Cultural Performances
A Study on Managing Collective Trauma amongst Displaced Persons in Daudu, Benue State, Nigeria
Summary
"Shadrach grasps the physical and psychological dimensions of theatrical events. He describes as an observer, analyses as a scientist, and understands the need for reflection before coming to a conclusion." Wolfgang Schneider
"... It is a stimulant for further research in cultural performances and their therapeutic properties." S. E. Ododo
Excerpt
Table Of Contents
Dedication
To all victims of violent conflicts battling trauma issues, especially those of the farmers/herders conflict in Benue State, whose unfortunate circumstances became for me the inspiration and material for this research.
Acknowledgements
This research was possible because of several reasons. God in His infinite mercies made it possible for me to be part of the golden opportunity made available through the DAAD funded SDG Graduate School “Performing Sustainability: Cultures and Development in West Africa”. I appreciate the partner institutions which include the Universities of Hildesheim (Germany), Maiduguri (Nigeria), and Cape Coast (Ghana), as led by Prof. Dr. Raimund Vogels, Prof. Abba I. Tijani and Prof. Florian Carl.
I owe a huge debt of gratitude to my supervisors, Prof. Sunday Enessi Ododo, Prof. Dr. Wolfgang Schneider, and Prof. Haruna D. Dlakwa, for their support, tutelage, and patience. Sirs, you offered me a level of friendship and camaraderie that has now grown beyond student-teacher levels. I am eternally grateful for this.
My gratitude also goes to the Coordinators of the SDG Graduate School in the partner Universities. They include Drs. Chris Mtaku (Nigeria), Eyram Fiagbedzi (Ghana), Nepomuk Riva and Meike Lettau (Germany).
Especial thanks to my wife Nelly Mnena Ukuma, who endured three long years of my absence, short attention, half affection, and impatience. You are a strong woman, my everyday choice and I love you! My parents built in me the zeal for education and service. My father, Simon Asongo Ukuma has a profound belief in me which gives me the audacity to face life challenges without looking back. I thank you Sir. I believe my mum Doo Ann Ukuma (nee Mnger) will be looking down from heaven with satisfaction; fond memories of her are a ball of energy for me always. I love you both endlessly.
Prof. Tor Iorapuu had special interest in my research and offered useful insights. He gave me books and created time to discuss my research questions. Prof. Gowon Ama Doki saw the academic promise in me and helped set before me a clear path for my academic career. Rev. Brother Moses Abunya, fsc, PhD, bought five books important to this research from the United States and shipped to me. Mr. Nathaniel Msen Awuapila has mentored me in many ways. I thank them both immeasurably.
Several friends have been nice to me and I will mention a few:Rev. Fr. Solomon Mfa, Drs. Elijah Terdoo Ikpanor, and Zack Wade, Moses Kamnan, Festus Mbapuun, Isaac Akaa, Binwie Tanwie, Samuel Ude, Vitalis Kpev, Ayande Timothy, and Benjamin Igbo.
←8 | 9→Lastly, but most importantly, I appreciate the scholarly endeavours of authors whose works I generously helped myself with in developing my own ideas.
Thank you all!
Shadrach Teryila Ukuma
Makurdi, Nigeria
June 5, 2020
List of Figures
Figure Page
Fig. 1: The Ukuma Illustration on Interconnectivity of African Dance, Drama and Music 105
Fig. 2: Ukuma Model for Cultural Performances in Managing Collective Trauma 144
Details
- Pages
- 176
- Publication Year
- 2021
- ISBN (PDF)
- 9783631839546
- ISBN (ePUB)
- 9783631839553
- ISBN (MOBI)
- 9783631839560
- ISBN (Hardcover)
- 9783631839539
- DOI
- 10.3726/b17754
- Language
- English
- Publication date
- 2020 (December)
- Keywords
- Performance Therapy Ethnomusicology Community Building Cultural Policy Social Practice
- Published
- Berlin, Bern, Bruxelles, New York, Oxford, Warszawa, Wien, 2020. 176 pp., 13 fig. b/w.