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The Theatre of the Absurd, the Grotesque and Politics
A Study of Samuel Beckett, Harold Pinter and Tom Stoppard©2021 Monographs -
Radical Contemporary Theatre Practices By Women In Ireland
©2015 Edited Collection -
Theatres in the Round
Multi-ethnic, Indigenous, and Intertextual Dialogues in Drama©2011 Edited Collection -
The Communication and Reception of Polish Theatre in China
©2024 Monographs -
In the Footsteps of Harlequin and Pulcinella
Cultural Mobility and Localness of Theatre©2020 Monographs -
Afterlife of the Theatre of the Absurd
The Avant-garde, Spectatorship, and Psychoanalysis©2018 Monographs -
Art and Resistance: Studies in Modern Indian Theatres
©2019 Edited Collection -
Theatre as a Prison of Longue Durée
©2011 Monographs -
Drama Translation and Theatre Practice
©2004 Conference proceedings -
Literature, Music, Theatre?
The Performative Aspect of Rammstein’s Musical Activity©2022 Monographs -
The Art of Theatre
Word, Image and Performance in France and Belgium, c. 1830–1910©2013 Edited Collection -
Frank McGuinness’s Dramaturgy of Difference and the Irish Theatre
©2011 Monographs -
Theatre and Relationships in Shakespeare’s Later Plays
©2008 Monographs -
Slovene Theatre and Drama Post Independence: Four Plays by Slovene Playwrights
Introduction and Translation by Lesley Anne Wade©2007 Monographs -
Religion, Ritual, Theatre
©2009 Conference proceedings