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The Theatrical Critic as Cultural Agent
Constructing Pinter, Orton and Stoppard as Absurdist Playwrights©2001 Monographs -
Dealing with the Devil
Anglo-Soviet Intelligence Cooperation During the Second World War©2010 Monographs -
Predicting Insider Espionage — A Five-Factor Model
©2024 Monographs -
Competition, Coordination, Social Order
Responsible Business, Civil Society, and Government in an Open Society©2017 Monographs -
Volatile Compounds
The Utilisation of Volatile Compounds in the Characterisation of Vegetable Oils and Fats and in Reducing the Bacterial Count of Ambient Air©2011 Monographs -
The Policy of Payment by Results in Irish Primary Schools, 1871–1900
rancour and discord©2024 Monographs -
Global Enterprise and Private Profits
How the Citizens and the Public Interest Are Being Shortchanged©2023 Monographs -
The Technological Unconscious in Contemporary Fiction in English
©2023 Monographs -
Form, Meaning and Aspect in the German Impersonal Passive
©2022 Monographs -
Social Responsibility as Academic Learning Course at the University
©2021 Monographs -
Indigenous Epistemology
Descent into the Womb of Decolonized Research Methodologies©2020 Monographs -
For the Love of Shirley
One Woman’s Challenges and Choices in Postwar Jewish America©2020 Monographs -
Realizing Greater Britain
The South African Constabulary and the Imperial Imposition of the Modern State, 1900−1914©2020 Monographs