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Lin-Manuel Miranda’s «Hamilton»: Silenced Women’s Voices and Founding Mothers of Color
A Critical Race Theory Counterstory©2024 Thesis -
Staging Separate Spheres
Theatrical Spaces as Sites of Antagonism in One-Act Plays by American Women, 1910–1930- Including Bibliographies on One-Act Plays in the United States, 1900–1940©2006 Thesis -
«I’le to My Self, and to My Muse Be True»
Strategies of Self-Authorization in Eighteenth-Century Women Poetry©2008 Thesis -
Writing the Way Out
Inheritance and Appropriation in Aemilia Lanyer, Isabella Whitney, Mary (Sidney) Herbert and Mary Wroth©2011 Thesis -
Masking the Drama
A Space for Revolution in Aphra Behn’s «The Rover» and «The Feign’d Courtezans»Thesis -
Babysitting the Reader
Translating English Narrative Fiction for Girls into Dutch (1946-1995)©2007 Thesis -
«There’s a Way to Alter the Pain»
Biblical Revision and African Tradition in the Fictional Cosmology of Gloria Naylor’s "Mama Day" and "Bailey’s Café"©2013 Thesis -
A Dangerous Fiction
Subverting Hegemonic Masculinity through the Novels of Michael Chabon and Tom Wolfe©2013 Thesis