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The Gesamtkunstwerk as a Synergy of the Arts

by Massimo Fusillo (Volume editor) Marina Grishakova (Volume editor) 2020

©2021 Edited Collection
Teaching <I>Daughters of the Dust</I> as a Womanist Film and the Black Arts Aesthetic of Filmmaker Julie Dash

by Patricia Williams Lessane (Volume editor) 2020

©2020 Edited Collection
Edgar Wind

Art and Embodiment

by Jaynie Anderson (Volume editor) Bernardino Branca (Volume editor) Fabio Tononi (Volume editor) 2024

©2024 Edited Collection
Ireland and the British Empire

Essays on Art and Visuality

by Fintan Cullen (Volume editor) 2023

©2023 Edited Collection
Bruno Munari

The Lightness of Art

by Pierpaolo Antonello (Volume editor) Matilde Nardelli (Volume editor) Margherita Zanoletti (Volume editor)

©2017 Edited Collection
Pre-Raphaelite Sisters

Art, Poetry and Female Agency in Victorian Britain

by Glenda Youde (Volume editor) Robert Wilkes (Volume editor) 2022

©2022 Edited Collection
Imagined Cosmopolis

Internationalism and Cultural Exchange, 1870s–1920s

by Charlotte Ashby (Volume editor) Grace Brockington (Volume editor) Daniel Laqua (Volume editor) Sarah Victoria Turner (Volume editor) 2019

©2019 Edited Collection
Nordic Design in Translation

The Circulation of Objects, Ideas and Practices

by Charlotte Ashby (Volume editor) Shona Kallestrup (Volume editor) 2023

©2023 Edited Collection
Cultural Representations of Albinism in Africa

Narratives of Change

by Charlotte Baker (Volume editor) Elvis Imafidon (Volume editor) 2022

Edited Collection
The Power of Symbols

The Alhambra in a Global Perspective

by Francine Giese (Volume editor) Ariane Varela Braga (Volume editor) 2018

©2018 Edited Collection
Axis of Observation II: Frank Gillette

by Suzanne Anker (Volume editor) Sabine Flach (Volume editor) 2021

©2021 Edited Collection
Ceol Phádraig

Music at St Patrick’s College Drumcondra, 1875-2016

by John Buckley (Volume editor) John O'Flynn (Volume editor) 2019

©2019 Edited Collection
Echoes Down the Corridor

Irish Theatre - Past, Present and Future

by Patrick Lonergan (Volume editor) Riana O'Dwyer (Volume editor) 2019

©2007 Edited Collection
Devised Performance in Irish Theatre

Histories and Contemporary Practice

by Siobhán O'Gorman (Volume editor) Charlotte McIvor (Volume editor)

©2015 Edited Collection
The Gate Theatre, Dublin

Inspiration and Craft

by David Clare (Volume editor) Des Lally (Volume editor) Patrick Lonergan (Volume editor) 2019

©2018 Edited Collection
On Spectatorship

An Approach to Contemporary Spanish Theatre

by Anxo Abuín González (Volume editor) Eduardo Pérez-Rasilla (Volume editor) 2024

©2024 Edited Collection
Branding «Western Music»

by María Cáceres-Piñuel (Volume editor) Alberto Napoli (Volume editor) Melanie Strumbl (Volume editor) 2024

©2024 Edited Collection
The Sound of Tartini

Instruments and Performing Practices in His Time

by Margherita Canale Degrassi (Volume editor) Paolo da Col (Volume editor) 2023

©2023 Edited Collection
Documentary in the Age of COVID

by Dafydd Sills-Jones (Volume editor) Pietari Kääpä (Volume editor) 2023

©2023 Edited Collection
Death in the 21st Century

A Companion

by Katarzyna Bronk-Bacon (Volume editor) Simon Bacon (Volume editor)

©2024 Edited Collection

The Gesamtkunstwerk as a Synergy of the Arts

Teaching <I>Daughters of the Dust</I> as a Womanist Film and the Black Arts Aesthetic of Filmmaker Julie Dash

Edgar Wind

Ireland and the British Empire

Bruno Munari

Pre-Raphaelite Sisters

Imagined Cosmopolis

Nordic Design in Translation

Cultural Representations of Albinism in Africa

The Power of Symbols

Magic

Axis of Observation II: Frank Gillette

Playboys of the Western World

Sacred Play

Ceol Phádraig

Echoes Down the Corridor

Devised Performance in Irish Theatre

The Gate Theatre, Dublin

On Spectatorship

Branding «Western Music»

The Sound of Tartini

The Deep

Documentary in the Age of COVID

Giuseppe Tartini: Fundamental Questions

Death in the 21st Century

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