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Derrida’s Deconstruction of the Subject: Writing, Self and Other

Writing, self and other

by Thea Bellou (Author)
©2014 Thesis 362 Pages

Summary

Derrida is one of the most influential, controversial and complex thinkers. The book offers a critical evaluation of deconstruction by focusing on the problematic of writing, self and other in the thought of Derrida. It examines how these concepts relate to one another in order to analyse systematically the influence that the concept of alterity has had in deconstructing a certain idea of subjectivity in Western metaphysics.
Thea Bellou argues that Derrida’s intellectual project is to examine the fate of irreducible alterity within Western metaphysics. Hence, the question of the other remained Derrida’s most fundamental and constant intellectual engagement throughout his oeuvre.
The book starts with the early works of Derrida where his notions of alterity and writing are embedded in his engagement with phenomenology. It ends with the last phase of Derrida’s work where he turns towards more concrete ethico-political situations, and increasingly adopts theological and messianic discourses, focusing on violence to the other, an ‘other-orientated’ notion of responsibility, and a ‘futural’ concept of democracy and politics.

Details

Pages
362
Year
2014
ISBN (PDF)
9783035106398
ISBN (Softcover)
9783034314251
DOI
10.3726/978-3-0351-0639-8
Language
English
Publication date
2013 (November)
Keywords
alterity metaphysics influence subjectivity
Published
Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Oxford, Wien, 2013. 362 pp.

Biographical notes

Thea Bellou (Author)

Thea Bellou teaches Communication, Media and Cultural Studies at Victoria University, Australia. She taught in numerous universities in Australia and overseas. She has been a research fellow at the University of Melbourne and the University of Paris. Her current research deals with the impacts of the digital communication revolution on diverse fields, particularly, media, culture and communication.

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Title: Derrida’s Deconstruction of the Subject: Writing, Self and Other