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  • Title: Gedanken über Dichter und Dichtungen- Les textes et les auteurs

    Gedanken über Dichter und Dichtungen- Les textes et les auteurs

    Essays aus fünf Jahrzehnten- Cinquante années de réflexions sur la littérature
    by Richard Thieberger (Author)
    ©1983 Others
  • Title: Zentrale Institutionen des deutschen Urheberrechts und des französischen Droit d’auteur auf dem Prüfstand der elektronischen Netzwerke
  • Eurosinica

    ISSN: 2235-6258

    "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. For Authors EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Editors • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Board Members • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. Pour les auteurs EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Éditeurs • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Les membres du conseil d'administration • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. Für Autoren EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Herausgeber • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Vorstandsmitglieder • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) "

    12 publications

  • Sapheneia

    Beiträge zur klassischen Philologie / Contributions à la philologie classique / Contributions to Classical Philology

    ISSN: 1421-7899

    As indicated by its name, this series is devoted to the interpretation of ancient Greek and Latin texts. It accommodates not only studies of special subjects and individual authors, but also annotated editions as well as commentaries. In the tradition of critical scholarship the collection is uncompromisingly philological without however excluding new approaches and methods of exegesis. Each of the volumes represents independent and original research which contributes to the understanding of ancient texts whether in the form of critical exposition or the investigation of specific problems. It is in this sense that they genuinely further the discipline of classical philology. At the same time the series welcomes studies of the reception and influence of ancient texts including in particular the history of their transmission as well as the historical development of philology in its various aspects. In order to reach as wide a readership as possible, publication is restricted to works written in those languages most commonly in use in classical scholarship. Special importance is attached to clear presentation and a choice of language that can be readily understood. Authors are moreover encouraged to provide translations wherever they would aid comprehension. Ultimately Sapheneia should not only advance classical studies,but also deepen our understanding of the intellectual tradition of the western world. As of volume 24, the series is no longer published by Peter Lang Verlag. Comme l’indique son nom, cette collection est consacrée à l’interprétation de textes anciens, grecs et latins. Elle offre un cadre à des monographies consacrées à un sujet ou à un auteur spécifique, mais aussi à des commentaires ou à des éditions annotées. La tradition de l’analyse critique nous oblige à concevoir son contenu comme une démarche philologique rigoureuse. Ceci ne saurait exclure cependant ni l’exploration de voies nouvelles, ni un élargissement des méthodes d’interprétation des textes. Les volumes de cette collection doivent relever d’une recherche indépendante, tant du point de vue de leur exégèse que de celui de l’approche analytique. En ce sens, elle offre un apport original à la philologie classique. Une grande importance y est donnée à la continuité et à l’actualité de la lecture des textes antiques, particulièrement dans les domaines de l’histoire de la transmission, de l’interprétation ainsi que de l’historique de la discipline philologique. Pour toucher un public aussi large que possible, cette collection comprendra des volumes dans les langues courantes du monde scientifique. Elle fonde son intérêt et sa valeur sur la clarté de la présentation et de la langue. Sapheneia doit enfin permettre, par le traitement de questions scientifiques, d’approfondir notre compréhension de la tradition intellectuelle occidentale. À partir du volume 24, la série n'est plus publiée par Peter Lang Verlag. Die Reihe fördert – ihrem Titel entsprechend – die Interpretation antiker griechischer und lateinischer Texte und bietet Raum nicht nur für Monographien zu speziellen Themen und Autoren, sondern auch für Ausgaben mit erklärenden Anmerkungen oder einem ausführlichen Kommentar. Der Tradition der kritischen Wissenschaft verpflichtet, versteht sich die Reihe als eine streng philologische, ohne sich jedoch neuen Richtungen und erweiterten Methoden der textlichen Auslegung zu verschliessen. Die aufgenommenen Bände tragen aus eigenständiger Forschung zum Verständnis antiker Texte bei, sei es durch deren Exegese, sei es durch problembezogene Untersuchungen. In diesem Sinn bilden sie originale Beiträge zur Klassischen Philologie. Grosse Bedeutung innerhalb der Reihe kommt dem Nachleben antiker Texte zu, und zwar in erster Linie der Überlieferungs- und Interpretationsgeschichte sowie dem historischen Aspekt der philologischen Disziplin. Um eine möglichst grosse Leserschaft zu erfassen, publiziert die Reihe in deutscher, englischer und französischer Sprache. Besonderen Wert legt sie auf klare Präsentation der Forschungsergebnisse sowie auf eine verständliche sprachliche Form. Letztlich soll Sapheneia über die wissenschaftliche Fragestellung hinaus das Verständnis für die geistige Tradition des Abendlandes vertiefen. Ab Band 24 erscheint die Reihe nicht mehr im Peter Lang Verlag.

