. These opposite poles are constantly united and create a tension, a continuous oscillation that are the very domaine of the interpretative analysis, and the conditions of the text’s ever emerging sense . The hermeneutic circle, through which the critical hypothesis is constantly revised and made more precise, can be viewed also as a sort of deconstructive operation, a decomposing of the text in order to recompose it around its now discovered rules and games, of which the author is not necessarily always fully aware. Because of these conditions the sense of a text is more open to the critics than to its author; this point makes the critics conscious that as they are “reading”, they are in some way “writing” the text." "The question of “interpretation” of the text is at the center of this collection of monographs and commentaries on classical literatures. Interpretation starts with the realisation that at the outset, the sense of a text is an hypothesis to be gradually and constantly revised and ascertained. Grammar, syntax, and rhetoric are certainly the necessary part for this critical operation, but they fall short of giving full sense to the signification of the text. A philological commentary establishes the texts as close as possible to the author’s text, and provides the information necessary for modern readers to understand what the text meant to its contemporary users. But besides the impossibility of achieving this task fully, this sort of information does not provide the sense of the text as it opens itself to the questions of its individuality and universality, its historicity and its transhistorical iterability, as it hides the rules and game of its composition, its difference in order to show its identity. These opposite poles are constantly united and create a tension, a continuous oscillation that are the very domaine of the interpretative analysis, and the conditions of the text’s ever emerging sense . The hermeneutic circle, through which the critical hypothesis is constantly revised and made more precise, can be viewed also as a sort of deconstructive operation, a decomposing of the text in order to recompose it around its now discovered rules and games, of which the author is not necessarily always fully aware. Because of these conditions the sense of a text is more open to the critics than to its author; this point makes the critics conscious that as they are “reading”, they are in some way “writing” the text." "The question of “interpretation” of the text is at the center of this collection of monographs and commentaries on classical literatures. Interpretation starts with the realisation that at the outset, the sense of a text is an hypothesis to be gradually and constantly revised and ascertained. Grammar, syntax, and rhetoric are certainly the necessary part for this critical operation, but they fall short of giving full sense to the signification of the text. A philological commentary establishes the texts as close as possible to the author’s text, and provides the information necessary for modern readers to understand what the text meant to its contemporary users. But besides the impossibility of achieving this task fully, this sort of information does not provide the sense of the text as it opens itself to the questions of its individuality and universality, its historicity and its transhistorical iterability, as it hides the rules and game of its composition, its difference in order to show its identity. These opposite poles are constantly united and create a tension, a continuous oscillation that are the very domaine of the interpretative analysis, and the conditions of the text’s ever emerging sense . The hermeneutic circle, through which the critical hypothesis is constantly revised and made more precise, can be viewed also as a sort of deconstructive operation, a decomposing of the text in order to recompose it around its now discovered rules and games, of which the author is not necessarily always fully aware. Because of these conditions the sense of a text is more open to the critics than to its author; this point makes the critics conscious that as they are “reading”, they are in some way “writing” the text."

    1 publications

  • Title: Metaphors in Management – Blend of Theory and Practice

    Metaphors in Management – Blend of Theory and Practice

    by Michał Chmielecki (Author) Łukasz Sułkowski (Author) 2016
    ©2017 Monographs
  • Title: George Orwell Now!

    George Orwell Now!

    Preface by Richard Blair, Son of George Orwell
    by Richard Lance Keeble (Volume editor) 2016
    ©2015 Textbook
  • Title: Ireland and Popular Culture

    Ireland and Popular Culture

    by Sylvie Mikowski (Volume editor) 2014
    ©2014 Edited Collection
  • Title: The Permanent Campaign

    The Permanent Campaign

    New Media, New Politics
    by Greg Elmer (Author) Ganaele Langlois (Author) Fenwick McKelvey (Author)
    ©2012 Textbook
  • Title: «Punch» and Shakespeare in the Victorian Era

    «Punch» and Shakespeare in the Victorian Era

    by Alan Young (Author)
    ©2007 Monographs
  • Title: Sex, Sailors and Colonies

    Sex, Sailors and Colonies

    Narratives of ambiguity in the works of Pierre Loti
    by Hélène de Burgh (Author)
    ©2005 Thesis
  • Title: It's Hard to Be Good

    It's Hard to Be Good

    Moral Complexity, Construction, and Connection in a Kindergarten Classroom
    by Brian McCadden (Author)
    ©1998 Textbook
  • Cahiers du Collège d’Europe / College of Europe Studies

