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Masking the Drama
A Space for Revolution in Aphra Behn’s «The Rover» and «The Feign’d Courtezans»Thesis -
Sex, Love and Prostitution in Turn-of-the-Century German-Language Drama
A. Schnitzler’s "Reigen</I>, F. Wedekind’s "Die Büchse der Pandora: Eine Monstretragoedie</I>, and L. Thoma’s "Moral</I> and "Magdalena</I>©2006 Thesis -
Towards a Cultura Franca
Contemporary American Civil and Human Rights Drama in the Foreign Language Classroom©2017 Thesis -
Life Goes On. And Sometimes It Doesn't.
A comparative study of medical drama in the US, Great Britain and Germany©2002 Thesis -
Staging Separate Spheres
Theatrical Spaces as Sites of Antagonism in One-Act Plays by American Women, 1910–1930- Including Bibliographies on One-Act Plays in the United States, 1900–1940©2006 Thesis -
Chronotopes of Modernity in Chekhov
©2019 Thesis -
Twentieth-Century Adaptations of «Macbeth»
Writing between Influence, Intervention, and Cultural Transfer©2011 Thesis -
From Chaucer’s Pardoner to Shakespeare’s Iago
Aspects of Intermediality in the History of the Vice©2009 Thesis -
Filming Shakespeare, from Metatheatre to Metacinema
©2008 Thesis -
The Doing of Telling on the Irish Stage
A Study of Language Performativity in Modern and Contemporary Irish Theatre©2008 Thesis -
Personal Experience and the Media
Media Interplay in Rainer Werner Fassbinder’s Work for Theatre, Cinema and Television©2006 Thesis -
From Gay to Queer
Gay Male Identity in Selected Fiction by David Leavitt and in Tony Kushner’s Play" Angels in America©2003 Thesis -
Cultural Performances
A Study on Managing Collective Trauma amongst Displaced Persons in Daudu, Benue State, Nigeria©2021 Thesis -
Image, Text and Audience
The "Taishokan" Narrative in Visual Representations of the Early Modern Period in Japan©2003 Thesis