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  • Title: Theater an Ort und Stelle

    Theater an Ort und Stelle

    Eine Analyse des Beziehungsgeflechts zwischen Theaterarbeit und Lebensraum am Beispiel des AGORA Theaters
    by Claudia Gäbler (Author)
    ©2001 Thesis
  • Title: Théâtre contemporain dans les Amériques

    Théâtre contemporain dans les Amériques

    Une scène sous la contrainte
    by Cécile Chantraine Braillon (Volume editor) Fatiha Idmhand (Volume editor) Norah Dei-Cas Giraldi (Volume editor) 2015
    ©2015 Edited Collection
  • Title: The Power of Theater

    The Power of Theater

    Actors and Spectators in Ancient Rome
    by Miroslaw Kocur (Author) 2018
    ©2018 Monographs
  • Title: Drama Translation and Theatre Practice

    Drama Translation and Theatre Practice

    by Sabine Coelsch-Foisner (Volume editor) Holger M. Klein (Volume editor)
    ©2004 Conference proceedings
  • Title: The Communication and Reception of Polish Theatre in China

    The Communication and Reception of Polish Theatre in China

    by Guofeng Teng (Author)
    ©2024 Monographs
  • Title: Theatre Censorship in Honecker’s Germany

    Theatre Censorship in Honecker’s Germany

    From Volker Braun to Samuel Beckett
    by Barrie Baker (Author)
    ©2007 Monographs
  • Title: MIMOS 2018

    MIMOS 2018

    Theater Sgaramusch
    by Paola Gilardi (Volume editor) Delphine Abrecht (Volume editor) Andreas Klaeui (Volume editor) Yvonne Schmidt (Volume editor) 2018
    ©2018 Edited Collection
  • Title: Mimos 2017 Sonderband Numéro Spécial Numero Speciale Numer Spezial

    Mimos 2017 Sonderband Numéro Spécial Numero Speciale Numer Spezial

    SCHWEIZER THEATERWELTEN LA SUISSE, SES THÉÂTRES EN SCÈNE UNIVERSI TEATRALI SVIZZERI
    by Anne Fournier (Volume editor) Andreas Härter (Volume editor) Beate Hochholdinger-Reiterer (Volume editor) 2018
    ©2018 Edited Collection
  • Title: Jacques Copeau’s Friends and Disciples

    Jacques Copeau’s Friends and Disciples

    The Théâtre du Vieux-Colombier in New York City, 1917-1919
    by Thomas John Donahue (Author)
    ©2008 Monographs
  • Title: MIMOS 2016

    MIMOS 2016

    Theater HORA
    by Anne Fournier (Volume editor) Paola Gilardi (Volume editor) Andreas Härter (Volume editor) Beate Hochholdinger-Reiterer (Volume editor) 2017
    ©2016 Edited Collection
  • Title: Changing Performance

    Changing Performance

    Culture and Performance in the British Theatre since 1945
    by David Keith Peacock (Author)
    ©2008 Monographs
  • Title: Performance

    Performance

    Recasting the Political in Theatre and Beyond
    by Stephen Chinna (Author)
    ©2003 Monographs
  • Title: Personal Experience and the Media

    Personal Experience and the Media

    Media Interplay in Rainer Werner Fassbinder’s Work for Theatre, Cinema and Television
    by Klaus Ulrich Militz (Author)
    ©2006 Thesis
  • Title: The Path of a Character

    The Path of a Character

    Michael Chekhov’s Inspired Acting and Theatre Semiotics
    by Yana Meerzon (Author)
    ©2005 Monographs
  • Title: MIMOS 2021

    MIMOS 2021

    Martin Zimmermann
    by Paola Gilardi (Volume editor) Anne Fournier (Volume editor) Andreas Klaeui (Volume editor) Yvonne Schmidt (Volume editor) 2022
    ©2022 Edited Collection
  • Title: The Joy of Rehearsal

    The Joy of Rehearsal

    Reflections on Interpretation and Practice
    by James Thomas (Author)
    ©2006 Monographs
  • Title: On Improvisation

    On Improvisation

    Nine Conversations with Roberto Ciulli
    by Malgorzata Bartula (Author) Stefan Schroer (Author)
    ©2003 Others
  • Title: MIMOS 2019

    MIMOS 2019

    Cie Yan Duyvendak
    by Paola Gilardi (Volume editor) Delphine Abrecht (Volume editor) Anne Fournier (Volume editor) Andreas Klaeui (Volume editor) 2024
    ©2019 Edited Collection
  • Title: France-Italie : un dialogue théâtral depuis 1950

    France-Italie : un dialogue théâtral depuis 1950

    Actes du Colloque international- (Abbaye d’Ardenne les 1 er -2 décembre 2006)
    by Marie-José Tramuta (Volume editor) Yannick Butel (Volume editor) 2012
    ©2008 Edited Collection
  • Title: «Ein Weib tut wenig, plaudert viel»

    «Ein Weib tut wenig, plaudert viel»

    Das Frauenbild in der literarischen Rezeption der Opern W. A. Mozarts und seiner Librettisten. Ein Beitrag zur Geschlechterforschung
    by Corinna Lemm-Mirschel (Author)
    ©2005 Thesis
  • Title: Bernard Shaw in Brazil

    Bernard Shaw in Brazil

    The Reception of Theatrical Productions, 1927–2013
    by Rosalie Rahal Haddad (Author) 2016
    ©2016 Monographs
  • Title: Shakespeare in 19th-Century Opera

    Shakespeare in 19th-Century Opera

    by Alina Borkowska-Rychlewska (Author) 2019
    ©2019 Monographs
  • Title: Scrapbooks, Snapshots and Memorabilia

    Scrapbooks, Snapshots and Memorabilia

    Hidden Archives of Performance
    by Glen McGillivray (Author) 2011
    ©2011 Edited Collection
  • Title: Performing Arts Collections on the Offensive- Les collections d’arts du spectacle passent à l’offensive

    Performing Arts Collections on the Offensive- Les collections d’arts du spectacle passent à l’offensive

    26 th SIBMAS Congress, Vienna 2006- 26 ème Congrès SIBMAS, Vienne 2006
    by Ulrike Dembski (Volume editor) Christiane Mühlegger-Henhapel (Volume editor)
    ©2007 Conference proceedings
  • Title: Unstable Ground

    Unstable Ground

    Performance and the Politics of Place
    by Gay McAuley (Volume editor)
    ©2008 Edited Collection
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