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The Theatre of the Absurd, the Grotesque and Politics
A Study of Samuel Beckett, Harold Pinter and Tom Stoppard©2021 Monographs -
The Communication and Reception of Polish Theatre in China
©2024 Monographs -
In the Footsteps of Harlequin and Pulcinella
Cultural Mobility and Localness of Theatre©2020 Monographs -
Literature, Music, Theatre?
The Performative Aspect of Rammstein’s Musical Activity©2022 Monographs -
Performing Christ
South African Protest Theatre and the Theological Dramatic Theory of Hans Urs von Balthasar©2021 Monographs -
Legacies of Indigenous Resistance
Pemulwuy, Jandamarra and Yagan in Australian Indigenous Film, Theatre and Literature©2019 Monographs -
KINSHIP REIMAGINED: FAMILY IN DORIS LESSING’S FICTION
©2020 Monographs -
Grotowski in Iran
©2019 Monographs -
Building (in) the Promised Land
Postcolonial Biblical Readings of Contemporary Irish Drama (2000-2015)©2022 Monographs -
Convention and Contravention in Ben Jonson’s Three Comedies
Volpone, The Alchemist, Bartholomew Fair©2022 Monographs -
Stereoscopic London
Plays of Oscar Wilde, Bernard Shaw and Arthur Wing Pinero in 1890s©2020 Monographs -
Shakespeare in 19th-Century Opera
©2019 Monographs -
Shakespeare and the Strategies of an Opening
©2023 Monographs