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The «Doppelgänger» in our Time
Visions of Alterity in Literature, Visual Culture, and New Media©2024 Monographs -
Otto Dix and Weimar Media Culture
Time, Fashion and Photography in Portrait Paintings of the Neue Sachlichkeit©2022 Monographs -
Visual Techniques Applied in Social Research
©2020 Edited Collection -
A Medievalist’s Gaze
Christian Visual Rhetoric in Modern German Memorials (1950–2000)©2022 Monographs -
Texts, Images, Practices
Contemporary Perspectives on American, British and Polish Cultures©2021 Edited Collection -
Photoecological Conditions of Human Visual Attention in Transport
Theory and Research©2020 Monographs -
New Cultural and Political Perspectives on Serbian-Romanian Relations
©2024 Edited Collection -
Sites of Interchange
Modernism, Politics and Culture between Britain and Germany, 1919–1955©2022 Edited Collection -
Kaliningrad and Cultural Memory
Cold War and Post-Soviet Representations of a Resettled City©2019 Monographs -
Towards the Digital Cultural History of the Other Silver Age Spain
©2022 Edited Collection -
Exhaustion and Regeneration in Post-Millennial North-American Literature and Culture
©2019 Edited Collection -
Iain Sinclair, London and the Photographic
The Significance of the Visual Medium for the Writer’s Prose©2018 Monographs -
New Cartographies, Nomadic Methodologies
Contemporary Arts, Culture and Politics in Ireland©2020 Monographs -
Women Making Art
Women in the Visual, Literary, and Performing Arts Since 1960, Second Edition©2020 Textbook -
Text-Image-Music: Crossing the Borders
Intermedial Conversations on the Poetics of Verbal, Visual and Musical Texts In Honour of Prof. Elżbieta Chrzanowska-Kluczewska©2021 Edited Collection -
Geographies of Perpetration
Re-Signifying Cultural Narratives of Mass Violence©2021 Conference proceedings -
The GDR Today
New Interdisciplinary Approaches to East German History, Memory and Culture©2018 Edited Collection -
Picturing the Reader
Reading and Representation in the Long Nineteenth Century©2022 Edited Collection