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The Reception of German Theater in Greece
Establishing a Theatrical Locus Communis: The Royal Theater in Athens (1901-1906)©2019 Thesis -
On the Origins of Theater
©2016 Monographs -
Teaching Teachers With Theater!
Performance Training & Tactics for Classroom Teachers©2018 Textbook -
Prismatic Reflections on Spanish Golden Age Theater
Essays in Honor of Matthew D. Stroud©2016 Monographs -
Ludwig Tieck’s "Puss-in-Boots" and Theater of the Absurd
A Commentated Bilingual Edition©2013 Others -
Chaos in Theater
Improvisation and Complexity – Translated by Anna Grazia Cafaro and Melina Masterson©2017 Monographs -
From Revolutionary Theater to Reactionary Litanies
Gustave Hervé (1871–1944) at the Extremes of the French Third Republic©2016 Monographs -
The Theater of Trauma
American Modernist Drama and the Psychological Struggle for the American Mind, 1900-1930©2005 Monographs -
Romantic Dialectics: Culture, Gender, Theater
Essays in Honor of Lilla Maria Crisafulli©2018 Edited Collection -
Revolutionary Theater and the Classical Heritage
Inheritance and Appropriation from Weimar to the GDR©2007 Monographs -
Elastizität
The Poetics of Space, Movement and Character in Frank Wedekind’s Theater©2013 Monographs -
Jacques Copeau’s Friends and Disciples
The Théâtre du Vieux-Colombier in New York City, 1917-1919©2008 Monographs -
Codifying the National Self
Spectators, Actors and the American Dramatic Text©2006 Conference proceedings -
Two Plays by Denis Diderot
The Illegitimate Son and The Father of the Family- Translated with an Introduction by Kiki Gounaridou and John Hellweg©2011 Monographs -
Media Convergence – Approaches and Experiences
Aftermath of the «Media Convergence – Konwergencja Mediów – Medienkonvergenz» Conference, Jesuit University «Ignatianum», Cracow, Poland, 17-18 March 2011©2013 Edited Collection