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Little Sister Death

Finitude in William Faulkner’s "The Sound and the Fury"

by Agnieszka Kaczmarek (Author)
©2013 Monographs 220 Pages

Summary

The volume is an attempt to read William Faulkner’s The Sound and the Fury while bearing in mind three phenomenological philosophies of death as proposed by Max Scheler, Martin Heidegger, and Emmanuel Levinas. The literary analysis mainly reveals how Benjy senses Scheler’s intuitive certainty of death, and presents Jason as the Schelerian dweller of the West who uproots the thought of finitude out of his awareness. Despite the committed suicide, Quentin Compson represents the embodiment of Heidegger’s Dasein, realizing both the authentic and inauthentic Being-towards-death. Lastly, Caddy’s fecundity and Dilsey’s responsibility for the Other exemplify what Levinas regards as victory over death, and demonstrate the infinity the French philosopher describes.

Details

Pages
220
Year
2013
ISBN (PDF)
9783653036213
ISBN (Hardcover)
9783631625057
DOI
10.3726/978-3-653-03621-3
Language
English
Publication date
2013 (July)
Keywords
American modernism literary criticism the South of the United States phenomenon of death
Published
Frankfurt am Main, Berlin, Bern, Bruxelles, New York, Oxford, Wien, 2013. 220 pp.

Biographical notes

Agnieszka Kaczmarek (Author)

Agnieszka Kaczmarek, PhD, born 1977, is lecturer of American Civilization at the School of Higher Vocational Education in Nysa (Poland). Her main field of interest is twentieth-century American Literature, with a focus on American travel writing.

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