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  • Title: Formen und Funktionen von Paradigmen

    Formen und Funktionen von Paradigmen

    by Katja Politt (Author) 2022
    ©2022 Thesis
  • Title: Paradigmen der Kunstbetrachtung

    Paradigmen der Kunstbetrachtung

    Aktuelle Positionen der Rezeptionsästhetik und Museumspädagogik
    by Peter Schneemann (Volume editor) 2015
    ©2015 Conference proceedings
  • Title: Slavische Identitäten. Paradigmen, Poetiken, Perspektiven

    Slavische Identitäten. Paradigmen, Poetiken, Perspektiven

    by Gernot Howanitz (Volume editor) Christian Kampkötter (Volume editor) Heinrich Kirschbaum (Volume editor) 2014
    ©2014 Edited Collection
  • Title: Multicentrism as an Emerging Paradigm in Legal Theory

    Multicentrism as an Emerging Paradigm in Legal Theory

    by Marek Zirk-Sadowski (Volume editor) Mariusz Jerzy Golecki (Volume editor) Bartosz Adam Wojciechowski (Volume editor)
    ©2009 Edited Collection
  • Title: Paradigmen in Mathematik, Physik und Biologie und ihre philosophischen Wurzeln

    Paradigmen in Mathematik, Physik und Biologie und ihre philosophischen Wurzeln

    Ins Deutsche übertragen von Martin J. Jandl
    by Daniel F. M. Strauss (Author)
    ©2005 Monographs
  • Title: Années vingt – Années soixante. Réseaux du sens – Réseaux des sens- Zwanziger Jahre – Sechziger Jahre. Netzwerke des Sinns – Netzwerke der Sinne

    Années vingt – Années soixante. Réseaux du sens – Réseaux des sens- Zwanziger Jahre – Sechziger Jahre. Netzwerke des Sinns – Netzwerke der Sinne

    Quels paradigmes pour une analyse de l’histoire culturelle dans les pays de langue allemande ? - Welche Paradigmen für eine Analyse der Kulturgeschichte in den deutschsprachigen Ländern?
    by Françoise Lartillot (Volume editor) Axel Gellhaus (Volume editor)
    ©2010 Edited Collection
  • Title: Kriterien und Wahrheit

    Kriterien und Wahrheit

    Von der Problematik verallgemeinerungsfähiger Kriterien und Paradigmen in den Sozialwissenschaften
    by Florian Seidl (Author)
    ©1982 Others
  • Title: Kurze Geschichte der Psychologie und Psychotherapie (1783–2020)

    Kurze Geschichte der Psychologie und Psychotherapie (1783–2020)

    Paradigmen und Institutionen: Vereint oder getrennt?
    by Wolfgang Schönpflug (Author) 2022
    ©2022 Monographs
  • Title: Die Kontroverse um den Reichstagsbrand

    Die Kontroverse um den Reichstagsbrand

    Quellenprobleme und historiographische Paradigmen
    by Marcus Giebeler (Author)
    ©2010 Monographs
  • Title: Meeting the Other – Encountering Oneself

    Meeting the Other – Encountering Oneself

    Paradigmen der Selbst- und Fremddarstellung in ausgewählten anglo-indischen und indisch-englischen Kurzgeschichten
    by Sandra Hestermann (Author)
    ©2003 Thesis
  • Title: Konstitutive Elemente einer Allgemeinen (integrativen) Pädagogik und eines veränderten Verständnisses von Behinderung

    Konstitutive Elemente einer Allgemeinen (integrativen) Pädagogik und eines veränderten Verständnisses von Behinderung

    Eine hermeneutische Arbeit zur Frage eines Paradigmen- oder Perspektivenwechsels durch den gemeinsamen Unterricht von behinderten und nichtbehinderten Kindern und Jugendlichen
    by Tobias Erzmann (Author)
    ©2003 Thesis
  • Title: Strategisches Management, Kooperation und der Einfluß von Informations- und Kommunikationstechnologien

    Strategisches Management, Kooperation und der Einfluß von Informations- und Kommunikationstechnologien