    22 publications

  • Title: Zum Phänomen des Austauschs in den Geistwissenschaften/Les phénomènes de l'échange dans les sciences humaines

    Zum Phänomen des Austauschs in den Geistwissenschaften/Les phénomènes de l'échange dans les sciences humaines

    by Silvia Richter (Volume editor) Maude Williams (Volume editor) 2016
    Edited Collection
  • Title: Literarische Mikrokosmen / Les microcrosmes littéraires

    Literarische Mikrokosmen / Les microcrosmes littéraires

    Begrenzung und Entgrenzung / Limites et ouvertures – Festschrift für Ernst Leonardy / Hommage à Ernst Leonardy
    by Christian Drösch (Volume editor) Hubert Roland (Volume editor) Stéphanie Vanasten (Volume editor)
    ©2006 Others
  • Title: Die Provinz des Weiblichen- Terroirs au féminin

    Die Provinz des Weiblichen- Terroirs au féminin

    Zum erzählerischen Werk von Clara Viebig- La province et la femme dans les récits de Clara Viebig
    by Volker Neuhaus (Volume editor) Michel Durand (Volume editor)
    ©2004 Conference proceedings
  • Title: Bundesstaat und Religionsgemeinschaften- Etat fédéral et communautés religieuses

    Bundesstaat und Religionsgemeinschaften- Etat fédéral et communautés religieuses

    Überlegungen und Vorschläge für ein zeitgemässes Religionsrecht in der schweizerischen Bundesverfassung- Réflexions et propositions pour un droit en matière de religion adapté à notre temps dans la Constitution fédérale suisse
    by Ueli Friederich (Author) Roland J. Campiche (Author) René Pahud de Mortanges (Author)
    ©2003 Edited Collection
  • Title: Grenzen des Zumutbaren – Aux frontières du tolérable

    Grenzen des Zumutbaren – Aux frontières du tolérable

    by Lena Seauve (Volume editor) Vanessa de Senarclens (Volume editor) 2019
    ©2019 Edited Collection
  • Title: Bildung in Deutschland nach 1945

    Bildung in Deutschland nach 1945

    Transnationale Perspektiven
    by Corine Defrance (Volume editor) Romain Faure (Volume editor) Eckhardt Fuchs (Volume editor) 2015
    ©2015 Edited Collection
  • Title: Die Freiburger Glasmalerei des 16. bis 18. Jahrhunderts / Le vitrail fribourgeois du XVIe au XVIIIe siècle

    Die Freiburger Glasmalerei des 16. bis 18. Jahrhunderts / Le vitrail fribourgeois du XVIe au XVIIIe siècle

    Corpus Vitrearum Schweiz: Reihe Neuzeit. Bd. 6 / Corpus Vitrearum Suisse: Époque moderne. Vol. 6
    by Uta Bergmann (Author)
    ©2015 Others
  • Title: Literaturtransfer und Interkulturalität im Exil- Transmission of Literature and Intercultural Discourse in Exile- Transmission de la littérature et interculturalité en exil

    Literaturtransfer und Interkulturalität im Exil- Transmission of Literature and Intercultural Discourse in Exile- Transmission de la littérature et interculturalité en exil

    Das Werk von Kelemen Mikes im Kontext der europäischen Aufklärung- The Work of Kelemen Mikes in the Context of European Enlightenment- L'œuvre de Kelemen Mikes dans le contexte des Lumières européennes
    by Gabor Tüskés (Volume editor) 2013
    ©2012 Conference proceedings
  • Title: Die Alpen! Les Alpes!

