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The Theatre of the Absurd, the Grotesque and Politics
A Study of Samuel Beckett, Harold Pinter and Tom Stoppard©2021 Monographs -
Radical Contemporary Theatre Practices By Women In Ireland
©2015 Edited Collection -
The Communication and Reception of Polish Theatre in China
©2024 Monographs -
In the Footsteps of Harlequin and Pulcinella
Cultural Mobility and Localness of Theatre©2020 Monographs -
Afterlife of the Theatre of the Absurd
The Avant-garde, Spectatorship, and Psychoanalysis©2018 Monographs -
Art and Resistance: Studies in Modern Indian Theatres
©2019 Edited Collection -
Literature, Music, Theatre?
The Performative Aspect of Rammstein’s Musical Activity©2022 Monographs -
Performing Christ
South African Protest Theatre and the Theological Dramatic Theory of Hans Urs von Balthasar©2021 Monographs -
‘Experienc’d Age knows what for Youth is fit’?
Generational and Familial Conflict in British and Irish Drama and Theatre©2019 Edited Collection -
Legacies of Indigenous Resistance
Pemulwuy, Jandamarra and Yagan in Australian Indigenous Film, Theatre and Literature©2019 Monographs -
Coups de maître
Studies in Medieval and Early Modern Literature and Culture, in Honour of John D. Lyons©2021 Edited Collection -
KINSHIP REIMAGINED: FAMILY IN DORIS LESSING’S FICTION
©2020 Monographs -
Grotowski in Iran
©2019 Monographs -
Building (in) the Promised Land
Postcolonial Biblical Readings of Contemporary Irish Drama (2000-2015)©2022 Monographs -
Convention and Contravention in Ben Jonson’s Three Comedies
Volpone, The Alchemist, Bartholomew Fair©2022 Monographs -
Stereoscopic London
Plays of Oscar Wilde, Bernard Shaw and Arthur Wing Pinero in 1890s©2020 Monographs