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Year
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The Semiotics of Fate, Death, and the Soul in Germanic Culture
The Christianization of Old Saxon©2002 Monographs -
The Creation of an Avant-Garde Brand
Heiner Müller’s Self-Presentation in the German Public Sphere©2023 Monographs -
Behind the Legends
The Cult of Personality and Self-Presentation in the Literary Works of Stefan Heym©2009 Monographs -
On the Seventh Solitude
Endless Becoming and Eternal Return in the Poetry of Friedrich Nietzsche©2006 Monographs -
The Double-Edged Sword
The Cult of "Bildung</I>, Its Downfall and Reconstitution in Fin-de-Siècle Germany (Rudolf Steiner and Max Weber)©2004 Monographs -
The Prose Fiction of Louise von François (1817-1893)
©2007 Monographs -
Trials and Tribunals in the Dramas of Heinrich von Kleist
©2007 Monographs -
Meditations on Jewish Creative Identity
Representations of the Jewish Artist in the Works of German-Jewish Writers from Heine to Feuchtwanger©2004 Monographs -
Otto Dix and Weimar Media Culture
Time, Fashion and Photography in Portrait Paintings of the Neue Sachlichkeit©2022 Monographs -
Popular History and Fiction
The Myth of August the Strong in German Literature, Art and Media©2014 Monographs -
Reading Rilke’s Orphic Identity
©2005 Monographs -
Understanding Charles Sealsfield, Understanding America
©2023 Monographs -
Klaus Mann – A European-American Author
©2019 Monographs -
Representations of Muslim Women in German Popular Culture, 1990–2015
©2019 Monographs -
Between Natives and Foreigners
Selected Writings of Karl/Charles Follen (1796–1840)©2007 Monographs -
Drama and «Ideenschmuggel»
Inserted Performance as Communicative Strategy in Karl Gutzkow’s Plays 1839-1849©2008 Monographs