    L'Europe subit des mutations permanentes. La vie politique, l’'’économie, le droit, mais également les sociétés européennes, changent rapidement. L'’’Union européenne s'’’inscrit dès lors dans un processus d'’’adaptation constant. Des défis et des nouvelles demandes surviennent sans cesse, provenant à la fois de l’'’intérieur et de l'’’extérieur. La collection des « Cahiers du Collège d'’’Europe » publie les résultats des recherches menées sur ces thèmes au Collège d'’’Europe, au sein de ses deux campus (Bruges et Varsovie). Focalisés sur l'Union européenne et le processus d'’’intégration, ces travaux peuvent être spécialisés dans les domaines des sciences politiques, du droit ou de l’'’économie, mais ils sont le plus souvent de nature interdisciplinaire. La collection vise à approfondir la compréhension de ces questions complexes et contribue ainsi au débat européen. Critères pour l'’acceptation des manuscrits dans la collection : - Un manuscrit abouti et finalisé, rédigé dans un anglais et/ou français correct, ne demandant pas ou pratiquement pas de correction linguistique - Un manuscrit mis aux normes éditoriales de la maison d'édition - L'excellent développement d'’un sujet relevant d'un des quatre domaines de recherche du Collège d’'Europe (Droit, Économie, Science politique et diplomatie, Relations internationales ou une approche interdisciplinaire) ; qui est à jour qui ouvre des perspectives sur le futur - Un texte original, qui représente une valeur ajoutée aux études européennes et qui est destiné à une audience académique internationale - Un texte qui montre une expertise dans le champ des études européennes, ou une discipline annexe, qui rencontre les attentes (élevées) des lecteurs de la collection - Un livre qui se veut être académique et analytique, et non politique ou idéologique, même si, bien entendu, les recommandations peuvent laisser transparaitre des préférences. On conseille aux futurs auteurs de faire relire leur manuscrit par un ou deux collègues, pour augmenter les chances d'’acceptation du manuscrit. Les manuscrits proposés seront soumis pour évaluation aux directeurs de collection ainsi que, de façon anonyme, à un comité d'’évaluation externe. Europe is in a constant state of flux. European politics, economics, law and indeed European societies are changing rapidly. The European Union itself is in a continuous situation of adaptation. New challenges and new requirements arise continually, both internally and externally. The «College of Europe Studies» series seeks to publish research on these issues done at the College of Europe, both at its Bruges and its Warsaw campus. Focused on the European Union and the European integration process, this research may be specialised in the areas of political science, law or economics, but much of it is of an interdisciplinary nature. The objective is to promote understanding of the issues concerned and to make a contribution to ongoing discussions. Criteria for acceptance of manuscripts include: - a fully-fledged mature manuscript in correct English and/or French, which requires little or no language editing - a manuscript which is technically up to standard and in conformity with the publishers editorial guidelines - a good treatment of a subject in the four areas that the College of Europe has expertise in (Law, economics, political science and diplomacy + International Relations or a solid interdisciplinary treatise); which is up-to-date and preferably also forward looking - a text which is original and presents an added value in EU studies for a sophisticated international academic readership - a text showing expertise in EU studies, or the relevant segment of it, which reflects the (high) expectations or readers of the College of Europe series - a book which is academic and analytical, not political or ideological, although of course (policy) recommendations can express certain preferences. Potential authors are well advised to have the manuscript read critically by one or two colleagues, so that the chances of being accepted increase. Submitted manuscripts will be subject to a critical review by the book series editors as well as external «blind» peer review. L’’Europe subit des mutations permanentes. La vie politique, l’’’économie, le droit, mais également les sociétés européennes, changent rapidement. L’’’Union européenne s’’’inscrit dès lors dans un processus d’’’adaptation constant. Des défis et des nouvelles demandes surviennent sans cesse, provenant à la fois de l’’’intérieur et de l’’’extérieur. La collection des « Cahiers du Collège d’’’Europe » publie les résultats des recherches menées sur ces thèmes au Collège d’’’Europe, au sein de ses deux campus (Bruges et Varsovie). Focalisés sur l’’’Union européenne et le processus d’’’intégration, ces travaux peuvent être spécialisés dans les domaines des sciences politiques, du droit ou de l’’’économie, mais ils sont le plus souvent de nature interdisciplinaire. La collection vise à approfondir la compréhension de ces questions complexes et contribue ainsi au débat européen. Critères pour l’’acceptation des manuscrits dans la collection : - Un manuscrit abouti et finalisé, rédigé dans un anglais et/ou français correct, ne demandant pas ou pratiquement pas de correction linguistique - Un manuscrit mis aux normes éditoriales de la maison d’’édition - L’’excellent développement d’’un sujet relevant d’’un des quatre domaines de recherche du Collège d’’Europe (Droit, Économie, Science politique et diplomatie, Relations internationales ou une approche interdisciplinaire) ; qui est à jour qui ouvre des perspectives sur le futur - Un texte original, qui représente une valeur ajoutée aux études européennes et qui est destiné à une audience académique internationale - Un texte qui montre une expertise dans le champ des études européennes, ou une discipline annexe, qui rencontre les attentes (élevées) des lecteurs de la collection - Un livre qui se veut être académique et analytique, et non politique ou idéologique, même si, bien entendu, les recommandations peuvent laisser transparaitre des préférences. On conseille aux futurs auteurs de faire relire leur manuscrit par un ou deux collègues, pour augmenter les chances d’’acceptation du manuscrit. Les manuscrits proposés seront soumis pour évaluation