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Open Access
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Women Making Art
Women in the Visual, Literary, and Performing Arts Since 1960, Second Edition©2020 Textbook -
Les Convergences entre passé et futur dans les collections des arts du spectacle- Connecting Points: Performing Arts Collections Uniting Past and Future
Congrès de Munich - Munich Congress©2014 Others -
Les collections des arts du spectacle et leur traitement- Performing Arts Collections and Their Treatment
Congrès de Rome SIBMAS (2002)- SIBMAS Congress in Rome (2002)©2012 Edited Collection -
Intensified Bodies from the Performing Arts in Portugal
Edited Collection -
Capter l’essence du spectacle- Un enjeu de taille pour le patrimoine immatériel- Capturing the Essence of Performance- The Challenges of Intangible Heritage
Société internationale des bibliothèques et musées des arts du spectacle (27 e Congrès : Glasgow, 25-29 août 2008)- International Association of Libraries and Museums of the Performing Art (27 th Congress: Glasgow, 25-29 August 2008)©2010 Conference proceedings -
The Art of the Unspoken
Rhetorical Devices, Linguistic Parallels and the Influence of the Singing Voice in Classical and Romantic Piano Literature©2023 Monographs -
Performance of Identity of Polish Tatars
From Religious Holidays to Everyday Rituals©2018 Monographs -
The Performance Practice of Electroacoustic Music
The Studio di Fonologia years©2018 Edited Collection -
Performing Diversity: Inequalities and Inclusion in Film and Television
Agendas for ChangeMonographs -
Music and Space
A systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of Handel’s Messiah©2011 Postdoctoral Thesis -
Modernizing Practice Paradigms for New Music
Periodization Theory and Peak Performance Exemplified Through Extended Techniques©2016 Monographs -
The Mimetic Strand in the Cello Literature
Within the Context of History, Instrument Design, Iconography and Cello Performance©2020 Monographs