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Open Access
Year
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Afterlife of the Theatre of the Absurd
The Avant-garde, Spectatorship, and Psychoanalysis©2018 Monographs -
The Theatre of the Absurd, the Grotesque and Politics
A Study of Samuel Beckett, Harold Pinter and Tom Stoppard©2021 Monographs -
In the Footsteps of Harlequin and Pulcinella
Cultural Mobility and Localness of Theatre©2020 Monographs -
Literature, Music, Theatre?
The Performative Aspect of Rammstein’s Musical Activity©2022 Monographs -
Jacques Copeau’s Friends and Disciples
The Théâtre du Vieux-Colombier in New York City, 1917-1919©2008 Monographs -
The Communication and Reception of Polish Theatre in China
©2024 Monographs -
Frank McGuinness’s Dramaturgy of Difference and the Irish Theatre
©2011 Monographs -
From Stage to Page
Critical Reception of Irish Plays in the London Theatre, 1925–1996©2011 Monographs -
Performing Christ
South African Protest Theatre and the Theological Dramatic Theory of Hans Urs von Balthasar©2021 Monographs -
Buffoonery and Easy Sentiment
Popular Irish plays in the decade prior to the opening of the Abbey Theatre©2011 Monographs