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  • Title: Co-Ethnic Migrations Compared

    Co-Ethnic Migrations Compared

    Central and Eastern European Contexts
    by Jasna Čapo Žmegač (Volume editor) Christian Voß (Volume editor) Klaus Roth (Volume editor) 2010
    ©2010 Edited Collection
  • Title: Multidimensionale Betrachtungsweisen zu Ethnic Entrepreneurship

    Multidimensionale Betrachtungsweisen zu Ethnic Entrepreneurship

    by Petra Aigner (Author) 2019
    ©2019 Monographs
  • Title: Discourse and Ethnic Identity. The Case of the Serbs from Hungary

    Discourse and Ethnic Identity. The Case of the Serbs from Hungary

    by Marija Ilić (Author) 2014
    ©2014 Thesis
  • Eurosinica

    ISSN: 2235-6258

    "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. For Authors EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Editors • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Board Members • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. Pour les auteurs EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Éditeurs • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Les membres du conseil d'administration • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. Für Autoren EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Herausgeber • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Vorstandsmitglieder • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) "

    12 publications

  • Title: Minority Writing across Cultures: From 彝 (Yi) Literature to World Literature (s)
  • Title: Expression Of Citizenship And Nationality In The Education System Of Lithuania

    Expression Of Citizenship And Nationality In The Education System Of Lithuania

    by Vilija GRINCEVIČIENE (Author) Vaida ASAKAVIČIŪTĖ (Author) Živilė SEDEREVIČIŪTĖ-PAČIAUSKIENĖ (Author)
  • Title: Labour Migrations in the Balkans

    Labour Migrations in the Balkans

    by Biljana Sikimić (Volume editor) Petko Hristov (Volume editor) Biljana Golubović (Volume editor) 2012
    ©2012 Edited Collection
  • Title: Cultural Race and an Inclusive Nationalism Sun Yat-sen’s (1866-1925) Nationalism during China’s Modernization
  • Title: Racial Profiling in Deutschland?

    Racial Profiling in Deutschland?

    Eine Untersuchung zu § 22 Absatz 1a Bundespolizeigesetz aus der Perspektive der Gleichheitsdogmatik und Kognitionswissenschaft
    by Veronika Maria Apfl (Author) 2018
    ©2018 Thesis
  • Title: Das Verborgene sichtbar machen

    Das Verborgene sichtbar machen

    Ethnische Minderheiten in der österreichischen Literatur der neunziger Jahre
    by Roxane Riegler (Author) 2010
    ©2010 Monographs
  • Migration – Ethnicity – Nation: Studies in Culture, Society and Politics

    ISSN: 2191-3285

    "The aim of the series is to place migration and ethnicity in the context of both local and global history. The comprehensive approach demands that both old and new migration patterns are dealt with. The notion of the Immigration threat calls for a debate on hopes and limits of the cultural pluralism in Europe and in North America. The issues which are addressed in the book series include among other: inter-ethnic relations; changing patterns of Community building, new sense of belonging, religion and ethnicity nowadays, construction and reinvention of identity, and trans-nationalism. The series represents cultural studies in their broadest sense, embracing history, social studies, anthropology, and political studies. "

    9 publications

  • Studies in Modern German and Austrian Literature

    ISSN: 2235-3488

    Studies in Modern German and Austrian Literature is a broadly conceived series that aims to publish significant research and scholarship devoted to German and Austrian literature of all forms and genres from the eighteenth century to the present day. The series promotes the analysis of intersections of literature with thought, society and other art forms, such as film, theatre, autobiography, music, painting, sculpture and performance art. It includes monographs on single authors or works, focused historical periods, and studies of experimentation with form and genre. Wider ranging explorations of literary, cultural or socio-political phenomena in the German-speaking lands or among writers in exile and analyses of national, ethnic and cultural identities in literature are also welcome topics. Proposals are invited for monographs, high-quality doctoral dissertations revised for book publication, focused collections of essays (including selectively edited conference proceedings), annotated editions and bibliographies. Senior figures in the academic profession as well as early career or independent scholars are encouraged to submit proposals. All proposals and manuscripts will be peer reviewed. We publish in both German and English. This series is a successor to Studies in Modern German Literature, edited by Peter D.G. Brown.

    16 publications

  • Title: Variation in Synchronic Development of Literature: Mutual Learning
  • Title: Liu Shipei’s Concept of Class

    Liu Shipei’s Concept of Class

    by Tianna XU (Author)
  • Title: Robert Kurelić, . Studies in the History of Daily Life (800–1600), 7. Turnhout: Brepols, 2019, 230 p.
  • Title: Matthew X. Vernon, . The New Middle Ages. Cham, Switzerland: Palgrave Macmillan, 2018, xiii, 266 pp.
  • Title: Kollektive Identitätskonstruktion in der Migration

    Kollektive Identitätskonstruktion in der Migration

    Eine Fallstudie zur Sprachkontaktsituation der Wolgadeutschen in Argentinien
    by Anna Ladilova (Author) 2013
    ©2013 Thesis
  • Title: Englischer Sprachkontakt in den Varietäten des Deutschen- English in Contact with Varieties of German
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