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Publication Schedule
Open Access
Year
-
The Theatrical Critic as Cultural Agent
Constructing Pinter, Orton and Stoppard as Absurdist Playwrights©2001 Monographs -
Staging Separate Spheres
Theatrical Spaces as Sites of Antagonism in One-Act Plays by American Women, 1910–1930- Including Bibliographies on One-Act Plays in the United States, 1900–1940©2006 Thesis -
The Reception of German Theater in Greece
Establishing a Theatrical Locus Communis: The Royal Theater in Athens (1901-1906)©2019 Thesis -
Molière’s Spanish Connection
Seventeenth-Century Spanish Theatrical Influence on Imaginary Identity in Molière©2001 Monographs -
The Communication and Reception of Polish Theatre in China
©2024 Monographs -
Staging America, Staging the Self
Figurations of Loss in John Berryman's Dream Songs©2021 Monographs -
The Sacred Cause
The Europe that was Lost – Thoughts on Central and Eastern European Modernism©2013 Monographs -
Byron and the Baroque
©2013 Monographs -
Stepping Queerly?
Discourses in Dance Education for Boys in Late 20th-Century Finland©2006 Monographs -
Shakespeare and the Strategies of an Opening
©2023 Monographs -
The Informer
©2008 Monographs -
Approaching Transnational America in Performance
©2016 Edited Collection -
Frank McGuinness’s Dramaturgy of Difference and the Irish Theatre
©2011 Monographs