aux directeurs de collection ainsi que, de façon anonyme, à un comité d’’évaluation externe. Europe is in a constant state of flux. European politics, economics, law and indeed European societies are changing rapidly. The European Union itself is in a continuous situation of adaptation. New challenges and new requirements arise continually, both internally and externally. The «College of Europe Studies» series seeks to publish research on these issues done at the College of Europe, both at its Bruges and its Warsaw campus. Focused on the European Union and the European integration process, this research may be specialised in the areas of political science, law or economics, but much of it is of an interdisciplinary nature. The objective is to promote understanding of the issues concerned and to make a contribution to ongoing discussions. Criteria for acceptance of manuscripts include: - a fully-fledged mature manuscript in correct English and/or French, which requires little or no language editing - a manuscript which is technically up to standard and in conformity with the publishers editorial guidelines - a good treatment of a subject in the four areas that the College of Europe has expertise in (Law, economics, political science and diplomacy + International Relations or a solid interdisciplinary treatise); which is up-to-date and preferably also forward looking - a text which is original and presents an added value in EU studies for a sophisticated international academic readership - a text showing expertise in EU studies, or the relevant segment of it, which reflects the (high) expectations or readers of the College of Europe series - a book which is academic and analytical, not political or ideological, although of course (policy) recommendations can express certain preferences. Potential authors are well advised to have the manuscript read critically by one or two colleagues, so that the chances of being accepted increase. Submitted manuscripts will be subject to a critical review by the book series editors as well as external «blind» peer review. L'’Europe subit des mutations permanentes. La vie politique, l’'’économie, le droit, mais également les sociétés européennes, changent rapidement. L'Union européenne s'’’inscrit dès lors dans un processus d’’’adaptation constant. Des défis et des nouvelles demandes surviennent sans cesse, provenant à la fois de l’'’intérieur et de l'’’extérieur. La collection des « Cahiers du Collège d'’’Europe » publie les résultats des recherches menées sur ces thèmes au Collège d'Europe, au sein de ses deux campus (Bruges et Varsovie). Focalisés sur l'’’Union européenne et le processus d'’’intégration, ces travaux peuvent être spécialisés dans les domaines des sciences politiques, du droit ou de l’'’économie, mais ils sont le plus souvent de nature interdisciplinaire. La collection vise à approfondir la compréhension de ces questions complexes et contribue ainsi au débat européen. Critères pour l'’acceptation des manuscrits dans la collection : - Un manuscrit abouti et finalisé, rédigé dans un anglais et/ou français correct, ne demandant pas ou pratiquement pas de correction linguistique - Un manuscrit mis aux normes éditoriales de la maison d'édition - L'’excellent développement d'’un sujet relevant d'’un des quatre domaines de recherche du Collège d’’Europe (Droit, Économie, Science politique et diplomatie, Relations internationales ou une approche interdisciplinaire) ; qui est à jour qui ouvre des perspectives sur le futur - Un texte original, qui représente une valeur ajoutée aux études européennes et qui est destiné à une audience académique internationale - Un texte qui montre une expertise dans le champ des études européennes, ou une discipline annexe, qui rencontre les attentes (élevées) des lecteurs de la collection - Un livre qui se veut être académique et analytique, et non politique ou idéologique, même si, bien entendu, les recommandations peuvent laisser transparaitre des préférences. On conseille aux futurs auteurs de faire relire leur manuscrit par un ou deux collègues, pour augmenter les chances d’'acceptation du manuscrit. Les manuscrits proposés seront soumis pour évaluation aux directeurs de collection ainsi que, de façon anonyme, à un comité d'’évaluation externe. Europe is in a constant state of flux. The European Union’s politics, economics, law and external action are changing rapidly. The European Union itself is in a continuous situation of adaptation. New challenges and new requirements arise continually, both internally and externally. The College of Europe Studies series seeks to publish new research on these issues carried out by members of its academic community. Focused on the European Union and the European integration process, this research may be specialised in the areas of political science, law, economics or international relations, but much of it is of an interdisciplinary nature. The objective is to promote the understanding and explanation of the issues concerned and to make a contribution to ongoing discussions. Criteria for acceptance of manuscripts include: - a fully-fledged mature manuscript in correct English and/or French, which requires little or no language editing - a manuscript which is technically up to standard and in conformity with the publishers editorial guidelines - a good treatment of a subject in the four areas that the College of Europe has expertise in (Law, economics, political science and diplomacy + International Relations or a solid interdisciplinary treatise); which is up-to-date and preferably also forward looking - a text which is original and presents an added value in EU studies for a sophisticated international academic readership - a text showing expertise in EU studies, or the relevant segment of it, which reflects the (high) expectations or readers of the College of Europe series - a book which is academic and analytical, not political or ideological, although of course (policy) recommendations can express certain preferences. Potential authors are well advised to have the manuscript read critically by one or two colleagues, so that the chances of being accepted increase. Submitted manuscripts will be subject to a critical review by the book series editors as well as external «blind» peer review.

