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Staging Thought

Essays on Irish Theatre, Scholarship and Practice

by Rhona Trench (Volume editor)
©2012 Edited Collection XX, 310 Pages

Summary

This collection of essays showcases the rich diversity of current writing about Irish theatre. The volume includes perspectives from experts in scenography, physical theatre, dramaturgy and stand-up comedy, as well as academic contributions drawing from anthropology, psychology, sociology, gender studies and performance studies. Exploring plays, events, exhibitions, performances, and rehearsal and realization processes, the essays provide a stimulating analysis of the languages and procedures of theatre in Ireland. The book demonstrates that performance studies and practices are continuing to expand, suggesting that Ireland’s text-centric theatre has begun to cast its net further afield and pointing to the rich possibilities within Irish theatre, scholarship and practice, now and for the future.

Details

Pages
XX, 310
Year
2012
ISBN (PDF)
9783035302844
ISBN (Softcover)
9783034308045
DOI
10.3726/978-3-0353-0284-4
Language
English
Publication date
2012 (April)
Keywords
Blue Raincoat Theatre Company Cultural Differences in Staging Brian Friel's Translations in Romania The Cat and the Moon (1926) Discussing Physicality and Story in Barabbas Theatre Company's Circus (2007) The Actor's Body as a Heterotopic Language
Published
Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien, 2012. XX, 310 pp., 6 ill., 2 tables

Biographical notes

Rhona Trench (Volume editor)

Rhona Trench is Programme Chair of the BA in Performing Arts at the Institute of Technology, Sligo, where she is also Lecturer in Drama Studies and Directing for Theatre. She is Vice President of the Irish Society for Theatre Research. Her publications include Bloody Living: The Loss of Selfhood in the Plays of Marina Carr (Peter Lang, 2010).

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Title: Staging Thought