    Die Alpen! Les Alpes!

    Zur europäischen Wahrnehmungsgeschichte seit der Renaissance – Pour une histoire de la perception européenne depuis la Renaissance
    by Jon Mathieu (Volume editor) Simona Boscani Leoni (Volume editor) 2011
    ©2006 Others
  • Title: Turbulenzen in Deutschland zu Beginn des 21. Jahrhunderts: Was bleibt von der deutschen wirtschaftlichen Identität?- L’Allemagne au début du XXI e  siècle : une identité économique en pleine transformation
  • Title: Inscriptions/Transgressions

    Inscriptions/Transgressions

    Kunstgeschichte und Gender Studies – Histoire de l’art et études genre – Art History and Gender Studies
    by Kornelia Imesch (Volume editor) Jennifer John (Volume editor) Daniela Mondini (Volume editor) Sigrid Schade (Volume editor) Nicole Schweizer (Volume editor)
    ©2008 Edited Collection
  • Title: Der Schutz der Melodie im deutschen und im amerikanischen Recht

    Der Schutz der Melodie im deutschen und im amerikanischen Recht

    by Christopher Liebscher (Author)
    ©2007 Thesis
  • Title: Alternative Formen gerichtlicher und außergerichtlicher Streitbeilegung im deutschen und französischen Zivilprozess- Les modes alternatifs judiciaires et extrajudiciaires de résolution des conflits en procédure civile allemande et française
  • Title: Der Arbeitnehmerurheber in der Europäischen Gemeinschaft

    Der Arbeitnehmerurheber in der Europäischen Gemeinschaft

    by Dorothea Müller-Höll (Author)
    ©2005 Thesis
  • Title: Abgetrennte Körpersubstanzen im Spannungsfeld zwischen Persönlichkeitsrecht und Vermögensrecht

    Abgetrennte Körpersubstanzen im Spannungsfeld zwischen Persönlichkeitsrecht und Vermögensrecht

    Deutsch-französischer Rechtsvergleich über die Zulässigkeit der Kommerzialisierung von Körpersubstanzen- Comparaison juridique sur la commercialisation de substances corporelles en France et en Allemagne
    by Christian Zerr (Author)
    ©2004 Thesis
  • Title: Die Schweizer Sprachenvielfalt im öffentlichen Diskurs- La diversité des langues en Suisse dans le débat public

    Die Schweizer Sprachenvielfalt im öffentlichen Diskurs- La diversité des langues en Suisse dans le débat public

    Eine sozialhistorische Analyse der Transformationen der Sprachenordnung von 1848 bis 2000- Une analyse socio-historique des transformations de l’ordre constitutionnel des langues de 1848 à 2000
    by Jean Widmer (Author) Renata Coray (Author) Dunya Acklin Muji (Author) Eric Godel (Author)
    ©2005 Edited Collection
  • Title: Die Sprachen der Liebe- Langages de l’amour

    Die Sprachen der Liebe- Langages de l’amour

    by Walter Lenschen (Volume editor)
    ©2000 Edited Collection
  • Title: CONSTRUCTION DE L'INTELLIGENCE

    CONSTRUCTION DE L'INTELLIGENCE

    by Anne-Nelly Perret-Clermont (Author) Anne-Nelly Perret-Clermont (Author)
    ©2000 Others
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