    21 publications

  • Title: Sorting Out the Chaos for Public Relations Leaders

    Sorting Out the Chaos for Public Relations Leaders

    by Marc Compte-Pujol (Volume editor) Joan Cuenca-Fontbona (Volume editor) Paula Pineda-Martínez (Volume editor) 2024
    Edited Collection
  • Title: Sorting Out the Chaos for Public Relations Leaders

    Sorting Out the Chaos for Public Relations Leaders

    by Marc Compte-Pujol (Volume editor) Joan Cuenca-Fontbona (Volume editor) Paula Pineda-Martínez (Volume editor)
    ©2024 Edited Collection
  • Title: Social Interactions in the Classroom: Thoughts and Perspectives

    Social Interactions in the Classroom: Thoughts and Perspectives

    by Francesco Arcidiacono (Author) Marcelo Giglio (Author) 2024
    ©2024 Monographs
  • Title: Explorations into Language, Literature and Culture

    Explorations into Language, Literature and Culture

    Studies in Honour of Martin Pütz
    by Monika Reif (Volume editor) Neele Mundt (Volume editor) Frank Polzenhagen (Volume editor) 2024
    ©2024 Edited Collection
  • Title: Health Communication, Language, and Social Action across the Life Span

    Health Communication, Language, and Social Action across the Life Span

    by Carla Fisher (Volume editor) Craig Fowler (Volume editor) Janice Krieger (Volume editor) Margaret Pitts (Volume editor) Amber Worthington (Volume editor) Jon Nussbaum (Volume editor)
    ©2024 Textbook
  • Title: Under the Swing

    Under the Swing

    An Ethnography of an Akha Village in Northern Thailand
    by Ma Chongwei (Author) 2024
    ©2024 Monographs
  • Title: Twentieth Century Weekly Community Newspapers in the United States

    Twentieth Century Weekly Community Newspapers in the United States

    by Beth H. Garfrerick (Author) 2023
    ©2024 Textbook
  • Title: Weaving Hope Through Our Education System

    Weaving Hope Through Our Education System

    by Derrique DeGagné (Volume editor) 2023
    ©2024 Edited Collection
  • Title: Empowering Educational Leaders

    Empowering Educational Leaders

    How to thrive in a volatile, uncertain, complex and ambiguous world
    by Sabiha Dulay (Volume editor) 2023
    ©2023 Edited Collection
  • Title: The Transformations of Contemporary Culture and Their Social Consequences

    The Transformations of Contemporary Culture and Their Social Consequences

    Archerian Studies Vol. 3
    by Krzysztof Wielecki (Volume editor) Monika Bukowska (Volume editor) 2023
    ©2023 Edited Collection
  • Title: Neuro-Narratology

    Neuro-Narratology

    The Neural Secrets of Narration
    by Stefano Calabrese (Volume editor) 2023
    ©2023 Monographs
  • Title: The Making of Accessible Audiovisual Translation

    The Making of Accessible Audiovisual Translation

    by Carmen Pena-Díaz (Volume editor) 2023
    ©2023 Edited Collection
  • Title: Cinema at the Shore

    Cinema at the Shore

    The Beach in French Film
    by Fiona Handyside (Author) 2023
    ©2023 Monographs
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