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Open Access
Year
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The Theatre of the Absurd, the Grotesque and Politics
A Study of Samuel Beckett, Harold Pinter and Tom Stoppard©2021 Monographs -
Masking the Drama
A Space for Revolution in Aphra Behn’s «The Rover» and «The Feign’d Courtezans»Thesis -
Inspiring Views from «a' the airts» on Scottish Literatures, Art and Cinema
The First World Congress of Scottish Literatures in Glasgow 2014©2017 Conference proceedings -
Giving Shape to the Moment
The Art of Mary O'Donnell: Poet, Novelist and Short Story WriterEdited Collection -
The Stage Career of Cicely Hamilton (1895–1914)
©2017 Monographs -
«Mimesis» and the Representation of Experience
Dramatic Theory and Practice in pre-Shakespearean Comedy (1560-1590)©2013 Monographs -
Building (in) the Promised Land
Postcolonial Biblical Readings of Contemporary Irish Drama (2000-2015)©2022 Monographs -
Art and Resistance: Studies in Modern Indian Theatres
©2019 Edited Collection -
Staging the Other in Nineteenth-Century British Drama
©2016 Edited Collection -
Edward Ravenscroft's «Mamamouchi, or The Citizen Turned Gentleman» (1672)
A Critical Edition©2024 Others -
Shakespeare and the Strategies of an Opening
©2023 Monographs -
‘Experienc’d Age knows what for Youth is fit’?
Generational and Familial Conflict in British and Irish Drama and Theatre©2019 Edited Collection -
Convention and Contravention in Ben Jonson’s Three Comedies
Volpone, The Alchemist, Bartholomew Fair©2022 Monographs -
Legacies of Indigenous Resistance
Pemulwuy, Jandamarra and Yagan in Australian Indigenous Film, Theatre and Literature©2019 Monographs