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The Princess Story
Modeling the Feminine in Twentieth-Century American Fiction and Film©2013 Monographs -
A ‘Fourth Way’ to Tell the Story
Fact and Fiction in Three Novels by Joyce Carol Oates©2022 Monographs -
Kipling the Trickster
Knowingness, Practical Jokes and the Use of Superior Knowledge in Kipling's Short Stories©2021 Monographs -
Failure: The Humble Narrative of Unsuccessfulness in Late Modernist Fiction
British, Irish and Postcolonial Novels and Stories©2020 Monographs -
Dungan Folktales and Legends
©2021 Monographs -
Moving Toward Redemption
Spirituality and Disability in the Late Writings of Andre Dubus (1936–1999)©2017 Monographs -
Legacies of Indigenous Resistance
Pemulwuy, Jandamarra and Yagan in Australian Indigenous Film, Theatre and Literature©2019 Monographs -
The Fiction of Brian McCabe and (Scottish) Identity
©2013 Monographs -
Founding Fictions of the Dutch Caribbean
Diana Lebacs' The Longest Month (De Langste Maand)©2022 Monographs -
Voices from the Margins
Gender and the Everyday in Women’s Pre- and Post- Agreement Troubles Short Fiction©2022 Monographs -
Samuel Beckett's Signature in Years 1929–1938
Reflecting on the Thought Process: Language, the Neutrum and Memory©2022 Monographs -
Timelines in Emily Brontë’s «Wuthering Heights»
©2020 Monographs