    Eine kritische Betrachtung aktueller Paradigmen in der Betriebswirtschaftslehre
    by Oliver Motz (Author)
    ©1998 Thesis
  • Title: Maurice Blanchot: Thomas l'Obscur

    Maurice Blanchot: Thomas l'Obscur

    Erst- und Zweitfassung als Paradigmen des Gesamtwerks
    by Rainer Stillers (Author)
    ©1980 Others
  • Eurosinica

    ISSN: 2235-6258

    "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. For Authors EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Editors • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Board Members • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. Pour les auteurs EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Éditeurs • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Les membres du conseil d'administration • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. Für Autoren EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Herausgeber • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Vorstandsmitglieder • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) "

    12 publications

  • Studies in the New Humanities / Studien zu Neuen Geisteswissenschaften

    ISSN: 2627-5910

    Die Reihe Studien zu Neuen Geisteswissenschaften widmet sich den Methoden, Ansätzen und Paradigmen der Neuen Geisteswissenschaften sowie den unidisziplinären Praktiken der geisteswissenschaftlichen Auseinandersetzung mit der Kulturpraxis. Wichtige Forschungsaspekte sind hierbei Fragen nach Inter- Intra- und Transdisziplinärem und gegenwärtige Einflüsse von Disziplinen, Paradigmen und Methoden auf wissenschaftliche Tätigkeit. Darüber hinaus werden in die Reihe auch metatheoretische Arbeiten aufgenommen, die aus der aktuellen Sicht neue Perspektiven von Themen und Problemfeldern aufgreifen.

    13 publications

  • Linguistica Philologica

    Lingua – Usus – Variatio

    ISSN: 2750-2961

    The series Linguistica Philologica aims to foster dialogue across boundaries among the different fields and paradigms of linguistics in a broad philological and historical context. The edited volumes, monographs, and congress proceedings cover the linguistics of the entire spectrum of languages, focusing on describing and explaining languages as systems, the oral and written use of language, and language variation, its precipitating factors and outcomes. The double-blind peer-reviewed volumes are published in English, French, Spanish, German, and Russian. Die Publikationsreihe Linguistica Philologica will den Dialog über die Grenzen der unterschiedlichen Bereiche und Paradigmen der Sprachwissenschaft hinweg in einem breiten philologischen und historischen Kontext fördern. Die Sammelbände, Monographien und Kongressdokumentationen beziehen sich auf das gesamte Spektrum der linguistischen Philologien, mit Fokus auf die Beschreibung und Erklärung von sprachlichen Systemen, den mündlichen und schriftlichen Gebrauch der Sprachen sowie die sprachliche Variation, deren auslösende Faktoren und Ergebnisse. Die im double-blind Verfahren begutachteten Bände erscheinen in deutscher, englischer, französischer, spanischer und russischer Sprache.

    4 publications

  • Title: Brevis Grammatica Bulgarica

    Brevis Grammatica Bulgarica

    Herausgegeben von Kiril Kostov und Klaus Steinke mit einem Nachwort von Sigrun Comati
    by Andreas Pásztory (Author) 2013
    ©2013 Monographs
  • Title: Directed Credit als Instrument zur Reduzierung von Kleinkreditrationierung?

    Directed Credit als Instrument zur Reduzierung von Kleinkreditrationierung?

    Der Fall PROGER – Brasilien
    by Carlos Alberto dos Santos (Author)
    ©2003 Thesis
  • Title: Lamarck und die Boten

    Lamarck und die Boten

    Die Funktion der Viren in der Evolution
    by Markus Bastir (Author)
    ©1999 Monographs
  • Berliner Studien zur Politik in Afrika

