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Publication Schedule
Open Access
Year
-
Views of Albion
The Reception of British Art and Design in Central Europe, 1890–1918©2015 Monographs -
The Sacred Cause
The Europe that was Lost – Thoughts on Central and Eastern European Modernism©2013 Monographs -
St. Ursula and the Eleven Thousand Virgins of Cologne
Relics, Reliquaries and the Visual Culture of Group Sanctity in Late Medieval Europe©2010 Monographs -
Reframing the European Other
Identity and Belonging in Contemporary French and German Cinema©2024 Monographs -
A Changing Role for the Composer in Society
A Study of the Historical Background and Current Methodologies of Creative Music-Making©2005 Monographs -
Art, Identity and Cosmopolitanism
William Rothenstein and the British Art World, c.1880–1935©2024 Monographs -
Afterlife of the Theatre of the Absurd
The Avant-garde, Spectatorship, and Psychoanalysis©2018 Monographs -
Reaching Athens
Community, Democracy and Other Mythologies in Adaptations of Greek Tragedy©2013 Monographs -
The Return Beat - Interfacing with Our Interface
A Spiritual Approach to the Golden Triangle©2021 Monographs -
Dada, One Hundred Years Later
©2019 Monographs -
Marcin Mielczewski and Music under the Patronage of the Polish Vasas
Translated by John Comber©2015 Monographs -
A Tear in the Curtain: The Musical Diplomacy of Erzsébet Szőnyi
Musician, Composer, Teacher of Teachers©2014 Monographs -
The Black Irish Onscreen
Representing Black and Mixed-Race Identities on Irish Film and Television©2013 Monographs -
Arcadian Waters and Wanton Seas
The Iconology of Waterscapes in Nineteenth-Century Transatlantic Culture©2009 Monographs -
Jacques Copeau’s Friends and Disciples
The Théâtre du Vieux-Colombier in New York City, 1917-1919©2008 Monographs