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Open Access
Publication Year
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The Theatrical Critic as Cultural Agent
Constructing Pinter, Orton and Stoppard as Absurdist Playwrights©2001 Monographs -
Female «Othellos»
©2018 Monographs -
Codifying the National Self
Spectators, Actors and the American Dramatic Text©2006 Conference proceedings -
Perspectives on Shakespeare in Performance
©2000 Textbook -
The Theatre of the Absurd, the Grotesque and Politics
A Study of Samuel Beckett, Harold Pinter and Tom Stoppard©2021 Monographs -
Stereoscopic London
Plays of Oscar Wilde, Bernard Shaw and Arthur Wing Pinero in 1890s©2020 Monographs -
Masking the Drama
A Space for Revolution in Aphra Behn’s «The Rover» and «The Feign’d Courtezans»Thesis -
Staging Separate Spheres
Theatrical Spaces as Sites of Antagonism in One-Act Plays by American Women, 1910–1930- Including Bibliographies on One-Act Plays in the United States, 1900–1940©2006 Thesis -
Playing Shakespeare's Beautiful People
©2023 Edited Collection -
Frances Burney and her readers. The negotiated image.
©2020 Monographs -
The Nation of Islam and Black Consciousness
The Works of Amiri Baraka, Sonia Sanchez, and Other Writers©2019 Monographs -
‘Experienc’d Age knows what for Youth is fit’?
Generational and Familial Conflict in British and Irish Drama and Theatre©2019 Edited Collection -
'And Yet I Remember'
Ageing and Old(er) Age in English Drama between 1660 and the 1750s©2019 Monographs -
«Mimesis» and the Representation of Experience
Dramatic Theory and Practice in pre-Shakespearean Comedy (1560-1590)©2013 Monographs -
«Eyes deep with unfathomable histories»
The Poetics and Politics of Magic Realism Today and in the Past©2013 Edited Collection -
Labyrinth of Hybridities
Avatars of O’Neillian Realism in Multi-ethnic American Drama (1972-2003)©2010 Monographs