    In der Reihe werden Studien aus dem Bereich der Politikwissenschaft veröffentlicht, die sich schwerpunktmäßig mit dem Thema Afrika befassen. Die Bände konzentrieren sich auf Aspekte aus folgenden Themenbereichen: Neue Ansätze zur Untersuchung politischer, wirtschaftlicher und gesellschaftlicher Verhältnisse auf nationaler, sub- und supranationaler Ebene in Afrika, Governance, Globalisierung, neue Paradigmen der Entwicklungszusammenarbeit und die Kritik daran, Konflikt und Frieden sowie die Geschichte Afrikas aus postkolonialer Perspektive. Herausgeberschaft: Die Reihe wurde 1975 von Professor Franz Ansprenger und Jürgen Domes begründet. Im Jahre 1987 übernahm Priv. Doz. Dr. Salua Nour die Mitherausgeberschaft anstelle von Jürgen Domes. Nach dem Tod von Professor Franz Ansprenger im Jahr 2020 führte Dr. Salua Nour die Reihe allein weiter. Ab Band 24 geht die Herausgeberschaft an Frau Prof. Dr. Anja Osei über.

    23 publications

  • Berkeley Insights in Linguistics and Semiotics

    Through the publication of ground-breaking scholarly research, this series deals with language and the multiple and varied paradigms through which it is studied. Language as viewed by linguists represents micrometa-approaches that intersect with macrometa-approaches of semiotists who understand language as an inlay to all experience. This data-based series bridges study of the sciences with that of the humanities.

    84 publications

  • Estudos Luso-Brasileiros: Cultura, Literatura e Mídias Audiovisuais Luso-Brazilian Studies: Culture, Literature and Audiovisual Media Luso-Brasilianische Studien: Kultur, Literatur und Audiovisuelle Medien

    ISSN: 2567-7802

    Do ponto de vista dos estudos culturais, com foco especial em literatura e mídia, a série apresenta as principais questões e paradigmas dos estudos luso-brasileiros no circuito internacional. Ela também aborda fenômenos significativos das culturas lusófonas que têm recebido pouca atenção até o momento, especialmente a complexa dinâmica e os múltiplos entrelaçamentos das formas de expressão cultural surgidas a partir de intercâmbios transregionais e globais. Neste contexto as dimensões midiáticas das produções culturais são examinadas em suas respectivas configurações, considerando referências intertextuais, bem como contextos sociais, políticos e históricos. Levando em conta a crescente internacionalização dos estudos luso-brasileiros, a série abrange publicações em português, alemão e inglês. Aus kulturwissenschaftlicher Perspektive, unter besonderer Berücksichtigung der Literatur- und Medienwissenschaften, präsentiert die Schriftenreihe aktuelle Entwicklungen und Paradigmen der internationalen Lusitanistik. Sie erschließt auch signifikante Phänomene der portugiesischsprachigen Kulturen, die bislang wenig Beachtung finden, mit einem besonderen Augenmerk auf den komplexen Dynamiken und vielfältigen Verflechtungen kultureller Ausdruckformen, die aus transregionalen und globalen Austauschprozessen hervorgegangen sind bzw. durch diese entstehen. In diesem Zusammenhang werden die medialen Dimensionen kultureller Produktionen in ihren jeweiligen Konfigurationen untersucht, unter Berücksichtigung intertextueller Bezüge sowie sozialer, politischer und historischer Kontexte. Der Internationalität der Lusitanistik entsprechend, erscheinen in der Schriftenreihe Bücher auf Portugiesisch, Deutsch und Englisch.

    8 publications

  • Title: Der funktionelle Auftraggeberbegriff des § 99 GWB

    Der funktionelle Auftraggeberbegriff des § 99 GWB

    Der Anwendungsbereich des § 99 GWB unter besonderer Berücksichtigung des Europäischen Beihilfenrechts
    by Martin Arndt Peterle (Author) 2020
    ©2020 Thesis
  • Title: Virality and Morphogenesis of Right Wing Internet Populism

    Virality and Morphogenesis of Right Wing Internet Populism

    by Eva Kimminich (Author) Julius Erdmann (Author) 2018
    ©2018 Edited Collection
  • Title: Linguistic Regionalism in Eastern Europe and Beyond

    Linguistic Regionalism in Eastern Europe and Beyond

    Minority, Regional and Literary Microlanguages
    by Dieter Stern (Volume editor) Motoki Nomachi (Volume editor) Bojan Belić (Volume editor) 2018
    ©2018 Edited Collection
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